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Creative

Which Broadway shows have won the most Tony Awards?

Broadway’s clearest indicator of notoriety is the Tony Awards. The annual ceremony has been celebrating excellence in New York theater since 1947 and has made actors, creators, and shows themselves become household names.

In our list, we’ll be listing which Broadway shows have won the most Tony Awards for a single production, though we’re giving shout-outs to Cabaret, Death of a Salesman, and La Cage Aux Folles as each has collected an impressive number of awards over their multiple productions throughout the years. So if awards mean the best Broadway shows to you, then see below.

Photo by Paul Kolnik

The Producers by Mel Brooks and Thomas Meehan

It may come as a surprise but the record for most Tony wins by a single production was set over 20 years ago.

Back in 2001, Mel Brooks and Thomas Meehan brought their hilarious 1967 film, The Producers, to the stage. The meta-musical about a pair of money-hungry Broadway producers who want to purposefully put on the worst show possible to fraudulently make money wowed audiences and critics. Nathan Lane starred alongside Matthew Broderick (both of whom would go on to star in the 2005 film adaptation) with Nathan Lane winning the coveted Best Actor in a Musical Tony Award.

Nathan Lane’s award is just one win of a whopping 12 as The Producers won in every single category it was nominated in, losing out only when multiple actors were nominated for the same award.

Photo by Joan Marcus

Hamilton by Lin-Manuel Miranda

You’d be forgiven if you believed Hamilton was top of the list when it comes to wins as it holds the record for most Tony Award nominations for a single production. Back in 2016, Hamilton was nominated for a staggering 16 awards in 13 categories. It was believed that it would equal or surpass The Producers as the Broadway show with the most Tony wins, but alas, it came home with 11. Wins include Best Musical, Best Direction of a Musical, Best Costume Design in a Musical, and Best Choreography.

Though Lin-Manuel Miranda lost the Best Actor in a Musical award to cast-mate Leslie Odom Jr., he still won two awards – one for Best Original Score and one for Best Book of a Musical.

Photo by David Schneimann

Billy Elliot by Elton John and Lee Hall

After the surprise run-away success of the independent film and considering its subject matter, it was no surprise when a stage adaptation of Billy Elliot hit the West End in 2006. Two years later, Billy Elliot the Musical came to Broadway sealing its status as “a global theatrical phenomenon” (Los Angeles Times).

In 2009, Billy Elliot the Musical was nominated for 15 awards (the same number of nominations as The Producers received) and won 11. The most notable award was that of Best Actor in a Musical as the three young actors – David Alvarez, Trent Kowalik and Kiril Kulish – who shared the role of Billy shared a single nomination and win.

Photo by Joan Marcus

South Pacific by Richard Rodgers, Oscar Hammerstein II, and Joshua Logan

If you were going to use cumulative Tony Award wins as a metric, South Pacific would be at the absolute top of the list.

During its first Broadway production in 1950, the Rodgers and Hammerstein masterpiece firmly cemented its place in Broadway history as one of the greatest musicals of all time. Not only did it win over audiences and critics, it also won every single Tony Award it was nominated for and a Pulitzer. In fact, it’s still the only production in history to win all four of the acting awards in the same year.

Since its premiere, there have been productions of South Pacific all over the world including multiple Broadway revivals each garnering praise and accolades in their own right. Its 2008 Broadway revival won seven further Tony Awards bringing the show’s cumulative total to an unbelievable 17.

Photo by Friedman-Abeles

Fiddler On The Roof by Jerry Bock, Sheldon Harnick, and Joseph Stein

Almost 60 years ago, Fiddler on the Roof took Broadway by storm. When it first opened in 1964, the now-classic musical wowed audiences and became the first Broadway musical to run for more than 3,000 shows. In fact, the original production won nine Tony Awards in 1965 and then received a special Tony Award in 1972 for the longest-running Musical in Broadway History bringing the total to 10.

Since its initial run, Fiddler on the Roof has had five revivals but has only received one further Tony Award.

Other shows that have been awarded 10 Tony Awards for a single production include David Yazbek’s The Band’s Visit and John Logan’s Moulin Rouge! The Musical.

Categories
Creative

What are the best shows currently on Broadway?

