Categories
Creative

Broadway’s Most Heartbreaking Songs

There’s something about a Broadway heartbreak song that hits differently than any other kind of musical theatre moment. Maybe it’s the way the orchestra swells just as your heart breaks, or how a single spotlight can make an entire theatre feel like the most intimate space in the world. Whatever it is, these songs don’t just tell us about love ending; they make us feel every agonizing moment of it.

I’ve been thinking about the breakup songs that have stayed with me long after the curtain falls, the ones that make you sit on the train or the walk home afterward and just… breathe (or cry again.) Here are the most devastating goodbye songs in Broadway history, plus a few more that deserve their moment in the spotlight.

The Essential Heartbreakers

1. Then I Can Let You Go – Maybe Happy Ending

This Broadway gem gave us one of the most unexpectedly moving breakup duets in recent memory. Two obsolete helper robots learning to love and let go? It shouldn’t work, but it absolutely destroys you. There’s something about mechanical beings discovering the most human emotion of all—the pain of saying goodbye—that cuts right to the core.

Cynthia Erivo sings “I’m Still Hurting” at The Town Hall

2. Still Hurting – The Last Five Years

Jason Robert Brown opens his musical with a gut punch, and honestly, some of us never recover. Cathy’s quiet devastation in “Still Hurting” is so real it’s almost uncomfortable to watch. The way Brown uses simple melody to amplify crushing lyrics is pure genius—and pure torture.

3. Without You – Rent

Jonathan Larson knew how to write pain, and “Without You” might be his masterpiece of heartbreak. Mimi’s raw, desperate plea captures that moment when you realize the person you love is slipping away, and there’s nothing you can do to stop it. Every time I hear it, I’m right back in that East Village apartment, feeling every note.

4. I Know Him So Well – Chess

Two women, one man, and a duet that somehow manages to be both civilized and devastating. There’s no screaming, no accusations—just two people who understand each other perfectly, which somehow makes the whole thing even more tragic. It’s the kind of song that makes you call your ex just to make sure you’re both okay.

5. I’d Give My Life for You (Reprise) – Miss Saigon

The original is a mother’s promise; the reprise is a mother’s goodbye. Claude-Michel Schönberg and Alain Boublil took the most beautiful expression of love and twisted it into the most heartbreaking sacrifice. It’s the kind of moment that reminds you why musical theater exists—to make us feel things we didn’t know we could feel.

6. You Don’t Know This Man – Parade

Lucille Frank’s desperate defense of her husband becomes something much more complex—a woman realizing that love sometimes means accepting how little you really know someone. It’s not technically a breakup song, but it carries the same weight of love disappearing before your eyes.

7. For Good – Wicked

Stephen Schwartz gave us the ultimate friendship breakup, and honestly, it might hurt more than any romantic goodbye on this list. Elphaba and Glinda’s farewell reminds us that some relationships change us so fundamentally that losing them feels like losing a piece of ourselves.

8. All You Wanna Do – Six

Katherine Howard’s solo might be the most devastating example of a song that tricks you. What starts as a bouncy pop anthem slowly reveals itself as the story of a young woman who was manipulated and abused by every man in her life. The contrast between the upbeat music and the increasingly dark lyrics is absolutely gut-wrenching.

9. Far From the Home I Love – Fiddler on the Roof

Hodel’s quiet goodbye to her family is devastating in its acceptance. She’s choosing love over everything familiar, and you can feel the weight of knowing some distances can never be crossed again. It’s one of those songs that makes you call your parents afterward.

10. Burn – Hamilton

Lin-Manuel Miranda gives Eliza the ultimate revenge song, and it’s terrifying in the best way. The way it builds from quiet devastation to blazing fury is breathtaking. Sometimes the most devastating thing you can do is erase someone completely—and Eliza knows it.

11. Not a Day Goes By – Merrily We Roll Along

Classic Sondheim genius: the same song appears twice with completely different meanings. Whether it’s about the beginning of love or the end depends on where you are in the timeline, which makes it heartbreaking in the most sophisticated way possible.

