Sutton Foster – Broadway's Best Shows

Broadway’s Best Shows of 2023

Shining a spotlight on the best all-around productions Broadway had to offer this year. And who better to make the top 10 picks than the site titled Broadway’s Best Shows? Keep an eye out for our listing of the year’s best performances!

A Doll’s House

Henrik Ibsen’s timeless classic took center stage once again, its 14th Broadway production but the first since 1997. The play’s 1889 exploration of the complexities of marriage, misogyny, and societal expectations remains as relevant as ever. With Jessica Chastain starring in a new barebones adaptation by Amy Herzog, this Jamie Lloyd-helmed production brought a fresh eye to this masterpiece. The revival ran at the Hudson Theatre in the spring.

Fat Ham

Shakespeare met hip-hop in ‘Fat Ham,’ a Pulitzer prize-winning bold reimagining of ‘Hamlet’ from writer James Ijames that electrified the stage of the American Airlines Theatre with its innovative fusion of classic and contemporary, after premiering at the Public Theater.

Here Lies Love

Immersive and pulsating with energy, ‘Here Lies Love’ was the unique theatrical experience that explored the life of Imelda Marcos. The show dazzled audiences with its interior transformation of the Broadway Theatre, inventive staging and infectious music from David Byrne and Fatboy Slim.

Merrily We Roll Along

Stephen Sondheim’s ‘Merrily We Roll Along’ finally gets its due, as superstars Jonathan Groff, Lindsay Mendez, and Daniel Radcliffe endure the deterioration of friendship and creative partnership nightly at the Hudson Theatre. The revival, the first since the production’s infamous initial flop, captures the conflict between friendship and ambition among artists, set to a particularly melodic Sondheim score.

Parade

Based on a true story, ‘Parade’ weaves a haunting tale of injustice and redemption in the American South. Starring Ben Platt and Micaela Diamond, the Broadway transfer of New York City Center’s 2022 gala production, brought the gripping narrative to life at the Bernard B. Jacobs Theatre with powerful staging from Michael Arden and Jason Robert Brown’s stirring score.

Prima Facie

The drama of the courtroom took center stage as this new play, on Broadway last spring from across the pond, tackles issues of justice and gender. Jodie Comer won a Tony Award for her compelling and thought-provoking exploration of the complexities of finding justice or healing for sexual assault survivors from within the legal system.

Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

A celebration of African-American culture and resilience, ‘Purlie Victorious’ is a jubilant comedy that remains relevant and uplifting 62 years after its original Broadway bow. Ossie Davis’s essential words are brought to resounding life by Leslie Odom, Jr., Kara Young, and the rest of the pitch-perfect cast under the direction of Kenny Leon. The revival runs at the Music Box Theatre through February 4, 2024.

Photo by Matthew Murphy & Evan Zimmerman

Sweeney Todd: The Demon Barber of Fleet Street

Stephen Sondheim’s macabre masterpiece continues to thrill audiences with its chilling tale of revenge and obsession. Josh Groban and Annaleigh Ashford give two of the great musical theatre performances of our times at the Lunt-Fontanne Theatre, with Aaron Tveit and Sutton Foster taking over the leads in early 2024.

Summer, 1976

Manhattan Theatre Club’s ‘Summer, 1976’ captured the essence of a generation in a nostalgic journey. Theatrical perennials Laura Linney and Jessica Hecht starred in this new play presentation at the Samuel J. Friedman Theatre.

The Thanksgiving Play

In the comedic exploration of political correctness, Larissa Fasthorse’s ‘The Thanksgiving Play’ satirizes the challenges of creating an inclusive holiday celebration. Finally premiering on Broadway after a 2018 off-Broadway premiere, the play tickled audiences at the Helen Hayes Theatre with standout turns from Chris Sullivan and D’Arcy Carden.

Broadway’s Best Women Composers & Lyricists

In the world of Broadway, where melodies and lyrics transport audiences to new realms of emotion, the spotlight has long shone on remarkable talents responsible for crafting the songs that define our favorite musicals. While the overwhelming majority of composers and lyricists are men, a roster of brilliant women has long been making waves, breaking barriers, and leaving an indelible mark on the Main Stem. Here, we celebrate Broadway’s Best Women Composers & Lyricists, highlighting the small but mighty group of women who composed for the stage in the 20th century.

Mary Rodgers

Rodgers is perhaps best known for the 1959 musical Once Upon a Mattress. Later writing credits included 1978’s Working. Her sardonic memoirs were published posthumously in 2022 with the help of her friend, New York Times critic Jesse Green, and they detail, with her signature sense of humor, how she found it nearly impossible to be both a composer and a parent, eventually transitioning into writing children’s books, such as the original Freaky Friday. Mattress will receive a production in January 2023 at City Center Encores!, starring Sutton Foster and Michael Urie, and directed by Lear DeBesonnet (Into the Woods).

Sarah Jessica Parker performs “Shy” from Mattress

Carol Hall

Carol Hall was one of the first composers to introduce country western styles to Broadway audiences, with her score for 1978’s The Best Little Whorehouse in Texas. The musical was turned into a film starring Dolly Parton, and it turned Hall’s song “Hard Candy Christmas” into a holiday season standard. Her body of work is not entirely “adult” material – Hall contributed music to the landmark 1972 children’s album Free to Be You and Me, along with Mary Rodgers, and wrote songs for the early seasons of Sesame Street.

The original Broadway cast performs “Hard Candy Christmas”

Micki Grant

Micki Grant first rose to prominence as an actor, appearing in the Langston Hughes Broadway shows Tambourines to Glory and Jericho-Jim Crow in the 1960s. In 1972, she was the first woman, and the first African-American, to write both the music and lyrics for a musical, for Don’t Bother Me, I Can’t Cope. She became a 3-time Tony nominee that season, as well as receiving an OBIE award. Grant, like Rodgers, later contributed songs to 1978’s Working, and also contributed writing to Your Arms Too Short to Box With God and Eubie.

“If I Could’ve Been”, the act 1 finale of Working, contributed by Grant:

The entirety of the Don’t Bother Me, I Can’t Cope LP is on YouTube:

Lucy Simon

Lucy Simon began her songwriting career with her sister, Carly Simon. After contributing songs to the Off-Broadway revue A…My Name Is Alice, she composed the music for 1991’s The Secret Garden, for which she was nominated for a Tony. Garden was the first musical to have an all-female writing and directing team.

“Lily’s Eyes” from The Secret Garden

Elizabeth Swados

Elizabeth “Liz” Swados won an OBIE award and was nominated for 5 Tonys for her 1978 musical Runaways. Originating at the Public Theater, the unconventional revue told the stories of homeless youth in New York City who had run away from home. Swados also directed and choreographed the production. After the success of Runaways, Swados contributed the music to the Broadway musical Doonesbury, and later became an off-Broadway stalwart. She influenced generations of theater artists as a professor at NYU.

“I Can Have It All” from Doonesbury

The Encores! Off-Center revival of Runaways.

A soon-to-be member of this list is Shaina Taub, a celebrated composer-lyricist set to make her Broadway debut as both writer (and star?) of Suffs. The new musical is due to open at the Music Box Theatre in April 2024 after Purlie Victorious’s limited engagement ends in February.

The world premiere of Suffs at the Public Theater