Whether it’s long-standing shows or a limited-run production, Broadway offers the best theater New York – and the world – has to offer. With over 40 theaters and a never-ending list of shows coming and going, it’s often hard to choose what to see. So, we’re going to give you our best Broadway shows for 2023.

Hadestown by Anaïs Mitchell

Greek myth is all the rage at the moment and Hadestown has added fuel to that hellfire. The musical based on the myth of Orpheus and Eurydice had a long road to Broadway but now it’s here, we don’t know what we would have done without it.

After workshops that started back in 2006, Hadestown finally landed a run on Broadway in 2019. It was an instant hit and garnered 14 Tony Award nominations of which it won eight.

The modern retelling of the ancient myth shows a young woman who chooses to sell her soul to Hades in a bid to ease her suffering. However, she is soon forced to work in his factory and her lover, a wannabe musician, attempts to save her from her miserable fate all set to an incredible soundtrack.

Currently playing at Walter Kerr Theater.

Kimberly Akimbo by David Lindsay-Abaire and Jeanine Tesori

This year’s Best Musical winner at the Tony Awards, Kimberly Akimbo, is a touching and joyful show centring Kimberly Levaco – a 16-year-old high schooler who suffers from an incredibly rare condition that makes her age rapidly – played by 63-year-old Victoria Clark.

The show, based on David Lindsay-Abaire’s 2001 play of the same name, is a clever and darkly absurd comedy about a teenager dying of old age. It’s set to a playful and uplifting score from Caroline, Or Change’s Jeanine Tesori and it’ll leave you with a newfound verve for life.

Currently playing at Booth Theater.

Moulin Rouge! The Musical by John Logan

This red-hot stage adaptation of Baz Luhrmann’s film of the same name enchanted audiences when it opened in June 2019. Even COVID-19 couldn’t slow down its momentum. After nine months of packed audiences and rave reviews, Moulin Rouge! The Musical was forced to close due to multiple cast members contracting the virus. They hoped to reopen a few weeks later but a few weeks turned into over a year when the whole of Broadway went dark. When doors reopened, audiences flocked to the windmill for the extravagant show and they weren’t disappointed.

Winning 10 Tony Awards – including Best Musical, Best Actor in a Musical (for Aaron Tveit) and Best Choreography – this tragic, brash, raunchy love story is filled with glitter and heart.

Currently playing at Al Hirschfeld Theater.

The Book of Mormon by Trey Parker and Matt Stone

You won’t know whether to laugh, cringe, or sing along with this dark satire that’s been winning over audiences since 2011. The Book of Mormon follows two young Mormon missionaries who are sent to Uganda to recruit local people to join the Church of Jesus Christ of Latter-day Saints. Once there, they’re made to face the realities of the world and the inconceivable hardships people have to undertake resulting in their faith being rocked.

From the creators of South Park, this tongue-in-cheek, outrageous, incredibly dark comedy musical makes social commentary no one thought possible (or appropriate) to make. But with nine Tony Awards under its belt and a run that looks infinite, it’s definitely a crowd-pleaser.

Currently playing at Eugene O’Neill Theater.

Sweeney Todd: The Demon Barber of Fleet Street by Stephen Sondheim and Hugh Wheeler

If A-listers are the name of your game, you’ll lose your head if you miss this killer revival.

Sweeney Todd: The Demon Barber of Fleet Street is arguably one of the greatest Broadway musicals of all time. Written by the late-great Stephen Sondheim, it features his signature and irreplaceable sound along with a true crime story you won’t be able to resist.

The current revival has won praise from all, with much of that admiration going to the show’s stars Josh Groban, Annaleigh Ashford, Jordan Fisher, and Gaten Matarazzo.

Currently playing at Lunt-Fontanne Theater.

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Long Form

“Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch” Is A Great Ossie Davis Legacy—Fresh, New and Relevant On Broadway!

By Linda Armstrong

“Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch” has withstood the test of time and stands as evidence of the genius of the late great Ossie Davis, but it is also so much more than that. When I heard that this play was returning to Broadway after 62 years I was absolutely thrilled! It began performances on Thursday, September 7, 2023, and officially opened on Wednesday, September 27, 2023, at the Music Box Theatre. The production was later extended through February 4, 2024! Talk about a legacy and a play with a timeless message. 