12. I Don’t Remember You – Happy Time

This Kander and Ebb gem sneaks up on you. Claiming not to remember someone while singing an entire song about not remembering them? It’s emotional gaslighting set to a beautiful melody, which somehow makes it even more devastating.

Why we love them?

The truth is, we don’t go to the theater to feel comfortable. We go to feel everything: the joy, the pain, the messy complicated middle of being human. These breakup songs remind us that endings, however painful, are part of every story worth telling.

They’re also proof that musical theater, at its best, doesn’t just entertain us…it helps us process our own experiences. Every time someone on stage says goodbye, they’re giving voice to all the goodbyes we’ve struggled to say ourselves.

Some heartbreak is worth carrying with you.

Categories
Creative

2025-2026 Broadway Season (So Far)

It’s official: Broadway’s 2025–2026 season is set to be a showstopper. Between blockbuster revivals, high-profile debuts, daring comedies, and nostalgic musicals, this year’s lineup offers something for everyone. Whether you’re a die-hard theater nerd, a celebrity spotter, or just looking for your next night out in New York, here’s your essential guide to the productions lighting up the marquees.


BACK TO THE BLOCKBUSTER

MAMMA MIA!
Winter Garden Theatre | Opening August 14, 2025
ABBA’s beloved jukebox musical returns to the Winter Garden—its original Broadway home—bringing a dose of sun-drenched escapism and glittery nostalgia. With a cast led by Christine Sherrill, Amy Weaver, and Carly Sakolove, this revival promises to be both a retro party and a fresh celebration.

BEETLEJUICE
Palace Theatre | Opening October 8, 2025
After a successful tour and its cult following intact, Beetlejuice is rising from the dead once more. Alex Timbers’ high-octane production will haunt the newly reopened Palace Theatre, delivering chaotic comedy, killer design, and a second chance for audiences who missed it the first time.

CHESS
Imperial Theatre | Opening November 16, 2025
Aaron Tveit, Lea Michele, and Nicholas Christopher take center stage in this long-awaited revival of the Cold War-set pop musical. With a brand-new book by Danny Strong (Dopesick), this CHESS is aiming for high drama and vocal fireworks.

RAGTIME
Vivian Beaumont Theatre | Opening October 16, 2025
Lear deBessonet helms a starry revival of this Tony-winning epic, featuring Joshua Henry, Caissie Levy, and Brandon Uranowitz. Expect sweeping emotion, bold visuals, and powerful commentary on the American dream.


COMEDY & CHARACTER: SOLO SPOTLIGHTS

TAKE A BANANA FOR THE RIDE
Nederlander Theatre | Opening August 18, 2025
Jeff Ross, the king of roasts, gets personal in this comedic one-man show that unpacks his life behind the mic. Part memoir, part roast, all heart.

SUGAR DADDY
Dates & Venue TBD
Following a hit Off-Broadway run and an Edinburgh Festival breakout, Sam Morrison brings his darkly funny tale of grief, queerness, and seagulls to the Main Stem. Directed by A Strange Loop’s Stephen Brackett.


DRAMA, DEBATE & DYSTOPIA

ART
Music Box Theatre | Opening September 16, 2025
What’s more expensive: the price of art or the cost of friendship? Bobby Cannavale, James Corden, and Neil Patrick Harris star in this razor-sharp revival of Yasmina Reza’s Tony-winning play, directed by Scott Ellis.

PUNCH
Samuel J. Friedman Theatre | Opening September 29, 2025
Based on a true story, James Graham (InkBest of Enemies) explores justice, forgiveness, and moral complexity in a play that wowed UK critics. Camila Canó-Flaviá and Will Harrison lead a powerhouse cast.

