Categories
Capsule Reviews

Doubt

With nuanced performances that breathe new life into a modern classic, Doubt makes for a thought-provoking night at the theater.

By Ben Togut

At a Bronx Catholic school, questions of moral authority loom large in Doubt, now playing at the Todd Haimes Theatre. Back on Broadway, the revival’s star-studded cast leans into the wit and melodrama at the heart of John Patrick Shanley’s Pulitzer Prize-winning 2004 play, and finds new points of resonance under the direction of Scott Ellis. 

Amy Ryan lends a steely conviction to the role of Sister Aloysius, taking over in short order for Tyne Daly, who was forced to withdraw from the production for medical reasons before the start of previews. Ryan embodies Doubt’s wry sense of humor as she drolly volleys with Zoe Kazan as Sister James, who serves as the perfect foil to Sister Aloysius’s cold as ice, no-nonsense persona. Throughout the play, whether she is chastising Sister James for being too innocent or taking Father Flynn, a stoic Liev Schrieber, to task for his perceived wrongdoings, Ryan is a joy to watch.

Though her time on stage is brief, Quincy Tyler Bernstine steals the show as Mrs. Muller, delivering a performance that is at once quiet and forceful. Bernstein expertly balances Mrs. Muller’s maternal tenderness with her indignance with Sister Aloysius’ actions, challenging the nun with a feistiness that makes her performance an undeniable highlight.

David Rockwell’s scenic design is another one of the show’s assets. While Doubt’s set design is minimal, its starkness complements the mood of the plot. As the set transforms from a church, to Sister Aloysius’ office, to a barren courtyard, audiences are firmly rooted in the play’s setting and somber atmosphere.

With nuanced performances that breathe new life into a modern classic, Doubt makes for a thought-provoking night at the theater. 

Leave a Reply

Your email address will not be published. Required fields are marked *