Leslie Odom, Jr. stars as Purlie Victorious Judson. Photo by Marc J. Franklin.

Ossie Davis is regarded as an incredible person who left a great legacy as an actor, playwright, and activist. His play contains a timeless message about Black love, pride, identity and the Black person’s indomitable spirit that allows them to fight for their rights. “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch” shares the story of Purlie Victorious Judson, a Black Preacher fighting segregation and trying to save his church. When Davis first debuted this play at the Cort Theatre—now the James Earl Jones Theatre—on September 28, 1961, the Civil Rights Movement was in full swing. Blacks had few opportunities to be on stage, let alone Broadway stages and Black roles on stage were not something that promoted Black pride. With this play Davis offered an incredible solution to so many issues of the time. He used this play to not only tell an African American story that fought against segregation, but to encourage Black people to love themselves—take pride in their physical appearance—and he created this play to give Black actors much needed jobs and establish their names in the industry. 

Ossie Davis and Ruby Dee in “Purlie Victorious.” Photo by Friedman-Abeles.

He starred in the play as Purlie Victorious Judson and he created the role of Lutiebelle Gussie Mae Jenkins for his wife Ruby Dee. Other prominent actors were Godfrey Cambridge–who received  a nomination for the 1962 Tony Award for best performance by an actor in a featured role in a play for the role of Gitlow Judson, and a young Alan Alda appeared as Charley Cotchipee before becoming known for his role in the long-running television series M*A*S*H. The company also included Sorrell Booke who played Ol’ Cap’n Cotchipee, Helen Martin who played Missy Judson, Beah Richards who played Idella Landy, Ci Herzog as The Sheriff and Roger C. Carmel as The Deputy. The original work was directed by Howard Da Silva. Sadly, the racism that existed when this play first ran continues to be a part of our society’s fabric. Black people are still fighting racist hatred, being treated poorly and having a hard time feeling proud of who they are. And consequently, this play is as relevant today as it was 62 years ago.

Leslie Odom, Jr. and Kara Young as Purlie Victorious Judson and Lutiebelle Gussie Mae Jenkins, respectively. Photo by Marc J. Franklin

When “Purlie Victorious…” debuted in 1961 it played 261 performances and critics happily acknowledged Davis’ writing talent, his acting talent and that of his wife, Ruby Dee. The Daily News wrote, “As a playwright, Davis is well equipped with crackling jokes and jabs…As a comic actor he is very skillful, with a remarkable voice, a most amiable presence…Miss Dee reveals herself as a deft and charming comedienne…”Variety raved, “Purlie Victorious reveals a new playwright of promise, particularly in the race field of broad comedy…Davis and his wife, Ruby Dee, are costarred in this conglomerate mixture of comedy, melodrama, farce, fantasy and tolerance sermon, with a basically serious, if not intense, theme…A novel aspect of the play is its uninhibited use of racial stereotypes (both Negro and white) for comedy. Beneath all the laughs, of course, the author is purposeful, and his points are effectively made.” The New York Times remarked, “Ossie Davis, actor and author, has passed this miracle of uninhibited and jovial speaking out in his new play, Purlie Victorious …While Purlie Victorious keeps you chuckling and guffawing, it unrelentingly forces you to feel how it is to inhabit a dark skin in a hostile or, at best, grudgingly benevolent world.”

Original Broadway production of “Purlie Victorious.” Photo by Friedman-Abeles

While the original production in 1961 launched careers, the 2023 production is being embraced by established, award-winning stage artists. Tony Award winner and Oscar nominee Leslie Odom, Jr. (HamiltonOne Night in Miami) plays the lead role of Purlie Victorious Judson, twice Tony-nominated actress Kara Young (Clyde’sCost of Living) plays Lutiebelle Gussie Mae Jenkins; they are be joined by Billy Eugene Jones (Fat Ham), Vanessa Bell Calloway; Heather Alicia Simms, veteran theater actor Jay O. Sanders,; Noah Robbins, Noah Pyzik and Bill Timoney. The play is directed by Tony Award winner Kenny Leon (A Raisin in the SunFences).