WAITING FOR GODOT
Hudson Theatre | Opening September 28, 2025
Keanu Reeves and Alex Winter reunite (no, not as Bill & Ted) in Jamie Lloyd’s stripped-down revival of Beckett’s existential classic. Can two dudes just wait in peace? Apparently not.

OEDIPUS
Studio 54 | Opening November 13, 2025
Mark Strong and Lesley Manville lead Robert Icke’s critically-acclaimed West End take on Oedipus Rex. Modern, political, and devastatingly precise.


BUZZY NEW PLAYS & MUSICALS

THE QUEEN OF VERSAILLES
St. James Theatre | Opening November 10, 2025
Kristin Chenoweth returns in a glitzy new musical based on the infamous documentary about Jacqueline Siegel. With music by Stephen Schwartz and direction by Michael Arden (Maybe Happy Ending), this could be the season’s most outrageous (and opulent) new musical.

LITTLE BEAR RIDGE ROAD
Booth Theatre | Opening October 30, 2025
Playwright Samuel D. Hunter (The Whale) and director Joe Mantello team up for a quietly devastating family drama starring Laurie Metcalf. Small town. Big heartbreak.

MARJORIE PRIME
Hayes Theatre | Opening December 8, 2025
Jordan Harrison’s sci-fi-tinged meditation on memory and aging makes its Broadway debut, with Anne Kauffman at the helm. Get ready for tears, tech, and talkbacks.

THE LOST BOYS
Palace Theatre | Spring 2026
Yes, that Lost Boys. Michael Arden’s adaptation of the 1987 vampire flick is set to take a bite out of Broadway, fangs and all.


MORE NOTABLE ARRIVALS:

  • DOLLY: AN ORIGINAL MUSICAL – Dolly Parton is writing her own Broadway bio-musical. Enough said.
  • DOG DAY AFTERNOON – Stephen Adly Guirgis brings the gritty bank heist story to the stage, starring Jon Bernthal and Ebon Moss-Bachrach.
  • THE ROCKY HORROR SHOW – Let’s do the Time Warp again… at Studio 54, no less.
  • JOE TURNER’S COME AND GONE – August Wilson’s classic returns with Taraji P. Henson and Cedric the Entertainer, directed by Debbie Allen.
  • THE BALUSTERS – David Lindsay-Abaire and Kenny Leon bring suburban HOA drama to a boiling point.
  • WANTED – Formerly Gun & Powder, this explosive new musical centers on twin sisters in the post-Reconstruction South.
  • PRIVATE LIVES and FALLEN ANGELS – Noël Coward’s comedies of manners and mischief are both slated for spring, starring Rose Byrne and Kelli O’Hara.
Categories
Creative

July Astrology: Broadway Edition

It’s time for some astrology, Broadway style. Starting now and carrying through the next few weeks, July is charged with emotional revelations, second chances, and bold rewrites. The stars are pushing us to confront the past, embrace vulnerability, and choose our own endings—whether it’s a plot twist, a love story, or a full-on revival.

Aries (Mar 21–Apr 19)

Maybe Happy Ending
You’re soft, electric, and feeling things you didn’t know you could. The next two weeks will have you glitching in the best way. Vulnerable, romantic, and cautiously optimistic. You’re not just rebooting. You’re learning how to love like it’s the first time.

Taurus (Apr 20–May 20)

The Outsiders
You’ve been chill for too long. July says it’s rumble time. It’s loyalty versus survival, and you’re about to prove that you’re more than just steady. You’re scrappy. Embrace your inner Ponyboy, defend your people, and don’t be afraid to burn a little brighter.

Gemini (May 21–Jun 20)

Six
You’re every version of yourself, and this month, you’re ready to headline. July wants you loud, proud, and remixing your own history. Step into your spotlight, split your screen, and serve Tudor realness with a pop beat and a mic drop.

Cancer (Jun 21–Jul 22)

Hadestown
You’re feeling epic. Star-crossed. On the edge of fate. July’s energy has you loving hard and longing harder. But remember, tragedy isn’t your only option. Sometimes the road to the underworld leads back to yourself. Sing anyway.

