When I first came to New York, with all those aspirations, I, through a fluke of a chance conversation between an actor I know and her agent, learned that Jerry Robbins, who was about to direct, off-Broadway, Arthur Kopit’s brilliant play Oh Dad, Poor Dad, Momma’sHung You in the Closet and I’m Feeling so Sad, was having a terrible time casting the part of the young son in the play. I worked hard on the audition and waltzed in and knocked him out with the audition. So he asked me to come to a callback audition a few days later. At which I totally bombed. I’d never heard of a callback. It was a fiasco. Jerry called me the next day and asked me to come see him. He said. “what happened?!” He wasn’t angry, he was just bewildered. I told him that I had no idea, at that second audition, what I was doing. So he kept calling me back and calling me back, looking for the fire to return. Then finally, on, I think, the sixth audition, he had me read opposite the magnificent Barbara Harris. And we soared.
So my career was launched. Jerry was the launcher and Barbara was the rocket.
Luck. Pure, wild luck. This business is beyond capricious.