Recently, the three children of Ossie Davis and Ruby Dee, Nora Davis Day, Guy Davis, and Hasna Muhammad, talked about what Purlie Victorious meant to their family, and what this play meant back then and means today. Nora recalled that her father worked on this play for 5 years. “He told me what he was doing from beginning to end,” she said, sharing why this work has a special place in her heart. “I remember being a little girl and knowing when it got late at night Dad would be downstairs with a legal pad–that’s how he wrote and he wrote in pencil and he would tape his pinky finger because when he was writing if he wasn’t careful he would get a callus or a blister on his pinky. He used scotch tape which was always interesting. So, when we had the opportunity to bring the play back there was no question that we would respond to Jeffrey [Richards-one of the producers] and others for this opportunity to get Dad’s poetic play back on Broadway.”

Jay O. Sanders, Billy Eugene Jones, Kara Young & Leslie Odom, Jr. Photo by Marc J. Franklin.

Considering the importance of the character of Lutiebelle Gussie Mae Jenkins, Guy realized that his father was an innovator for women. “It was something that was ahead of its time in terms of women getting important roles. But, I think that Dad’s motive was more love than politics…It was a chance for the family to work together.”

Ossie Davis and Ruby Dee taught their children the value of having Black stories and putting Black actors to work. Hasna shared, “Mom and Dad always talked with us about the significance of having African American writers, producers and directors and people behind the scenes, people owning the studios. And the fact that they were in a play where they were working actors was always something to be celebrated and they were glad for it and we felt happy for them, but they never lost sight that there were so many other Black actors who weren’t working. Some of them weren’t working just because they were Black and because there were no roles for Black folk. I think that the fact that Dad was able to write something that both he and Mom were able to perform in, but not only perform in, but perform on Broadway, this was incredible.”

Speaking on the legacy of this beloved play Hasna reflected, “It’s legacy, an African American playwright has had a play on Broadway and a play that is considered a classic… For the character of Purlie Victorious the legacy speaks about manhood, about finding oneself acceptable and beautiful without needing the white gaze and being able to use wit and the constitution to fight segregation, to use humor to fight segregation. It’s another tool in our toolbox for the liberation of our people. There’s all types of art that bring different perspectives on what resistance looks and feels like and what Dad does is he adds to those tools the value of laughter and humor and our ability to resist.”

The foremost First Lady of her time, or perhaps ever, Eleanor Roosevelt said it best: “If you have not seen ‘Purlie Victorious’ I think it is well for you as an American citizen to see it and to ponder our racial problem, not as a question affecting our lives here in the United States but as a question affecting our standing and our real sincerity among the peoples of the world.”

Ossie Davis and Ruby Dee left a great legacy for their children and the world. They raised their children in theater, but also in civil rights and made them a part of any protest they participated in, instilling in them the importance of supporting the Black community. Today they are artists, teachers, photographers and they continue, through their work, the legacy that Davis and Dee started. See a piece of their and our history at the Music Box Theatre.

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Broadway's Best

Broadway’s Best “Broadway Week” Shows

The Mayor’s Office for Tourism and Conventions’ annual Broadway Week promotion is almost upon us, which means that you can now get 2-for-1 tickets to select Broadway shows for performances between September 4-17! (Yes, Broadway Week is actually two weeks long. Lucky us!) 

Unlike TDF’s Half Price Ticket Booth, which only offers same-day discounts, the Broadway Week tickets can be purchased up to a month in advance. Use code BWAYWK23 to access this exciting offer today. Participating shows are also offering premium orchestra seats, usually $250-$400, for just $125 with code BWAYUP23. Check the official website for full details. 

Here are some of the shows we recommend catching while this offer lasts:

HADESTOWN

The 2019 Best Musical Tony Award winner recently welcomed new cast member Solea Pfeiffer in the lead role of Euridyce! Betty Who and Philip Boykin join the company Sept. 5 as lovers Persephone and Hades, respectively. See them alongside Lillias White as Hermes and Reeve Carney as Orpheus.

SOME LIKE IT HOT

This toe-tapping big band musical is from Marc Shaiman & Scott Wittman (the composer-lyricist duo behind Hairspray!, Catch Me If You Can, and Smash) and book writers Matthew López and Amber Ruffin. With direction and Tony Award-winning choreography by Casey Nicholaw (The Book of Mormon, Aladdin, The Prom), this one is not to be missed!