Leo (Jul 23–Aug 22)

& Juliet
This is your rewrite. You’re not waiting for anyone to give you a happy ending. You’re grabbing the quill and cueing the Backstreet Boys. July is your birth-month bop, and you’re writing it with rhinestones, revenge, and self-love choreography.

Virgo (Aug 23–Sep 22)

John Proctor is the Villain
July is your disillusionment arc and your awakening. You’re seeing things and people more clearly. This month might crack some foundations, but don’t flinch. You’re not here to be the teacher’s pet. You’re here to rewrite the rules and pass the test you believe in.

Libra (Sep 23–Oct 22)

Chicago
You’re giving courtroom couture and calculating charisma. July is about appearances and the truth behind them. You know how to charm, but don’t let that mask your real needs. The razzle dazzle works, but only when it’s anchored in something true.

Scorpio (Oct 23–Nov 21)

The Lion King
You’re being called to rise. Emotionally, spiritually, ancestrally. July brings echoes from the past, and it’s time to face your personal Scar. Step into the sun, reclaim your legacy, and roar like the royalty you are.

Sagittarius (Nov 22–Dec 21)

The Book of Mormon
July is sending you on an absurd journey with meaning hidden in the madness. You’re craving freedom, questioning belief systems, and laughing at it all. Follow the chaos. It just might lead you to the truth. Or at least to Uganda.

Capricorn (Dec 22–Jan 19)

Hamilton
You’re running out of time. Or at least, it feels that way. This month is a sprint toward legacy, with work, ambition, and strategy at the center. But remember, even Hamilton paused for a moment alone in the eye of the hurricane. Rest is not failure.

Aquarius (Jan 20–Feb 18)

Wicked
You’re not like the others, and July makes that crystal clear. This is your moment to rise, defy gravity, and challenge the system. Not everyone will get you, but your uniqueness is your power. Stay green. Stay bold. Stay you.

Pisces (Feb 19–Mar 20)

Harry Potter and the Cursed Child
July has you time-traveling emotionally. Revisiting the past, dreaming alternate futures, feeling things no one else understands. You’re a little magic, a little mess, and a lot more powerful than you think. Cast the spell. Rewrite the ending.

Categories
Capsule Reviews

Floyd Collins

Adam Guettel and Tina Landau’s Floyd Collins—based on the true story of the Kentucky cave explorer—receives its long-awaited Broadway premiere in a new Lincoln Center Theater production, directed by Landau herself. While exploring a cave in a Kentucky mountainside, Floyd Collins, played by the incomparable Jeremy Jordan, becomes stuck between a rock and a hard place… literally. His rescue proves treacherous and soon captures national attention, drawing throngs of onlookers and reporters to the remote countryside. In the cavernous Vivian Beaumont Theater, Jordan’s physicality and emotional volatility create a palpable sense of claustrophobia… in the best possible way. Other notable performances include Taylor Trensch as the skittish reporter Skeets Miller, and Broadway newcomer Lizzy McAlpine, whose voice feels tailor-made for Guettel’s folk-infused score. Known for The Light in the Piazza, Guettel here crafts a soundscape that blends Americana, folk, and yodeling into something as unexpected as it is refreshing. Floyd Collins runs through June 22 on Broadway.

Categories
Creative

Tony Noms Make History in 2025

As Broadway artists and enthusiasts await the 2025 Tonys, there’s already so much to celebrate. This year’s class of nominees includes some historic firsts and notable exceptions to the rule, worth a shoutout. Read on!

Kara Young: Four Years, Four Noms

Breakout Broadway star Kara Young continues her impressive roll of nods with a fourth consecutive Tony nomination for Featured Actress in a Play—this time for playing Aziza Jasper in Purpose. She is now the first and sole Black artist nominated in this category for four consecutive years. Her previous nods were for her Broadway debut in Clyde’s (2022), followed by Cost of Living (2023), and Purlie Victorious (2024), for which she took home the award.

