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The Webby Award Nominated Series Spotlight on Plays

Spotlight on Plays’ Spring 2021 season of 7 of Broadway’s best plays by 7 female playwrights has been nominated for the internet’s highest honor: THE WEBBY AWARD. Please help us win by voting below.

Disney Theatrical Group was also nominated for a Webby Award! Support Broadway and vote here:


Broadway’s Best Shows is proud to present Spotlight on Plays, a starry series of livestream readings of Broadway’s best plays to benefit The Actors Fund.

With Debbie Allen, Ellen Burstyn, Bobby Cannavale, Kathryn Hahn, Kevin Kline, Eric McCormack, Audra McDonald, Mary-Louise Parker, Phylicia Rashad, Keanu Reeves, Heidi Schreck, Alia Shawkat, Heather Alicia Simms, Alicia Stith, Meryl Streep, and many more. 

Thank you to our streaming and ticketing partner Stellar Tickets!


THE THANKSGIVING PLAY
By Larissa FastHorse
Directed By Leigh Silverman
Starring Bobby Cannavale, Keanu Reeves, Heidi Schreck and Alia Shawkat

Larissa FastHorse’s wickedly funny comedy finds a troupe of terminally “woke” teaching artists scrambling to create a pageant that manages to celebrate both Turkey Day and Native American Heritage Month. “A delicious roasting” (NY Times) of the politics of entertainment and political correctness, The Thanksgiving Play puts the American origin story in the comedy-crosshairs.

Premiered Thursday, March 25th, 2021 at 8:00PM ET


ANGRY, RAUCOUS AND SHAMELESSLY GORGEOUS
By Pearl Cleage
Directed By Camille A. Brown
Starring Debbie Allen, Phylicia Rashad, Heather Alicia Simms, and Alicia Stith

Pearl Cleage’s “funny and hopeful” (Georgia Magazine) comedy is all about aging gracefully and gorgeously. Anna Campbell, now 65, sparked controversy when she bared it all on stage years ago. When a theatre festival asks to re-stage the work with a younger actress in her role, dramatic and comic fireworks ensue.

Premiered Thursday, April 8th, 2021 at 8:00PM ET


THE BALTIMORE WALTZ
by Paula Vogel
Directed by Lileana Blain-Cruz
Starring Mary-Louise Parker, Eric McCormack, and Brandon Burton

A comic and dramatic fantasia based on the love and adventures of a brother and sister, one of whom has a fatal disease.   Winner of the 1992 Obie Award for Best New American Play.

Premiered Thursday, April 29th, 2021 at 8:00PM ET


WATCH ON THE RHINE
By Lillian Hellman
Directed by Sarna Lapine
Starring Ellen Burstyn, Alan Cox, Sasha Diamond, Alfred Enoch, Carla Gugino, Luca Padovan, Mary Beth Peil, Gabriella Pizzolo, Neel Sethi, and Jeremy Shamos

Written and set during the rise of Hitler’s Germany, Watch on the Rhine is a play about an American family, suddenly awakened to the danger threatening its liberty.  Hellman’s powerful drama won the 1941 New York Drama Critics Circle Award.

Premiered Thursday, May 13th, 2021 at 8:00PM ET


THE SISTERS ROSENSWEIG
By Wendy Wasserstein
Directed by Anna D. Shapiro
Starring Jason Alexander, John Behlmann, Tracee Chimo Pallero, Lisa Edelstein, Kathryn Hahn, Kathryn Newton, Chris Perfetti, and James Urbaniak

Three very different sisters reunite after a lengthy separation and discover humanity, respect, and love in this definitive serious comedy about sisterhood. 

Premiered Thursday, May 20th, 2021 at 8:00PM ET


OHIO STATE MURDERS
By Adrienne Kennedy
Directed by Kenny Leon
Starring Audra McDonald, Warner Miller, Lizan Mitchell, and Ben Rappaport

Ohio State Murders is an unusual look at the destructiveness of racism in the U.S.  When Suzanne Alexander, a fictional African American writer, returns to Ohio State University to talk about the violence in her writing, a dark mystery unravels.

Premiered Thursday, June 3rd, 2021 at 8:00PM ET


DEAR ELIZABETH
By Sarah Ruhl
Directed by Kate Whoriskey
Starring Meryl Streep and Kevin Kline

Based on the compiled letters between poets Robert Lowell and Elizabeth Bishop, Dear Elizabeth maps the relationship of the two poets from first meeting to an abbreviated affairand the turmoil of their lives in between.

Premiered Thursday, June 17th, 2021 at 8:00PM ET


The Actors Fund envisions a world in which individuals contributing to our country’s cultural vibrancy are supported, valued and economically secure.

The Actors Fund fosters stability and resiliency, and provides a safety net for performing arts and entertainment professionals over their lifespan.

