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Capsule Reviews

Hell’s Kitchen

by Ben Togut

Acclaimed singer-songwriter Alicia Keys brings her tumultuous adolescence to the stage in Hell’s Kitchen, now playing at the Shubert Theatre. Featuring many of Keys’ beloved hits, Hell’s Kitchen is an emotional journey that highlights the power of community to guide us in our darkest moments. 

As Ali, Maleah Joi Moon cements herself as a star on the rise. In her Broadway debut, Joi Moon delivers a defiant and poignant performance, skilfully conveying Ali’s teenage anxieties and desires as she navigates growing up in New York City. As Ali’s overprotective mother, Shoshana Bean commands the stage with her deadpan attitude and dynamite vocals, bringing the house down with an incendiary rendition of ‘Pawn It All.’ Kecia Lewis is another one of the production’s stars. As Miss Liza Jane, Lewis delivers a soulful performance, showcasing impressive control of her lower register with Act I closer ‘Perfect Way to Die.’

One of Hell’s Kitchen’s great pleasures is how well Keys’ hits have been adapted to the stage. Thanks to orchestrations by Tom Kitt and Adam Blackstone, in a Broadway theater Keys’ anthems sound larger than life. When the cast harmonizes on ‘Girl on Fire,’ it is a moment of euphoric epiphany.

Capturing one young woman’s struggle to find herself as an artist and as an individual, Hell’s Kitchen is a story of perseverance brimming with heart.

Categories
Capsule Reviews

The Wiz

by Ben Togut

A vibrant cast of characters infuse the Yellow Brick Road with renewed flair in The Wiz, now running at the Marquis Theater. With dynamic performances and an updated book by Amber Ruffin, The Wiz captures the humor and heart of the original musical while finding new resonance with modern audiences.

On stage, Melody A. Betts is a force to be reckoned with. She is equally captivating as Aunt Em and Evilene, stealing the show with her powerhouse vocals and larger-than-life presence. Nichelle Lewis brings an affecting pathos to the role of Dorothy. While her Dorothy is often timid, her rendition of “Home” is a marvel, her agile soprano soaring into space.

Another one of the show’s highlights is its choreography by JaQuel Knight. Knight’s versatility as a choreographer is on full display at the start of Act II  as the people of Oz dance together in a number featuring twerking, African dance, hip hop, and more. Complemented by emerald disco outfits by Sharen Davis, this number is a joy to watch, thoughtfully bridging the old with the new.

With compelling performances and a company that embodies the musical’s infectious spirit, The Wiz makes a triumphant return to Broadway.