Photo by Marc J. Franklin

Pulitzer Power in the Best Play Category

In a major crossover between two of America’s greatest theatrical honors, three of the five Best Play-nominated pieces this season are already Pulitzer Prize finalists or winners. Purpose by Branden Jacobs-Jenkins is already the recipient of the 2025 Pulitzer for drama, with Cole Escola’s Oh, Mary! cited as a finalist, and English won last year’s Pulitzer before making its Broadway debut this season. This year’s class of Best Play Tony nominees represents a staggering overlap—and evidence of the power of this season’s storytelling onstage. 

Gypsy review': Audra McDonald comes up roses in Broadway revival
Photo by Julieta Cervantes

Audra McDonald Makes Tony History

Broadway icon Audra McDonald has officially broken the record, becoming the most Tony-nominated actor in history. She already holds the record for Tony-winningest performer in Broadway history, with six to her name. Another milestone in an already impressive career. Her latest nomination—her 11th—is for her performance as Rose in the revival of Gypsy, breaking Chita Rivera and Julie Harris’s previous record of 10.

Our Town on Broadway
Photo by Daniel Rader

All Play Revivals Closed

In a highly unlikely turn of events, each of the four Best Revival of a Play nominees—Eureka Day, Our Town, Romeo + Juliet, and Yellow Face—had already closed by the time nominations were announced. That’s a strange plot and departure from norms, given that voters prefer productions still running during awards season. It’s normal for plays to open as limited engagements, but this often puts a wrench in Tony recognition later in the season; recency bias is (usually) real.

Categories
Broadway's Best

Broadway’s Best Impersonations of Iconic Music Artists

In the last 20 years, the Broadway catalog has grown to often include the jukebox musical, which uses previously written music to score a Broadway show. Sometimes, the music is used to tell a completely different and unrelated story, like that of Mamma Mia, & Juliet, or Rock of Ages, but more often, they are used to tell the life and career story of that very artist. With two new entries to the list this season, including Jonathan Groff’s suave singing as Bobby Darin in Just in Time and James Monroe Iglehart’s smooth satchmo Louis Armstrong in A Wonderful World, we are looking back at the history of these portrayals of music icons.

Michael JacksonMJ the Musical (2022–Present)

Moonwalks and megahits define this electric look at Jackson during his 1992 “Dangerous” tour rehearsals. Myles Frost won the 2022 Tony Award for his portrayal of the King of Pop.

Neil DiamondA Beautiful Noise (2022–2024)
Diamond’s life and lyrics shine in this bio-musical that spans decades of sequins and songcraft.

Frankie Valli & The Four SeasonsJersey Boys (2005–2017, 2021 Off-Broadway)
The falsetto, the flair, the mob ties — a Tony-winning tribute to New Jersey’s finest that gave this musical theatre subgenre its kickstart. 

The TemptationsAin’t Too Proud (2019–2022)
From street corners to superstardom, the Temps’ story grooves through betrayal, brotherhood, and “My Girl.”

Carole KingBeautiful: The Carole King Musical (2014–2019)
The shy songwriter turned solo superstar gets her due, piano and all.

Billie HolidayLady Day at Emerson’s Bar and Grill (2014)
Audra McDonald made history channeling Lady Day in a harrowing, jazz-soaked final concert.

CherThe Cher Show (2018–2019)
Three Chers, one legend — from Sonny & Cher stardom to solo icon status.

Gloria EstefanOn Your Feet! (2015–2017)
Conga lines and Cuban rhythms power this celebration of the Estefans’ rise from Miami to the world stage.

Donna SummerSummer: The Donna Summer Musical (2018)
Disco’s reigning queen reigned again through three performers, each reflecting a different era.

Tina TurnerTina: The Tina Turner Musical (2019–2024)

Raw vocals and resilience define this high-octane journey through Tina’s turbulent life and legendary hits.