KIMBERLY AKIMBO

Last season’s Best Musical stars two-time Tony Award winner Victoria Clark as Kimberly herself, with music by Jeanine Tesori (Fun Home, Caroline, or Change, Shrek: The Musical) and a book & lyrics by David Lindsay-Abaire in an adaptation to his 2001 play of the same name.

PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH

Leslie Odom, Jr. (of Hamilton Tony-winning fame) stars as the titular role in this first ever revival of Ossie Davis’ landmark 1961 satire, directed by Kenny Leon. Two-time Tony Award nominee Kara Young co-stars as Lutiebelle Gussie Mae Jenkins. Performances begin Sept. 7!

HERE LIES LOVE

The immersive disco bio-musical with music by David Byrne and Fatboy Slim tells the life story of former Filipino first lady Imelda Marcos. Here Lies Love is a fascinating parable about fascism, the media, and the effects of 20th century American cultural dominance and empire on so-called “Third World” countries like the Philippines. We recommend using your Broadway Week discount to splurge on a Dance Floor ticket, where you’ll be inches away from the actors and part of the storytelling. Good luck getting the title song out of your head. 

SIX

This UK export retells the story of the six ex-wives of King Henry VIII, with a pop concert twist. The Tony-winning score by Lucy Moss and Toby Marlow features pop-powered showtunes such as ‘Heart of Stone,’ ‘Don’t Lose Ur Head,’ and the iconic ‘Megasix’ encore to wrap it all up.

THE COTTAGE

Jason Alexander (Seinfeld) makes his directorial debut with this brand new England countryside-set comedy by Sandy Rustin. The cast features Eric McCormack (Will & Grace) in his Broadway return since appearing in 2012’s Gore Vidal’s The Best Man, Laura Bell Bundy in her Broadway play debut after leading the 2007 musical Legally Blonde, Lilli Cooper (POTUS, Spring Awakening), Nehal Joshi (Flying Over Sunset, All My Sons), Alex Moffat (Saturday Night Live), and Dana Steingold (Beetlejuice the Musical).

BACK TO THE FUTURE: THE MUSICAL

Time travel back to 1985 (and beyond) for this musical adaptation of the classic film, straight from its hit world premiere in London’s West End! Casey Likes (Almost Famous) is Marty McFly and Roger Bart (The Producers) is Doc Brown, reprising his acclaimed performance on the other side of the pond.

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Broadway's Best

Broadway’s Best Iconic Costumes

Sometimes a musical leaves you with a tune you’re humming for weeks afterwards. But sometimes, you’ll remember a costume look for the rest of your life. Here are our favorite truly iconic costumes that, in some cases, became even bigger than the shows they were in. 

Photo by Joan Marcus

The Glinda bubble dress

Wicked costume designer Susan Hilferty had the unique challenge of creating costumes that reminded audiences of The Wizard of Oz, but that also placed characters in the musical’s much darker story. This enormous flouncy gown for Glinda’s entrance at the top of the show is all overstated femininity, while putting Glinda in blue instead of the pink she wears in The Wizard of Oz signals that we’re in for a very different story – and avoids any copyright violations. You can even buy the Glinda dress for American Girl dolls.

Honorary mention: The Fiyero Pants. Father/son duo Norbert Leo Butz and Aaron Tveit are among the many Fiyeros who have donned the vaguely Edwardian white jodhpurs that Fiyero wears to the Ozdust Ballroom. 

Photo by Joan Marcus

Mark’s Sweater in Rent

The blue sweater with the red horizontal stripe – we immediately associate it with Rent’s Mark Cohen, and Anthony Rapp’s original 1996 performance in the role. (Add the black-and-white striped scarf and a mic taped to your cheek and you’ve got a great Halloween costume.) Costume designer Angela Wendt described the sweater as “not too flamboyant but still interesting enough,” for Mark to wear for the entire show. It might be the most comfortable costume in the show, compared to Roger’s rockstar leather, or Angel’s Mrs. Claus drag look, but also the most memorable.