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Cover Story Stories from the Stage

STORIES FROM THE STAGE: Penny Fuller

I was in Los Angeles at ORAY’S BEAUTY SALON off Santa Monica Boulevard across from the Santa Palm Carwash. My head was in the sink. (I was having my hair returned to “normal” after shooting a TV pilot, written for me, never seen EVEN on the “dead pilot season”). The phone was handed to me, it was my manager saying, “I was to fly to Baltimore to take over the juicy role of “Eve Harrington” in the out-of-town tryout of the musical “APPLAUSE”, based on the award winning film: “ALL ABOUT EVE” starring Lauren Bacall.”

“When?” I asked. ”Tonight!” he said.

And the saga began.

When I was taken, knees, shaking, to meet Miss Bacall, I kept thinking: “Please let her understand that if I am good it will only help her!”

I was approved; rehearsed 3 days (my career always seems to be coming in at the last minute…but that’s another story!), opened, flew next to Detroit, then we opened in New York to wonderful reviews, and settled in to the miracle of a hit long run!

By this time, Bacall and I (or “Betty” as she was know to pals) had become real chums! She and I and Lee Roy Reams (who played her hairdresser in the show) became  a threesome, hanging out and having a ball for a year. Then Betty left the show and was replaced by Anne Baxter (the original “Eve” in the movie. Wonderful stories, too, but for another time).

Next APPLAUSE was do the national tour with Bacall and the available original cast. I declined, saying I had been “Eve, Eve, little Miss Evil” long enough! I felt I just couldn’t do it any more.

The reviews across the country were not like those in New York!Perhaps the heartland was less interested in a story of the “theatah”!!!! Betty missed me (and Lee Roy, who hadn’t toured either), but she carried on. The creative team was worried. In San Francisco it was decided to bring me into the show in preparation for Los Angeles, the city that WOULD greet, with critical eye, the musical of the iconic film, and Lauren Bacall’s “Welcome Home”. I arrive; I have a three hour “put in rehearsal”, I went on!

APPLAUSE begins “at the TONY AWARDS!” Margo Channing, (Betty, ) announces the winner of  “BEST ACTRESS: Eve Harrington!!!!” Thunderous applause boosted by more over the sound system: “Eve” (me!!!), SITTING IN THE AUDIENCE, comes onstage, breathlessly receives her award from Margo saying:”Needless to say this is the best night of my life!”

I extend my hand to Margo. Instead of glaring at me with a look of wry recognition, abetted by the sound system recording her TRUE thoughts..I see Betty, my dear pal, wreathed in dazzling smiles: I am back!!!!!!!


Remembering Lauren Bacall

I have been reading thru the obits for Lauren Bacall. I think I had forgotten that my friend, Betty, WAS Lauren Bacall! I was brought into “APPLAUSE”, her first musical, during its out-of-town tryouts, giving me a chance to see the show and HER: the STAR, charisma, magic, wit, timing, beauty, and power. But from the moment I walked on stage to rehearse my first scene in “Margo Channing’s” dressing room, she let me know we were colleagues; offstage she welcomed me as a friend…always. What fun we had in both worlds. That’s why I forgot she was “Bogey’s Baby”. When she was on her book tour I brought my 6 month old baby daughter to “meet” her: within seconds Betty was crawling on the floor with her, playing; some years later we three met by chance in Paris. Betty saw and recognized me, yelled across the boulevard, and took us to Cafe de Flore, talking to my daughter, aged 7 or 8. as if she were one of the girls”!! And she was THERE 

I have been reading thru the obits for Lauren Bacall. I think I had forgotten that my friend, Betty, WAS Lauren Bacall! I was brought into “APPLAUSE”, her first musical, during its out-of-town tryouts, giving me a chance to see the show and HER: the STAR, charisma, magic, wit, timing, beauty, and power. But from the moment I walked on stage to rehearse my first scene in “Margo Channing’s” dressing room, she let me know we were colleagues; offstage she welcomed me as a friend…always. What fun we had in both worlds. That’s why I forgot she was “Bogey’s Baby”. When she was on her book tour I brought my 6 month old baby daughter to “meet” her: within seconds Betty was crawling on the floor with her, playing; some years later we three met by chance in Paris. Betty saw and recognized me, yelled across the boulevard, and took us to Cafe de Flore, talking to my daughter, aged 7 or 8. as if she were one of the girls”!! And she was THERE for me during deaths in my family like NO ONE ELSE. And yet my friend was that icon I have been reading about.

She never suffered fools gladly; she had a sharp wit. a sharper tongue, a fabulous laugh, and was a straight shooter! I hope the after life id ready for her. Oh, how I shall miss her.


Penny Fuller received two Tony Award nominations for her performances on Broadway in Applause as Eve Harringtonand The Dinner Party as Gabrielle Buonocelli. For her television performances, Fuller received six Emmy Award nominations, winning in 1982 for playing Madge Kendal in The Elephant Man. Most recently, she appeared in the 2017 revival of Sunday in the Park with George and as the Dowager Empress in Anastasia.