Categories
Capsule Reviews

Dead Outlaw

A wild western true story gets the folk rock treatment from composer David Yazbek, bookwriter Itamar Moses, and director David Cromer in Dead Outlaw at the Longacre Theatre. Andrew Durand, as the titular deceased fugitive, gives an outrageously dynamic performance, made all the more impressive considering how much of the show he spends completely idle. Julia Knitel is another cast standout, showcasing range and rhythm in her multiple roles with varying interactions with the corpse, before and after his untimely end. The material asks the audience to lean in and ponder its larger themes of mortality, living the life we’ve got, and the legacy that we leave behind after it. Overall, the onstage band and their interplay with the storytelling around them give this show a unique and quirky quality that surprises and delights those searching for weirdness in their Broadway diet.

Categories
Capsule Reviews

John Proctor is the Villain

Kimberly Belflower’s new play gives a 21st-century take on Arthur Miller’s The Crucible through the lens of a Georgia high school classroom’s study of the classic. Directed with riveting pacing and youthful energy by Danya Taymor, the play packs punches that are at once jarring and sobering, elevated by the twitching set and lighting design from AMP and Natasha Katz, respectively. The strong ensemble cast includes standouts Sadie Sink and Fina Strazza, surrounded by a bevy of character actors breathing freshness into the unfortunately ever-timely themes of women’s rights and agency. By the play’s emotionally enthralling climax, the audience has been on quite a thought-provoking and endlessly expressive journey of rage, tenderness, and revelation.

Categories
Creative

Where’s That Cast Now? The Color Purple Revival Edition

The 2015 Broadway revival of The Color Purple, directed by John Doyle was a landmark production. The show performed at the Bernard B. Jacobs Theatre and ran for over a year and a half, spotlighting powerhouse work from newcomers and established performers alike. The revival won two Tony Awards, including Best Revival of a Musical and Best Leading Actress for Cynthia Erivo. Since it ended its run in 2017, the cast has moved on to some pretty big projects. Let’s take a look at where the stars of this moving production are now.

Wicked': Cynthia Erivo on Elphaba as a Black Queer Woman

Cynthia Erivo (Celie)

Cynthia Erivo’s star has only continued to rise since her Tony-winning Broadway debut. Shortly after The Color Purple, she transitioned into film with her acclaimed role as Harriet Tubman in Harriet (2019), earning Oscar nominations for Best Actress and Best Original Song. She went on to star in HBO’s The Outsider (2020), play Aretha Franklin in Genius: Aretha (2021), and appear as the Blue Fairy in Disney’s Pinocchio (2022). She took on the iconic role of Elphaba in Wicked: Part One (2024) and will reprise the role for Part Two (2025), opposite Ariana Grande. Erivo sang a moving rendition of ‘Defying Gravity’ from the blockbuster musical at the 2025 Oscars. She is now not only an EGOT nominee but a bona fide Hollywood A-lister. What’s more, she’s hosting this year’s Tony Awards!

Jennifer Hudson celebrates EGOT win after Tony arrives in the mail

Jennifer Hudson (Shug Avery)

Already an Oscar winner by the time she made her Broadway debut as Shug Avery, Jennifer Hudson has continued to thrive. She delivered a soulful turn as Aretha Franklin in Respect (2021), and currently hosts The Jennifer Hudson Show, a daytime talk show that’s won her a Daytime Emmy. She also voiced Young Nana in the animated film Sing 2 (2021). In 2022, JHud got her EGOT when the new Broadway musical she produced, A Strange Loop, won the Tony for Best Musical, proving her GOAT status as the youngest woman to ever achieve that.

The Color Purple' breakout Danielle Brooks on paying homage to Oprah  Winfrey and finding her "happy place as an actor” | Features | Screen

Danielle Brooks (Sofia)

Danielle Brooks followed her Tony-nominated Broadway debut with a mix of screen and stage work. She reprised Sofia in the 2023 film adaptation of the Color Purple musical, earning an Academy Award nomination for Best Supporting Actress. On television, she played Leota Adebayo in Peacemaker (2022), earning praise for her comedic timing and emotional depth. Brooks also returned to voice acting in Close Enough and remains a vocal advocate for diversity in entertainment.