Photo by Martha Swope

Morales’ long sleeve color block leotard in A Chorus Line, tied with Cassie’s bright red leotard and skirt

A Chorus Line happens in real time over the course of a cattle call audition, and the performers are in one costume over the course of the show. The differences in each auditionee’s choice of dance garb telegraphs so much information about each character. Cassie’s red leotard, with its long sleeves and skirt, is far less utilitarian and more elegant than everything else onstage, immediately commanding attention, and creating unique stage pictures for Donna McKechnie’s virtuosic number “The Music and the Mirror.” Diana Morales, originally played by Priscilla Lopez, wears a jewel-toned sweater over her leotard and tights – equal parts practical and vibrant. 

Photo by Martha Swope

Dolly Levi’s Red Dress

The Hello Dolly revival did not directly draw from the original Broadway production, but there was one visual that the show would simply be incomplete without – the red ensemble Dolly wears to descend the staircase into the Harmonia Gardens restaurant, which she also wears for the titular song. The v-neck bustled ballgown would be memorable enough, but Carol Channing, Pearl Bailey, Bette Midler, Donna Murphy, and Bernadette Peters all also donned a 2-foot-tall red feathered headdress. 

Photo by Matthew Murphy

The Phantom Mask

A plain white mask that covers the right half of the Phantom’s face for most of the show became synonymous with Phantom itself, eventually serving as its key art and Playbill cover. It’s maybe the simplest costume on this list, and arguably the most powerful. 

Categories
Creative

What are Broadway’s longest-running shows?

New shows come to town all the time. But there are those long-standing favorites that feel like they just belong in New York City. In our list, we’ll be including the longest-running Broadway shows of a single production – past and present. And you know what they say: only the best Broadway shows have runs like these.

Photo by Matthew Murphy.

The Phantom of the Opera by Andrew Lloyd Webber and Charles Hart

With an unbelievable 13,981 performances, The Phantom of the Opera easily tops the list. For 36 years it took residence in the Majestic Theater where it ran from January 26 1988 to April 16 2023.

When it first opened, it won seven Tony Awards and seven Drama Desk Awards. It was the first Broadway musical in history to surpass 10,000 performances and has had over 3,500 more performances than the second longest-running Broadway show in history – that’s over eight years of performances! With a record like that, it really is one of the best Broadway shows.

Photo courtesy of Boneau/Bryan-Brown.

Chicago (1996 revival) by John Kander and Fred Ebb

Chicago’s original 1975 production ran for a respectable 936 performances. But it was its second coming, the 1996 revival, that made it a show everyone knows and loves.

Following a showcase in the City Center Encores! series, Barry and Fran Weissler brought an expanded, revised, and jazzed-up production of the Encores! concert to the Richard Rodgers Theater (the same theater the original production was staged). After rave reviews and six Tony Awards, it was an undeniable hit and had to be moved to the larger Shubert Theater in 1997. It stayed there for seven years until it was moved for a second time to the Ambassadors Theater in 2014 where it still runs today.

So far, it’s had over 10,400 performances and is the longest-running revival in Broadway history.

Photo by Joan Marcus.

The Lion King by Elton John and Tim Rice

The groundbreaking stage adaptation of Disney’s animated film of the same name left both children and adults filled with wonder. Featuring giant puppets and unforgettable songs by Elton John and Tim Rice, The Lion King had audiences stampeding to the theater to watch the incredible show.

It originally opened at the New Amsterdam Theater in 1997 before moving to the Minskoff Theater in 2006. Its current performance count stands at over 10,000 which has resulted in over $1 billion in gross sales making it the highest-grossing Broadway production of all time.

Photo by Mark Senior.

Wicked by Stephen Schwartz and Winnie Holzman

Leaving other shows green with envy is Wicked – the original musical based on Gregory Maguire’s 1995 novel of the same name. Focusing on the origin story of the Wicked Witch of the West from The Wizard of Oz, the colorful, whimsical, and crowd-pleasing show reframed our preconceptions of the previously hateful character and gave us another perspective.

The original production opened in 2003 at the Gershwin Theater and starred Kristin Chenoweth and Idina Menzel – making both household names. So far, it’s had over 7,500 performances and with a film adaptation starring Ariana Grande and Cynthia Erivo coming up, we don’t see it going anywhere for a long time.