Isaiah Johnson In The Broadway Revival Of 'The Color Purple' | WAMC

Isaiah Johnson (Mister)

Isaiah Johnson continued his stage career with performances in regional productions and workshops, as well as a turn in Hamilton (Los Angeles production) and the musical adaptation of The Notebook. He’s appeared in television series such as The Good Fight and Bull, and remains an in-demand stage actor.

To Kill a Mockingbird's Kyle Scatliffe on His Self-Care Routine and Talking  to Neo-Nazis | Broadway Buzz | Broadway.com

Kyle Scatliffe (Harpo)

After The Color Purple, Kyle Scatliffe took on the emotional role of Tom Robinson in Broadway’s To Kill a Mockingbird (2019–2020). He also appeared in The Prince of Egypt in London’s West End, and continues to perform on national tours and concert stages across the U.S.

Listen to Joaquina Kalukango Sing 'Let It Burn' From the Upcoming Paradise  Square Broadway Album | Playbill

Joaquina Kalukango (Nettie)

Joaquina Kalukango has become one of Broadway’s most celebrated leading ladies. In 2022, she won the Tony Award for Best Actress in a Musical for her electrifying performance in Paradise Square, in which she belted the show’s 11 o’clock number ‘Let it Burn.’ She had previously earned a Tony nomination for Slave Play (2019) and appeared in Regina King’s film One Night in Miami (2020). She also had a six-episode stint as Esme in the TV show Lawmen: Bass Reeves.

Stage and Screen Actor Lawrence Clayton Dies at 64

Lawrence Clayton (Ol’ Mister)

Broadway veteran Lawrence Clayton brought depth to Ol’ Mister in The Color Purple, and continued to shine in the national tour of Les Misérables (as Bishop Myriel) and regional theater productions across the country. He made guest appearances on The Last O.G. and Bull, and continued to mentor young performers while remaining active in educational theatre. Clayton sadly passed away in 2020 at the age of 64.

Once on This Island' wins Equity's outstanding chorus award

Grasan Kingsberry (Buster)

A standout dancer and ensemble member he moved on to book big Broadway shows like Once On This Island (2017–2019) and Ain’t Too Proud: The Life and Times of the Temptations (2019–2022). In 2020, he was in the film The Aerialist. What’s more, he’s found a life in artistic offstage leadership, having recently choreographed and performed in regional productions of Rent and Caroline, or Change.

It’s rare for a show to be the launching catalyst for so many performers. The futures these artists found in TV, Film, and Theatre are proof enough that this revival was pretty incredible, and incredibly cast, rich with talent.

Categories
Broadway's Best

Broadway’s Best Show Anniversaries in 2025: Celebrating the Shows That Shaped the Stage

This year, Broadway’s timeline glitters with gold (and diamond!) anniversaries of the shows that shaped American musical theater — from tap-dancing showgirls to revolutionary rap. From golden age classics to 21st-century defining productions, there are a lot of Broadway milestones worth celebrating this year!

One Singular Sensation: The Design Team of the Original A Chorus Line |  Live Design Online

A Chorus Line – 50 Years

Opened: July 25, 1975

The quintessential behind-the-curtain musical, A Chorus Line gives us a vulnerable yet epic look at the hopes and dreams of the artists that make up the lifeblood of Broadway: the ensembles. A chorus line ran for 15 years (breaking the record for longest-running show at the time) and forever changed how we looked at the performers who make up musical theatre ensembles.

Look Back at Chita Rivera and Gwen Verdon in Chicago on Broadway | Playbill

Chicago – 50 Years

Opened: June 3, 1975

Murder, jazz, and razzle-dazzle. Kander & Ebb’s Chicago remains a seductive satire of fame and corruption, with Bob Fosse’s style stamped into every hip roll. While the original had a modest run, the 1996 revival is the longest-running American musical in Broadway history — and it’s still dazzling us with new celebrity castings, such as Pamela Anderson and Jinkx Monsoon, to keep audiences coming through the doors. Here’s to all that jazz!

From the Archives: How The Wiz Went From Nearly Closing on Opening Night to  Becoming a Tony-Winning Hit | Playbill

The Wiz – 50 Years

Opened: January 5, 1975

Legacy: This revolutionary, soulful spin on The Wizard of Oz brought an all-Black creative team and cast to Broadway and won seven Tony Awards, including Best Musical. With songs like ‘Ease On Down the Road,’ a movie adaptation with Diana Ross and Michael Jackson, and a funky, fearless energy, The Wiz paved the way for a more inclusive Broadway. Just before the Wiz had its big 50th birthday, the show celebrated with a limited-run revival last year following a national tour!

Guys and Dolls - Frank Loesser

Guys & Dolls – 75 Years

Opened: November 24, 1950

Damon Runyon’s New York never sounded so good. To say this show rocked the boat is an understatement. Considered one of the best-written musicals of all time, Frank Loesser’s Guys & Dolls is the kind of big musical score you picture when you think of the perfect Broadway show! With gambling, girls, and that classic Broadway sound, we’re keeping our eyes peeled as we hope for a revival soon.

Remembering the Original Broadway Production of Carousel | Playbill

Carousel – 80 Years

Opened: April 19, 1945

A granddaddy of modern Broadway form, Rodgers & Hammerstein’s sweeping second collaboration brought bold operatic voice and tragic romance to the young American theatre industry. With ‘If I Loved You’ and ‘You’ll Never Walk Alone’ standing out as classic songs we still hum today, Carousel expanded the emotional vocabulary of the art form and remains one of the most revered scores of all time.

Pal Joey - 1940 Original Broadway Production - Rodgers & Hammerstein

Pal Joey – 85 Years

Opened: December 25, 1940

The original antihero, Joey, our pal, leads this iconic Rodgers and Hart musical. Ahead of its time, especially in terms of its themes of sexual politics and gritty realness, this show shocked audiences at the time and provoked conversation beyond the typical feel-good escapism of most shows around it. What was once the edgy adolescence of the genre finding its voice is now a pillar of the medium. We’re excited to see the upcoming revisal at Arena Stage in their 75th season, as it revolutionizes the show yet again through its reflection of the 20th century!

Look Back at Heather Headley, Michelle T. Williams, and More in Aida on  Broadway | Playbill

Aida – 25 Years

Opened: March 23, 2000

An Elton John-driven Disney Theatricals spectacle, that started as a celebrity-filled concept album based on an Italian Opera, this show transports its leads and audiences to Ancient Egypt in the most fun, pop-filled way. Five Tony noms, four wins, and Time-stamped in the best 10 shows of the year, Aida ushered Disney and Broadway into the 21st century.

Hamilton' Broadway show, performed by original cast, is coming to Disney+  in July

Hamilton – 10 Years

Opened: August 6, 2015

Do we even need to say it? If you’re reading this article, you’ve heard of Hamilton. Lin-Manuel Miranda’s hip-hop history lesson redefined what Broadway could be and transcended the genre beyond what any other show ever has. With a cast that looked at America then through a cast made up of America now, Hamilton became a global cultural force, winning 11 Tonys, a Pulitzer, millions of fans, and syndicating to even have a Roblox presence. It’s crazy to think this show is already 10 years old.

From the golden age to the streaming era, these shows have left footprints — and tap marks — all over the stage. Whether you saw them in their original runs, caught a revival, or discovered them through cast albums and TikTok, their stories endure.

Which anniversary are you celebrating this year?

Let us know @bwaysbestshows — and stay tuned for special features on each title throughout the year.