Cats by Andrew Lloyd Webber

Based on the 1939 poetry collection by T.S. Eliot, Cats is a sung-through musical about a tribe of cats who are trying to decide which among them will be ascended to the Heaviside Layer before coming back to a new life. The surreal show opened in 1982 and was unlike anything seen on Broadway before. It won seven Tony Awards and a Grammy making it a must-see show.

It opened at the Winter Garden Theater on October 7 1982 where it ran until its close on September 10 2000. It was the first Broadway show to reach over 7,000 performances reaching 7,485 performances when it closed.

It looks as though Cats will happily perch at number five on the list for a while as the next show on the list that’s currently open is The Book of Mormon which sits with 4,400 performances which, again, would take approximately eight years to overtake Cats.

Categories
Broadway's Best

Broadway’s Best Comedy Shows

Blurring the lines between theater and standup, these virtuosic performances brought comedians to the Main Stem. Here are some of our favorite comedic offerings in recent Broadway memory.

Alex Edelman’s Just For Us

After multiple sold out Off-Broadway runs, Alex Edelman’s one-man-show, Just For Us, opened at the Hudson Theatre on June 26, 2023. Edelman recounts the true story of the time he, a Jewish man, attended a neo-Nazi meetup in Queens, NY because it called for people who are “curious about their whiteness.” This experience leads to a thoughtful and hilarious rumination on his Boston upbringing, his career in comedy, and the idea of being a “good person.” The show is scheduled to run through August 19, 2023.

Photo by Emilio Madrid

Mike Birbiglia: The New One and The Old Man & The Pool

Often credited as the pioneer of the part-standup, part-monologue form, Mike Birbiglia has brought two of his specials to Broadway stages. The New One, about his experiences as a new father, played the Cort Theatre (since renamed the James Earl Jones) in 2018 and was eventually released as a Netflix special following the run. Years later, his pondrance on aging and mortality entitled The Old Man & The Pool, ran at the Vivian Beaumont Theater. That show is set to play the 2023 Edinburgh Fringe followed by the West End’s Wyndham Theatre in the fall.

Martin Short: Fame Becomes Me

Comedy icon Martin Short, who stars in Hulu’s Only Murders in the Building, starred in his own Broadway musical in the 2006-2007 Broadway season. With music and lyrics by composing duo Marc Shaiman & Scott Wittman (Some Like it Hot, Hairspray!), the semi-autobiographical work, in which Short played an exaggerated celebrity-obsessed version of himself, also featured Brooks Ashmanskas in the cast, earning him his first Tony nomination.

Oh, Hello on Broadway

Nick Kroll and John Mulaney brought their elderly alter-egos, Gil Faizon and George St. Geegland, to the Main Stem with the Broadway iteration of their two-hander, The Oh, Hello Show. Mulaney and Kroll had originated the characters on TV’s The Kroll Show. The two friends ramble about their pasts and ambitions, and the show eventually culminates in the serving of a dubious sandwich with “too much tuna” to a special guest (which included the likes of Tina Fey, Steve Martin, Ben Platt, Katy Perry, John Oliver and Alan Alda.) This too was eventually released for your streaming enjoyment on Netflix.

Photo by Joan Marcus

Dame Edna’s The Royal Tour, Back With a Vengeance & All About Me

After making his Broadway debut as Mr. Sowerberry (and the understudy for Fagin) in the original 1963 production of Oliver! Barry Humphries brought his iconic character Dame Edna to the Main Stem in three separate shows. In 1999, The Royal Tour opened at the Booth Theatre, followed by Dame Edna: Back With a Vengeance at the Music Box Theatre in 2004. Edna’s third Broadway outing came in spring 2010, when All About Me opened at Henry Miller’s Theatre. The latter musical, a double bill, saw Edna go toe-to-toe with singer Michael Feinstein, and every night was a competition over who got to be the star. It was Barry Humphries’ final appearance on Broadway as Edna before the storied performer passed away in February 2023.

Will Ferrell in You’re Welcome America

Just months after George W. Bush left the White House, Will Ferrell brought his impersonation of the early aughts president to the Broadway stage in You’re Welcome America. A Final Night with George W. Bush. The character, which originally debuted on Saturday Night Live in 2000, took the opportunity to address the country one last time, regaling the audience with stories of his early life and political career. The play ran at the Cort Theatre in early 2009, and was broadcast on HBO the night before the play closed on March 15.