Alex Timbers, Josh Gad, and Andrew Rannells equal a non-stop night of laughs. A parody of the writing and producing process, Gutenberg! follows the one-night-only presentation of Gutenberg the Musical, written by and starring Bud (Josh Gad) and Doug (Andrew Rannells). The two present their larger-than-life musical idea to an audience full of “Broadway Producers,” but having spent all their budget on the theater, the two must play every character, alternating between literal hats labeled with character names. This gleefully self-aware comedy hits the mark, showcasing the unmatched chemistry between Gad and Rannells.
Gutenberg! The Musical! Is playing through January 28th, 2024, at the James Earl Jones Theatre.
Broadway has a long history of captivating audiences with a wide range of shows, from heartwarming musicals to thought-provoking dramas. But when Halloween season rolls around, there’s nothing quite like sinking your teeth into a spine-tingling and eerie performance. In celebration of the annual spookfest, we’re throwing back to some of Broadway’s scariest offerings.
Photo by Matthew Murphy
“The Phantom of the Opera”
Though the famed Phantom is no longer haunting Broadway’s Majestic Theatre, the Andrew Lloyd Webber masterpiece enthralled audiences for decades. With its haunting score and the enigmatic Phantom lurking beneath the Paris Opera House, this classic tale of love and obsession surely gets the title of Broadway’s Best Spooky Show.
“Sweeney Todd: The Demon Barber of Fleet Street”
A macabre musical masterpiece by Stephen Sondheim, “Sweeney Todd” tells the tale of a vengeful barber who dispatches his victims to be baked into meat pies. With dark humor, chilling themes, and memorable songs, it’s a must-see for Halloween. You can still catch stars Josh Groban and Annaleigh Ashford attending the tale on Broadway for another couple of months… We recommend you get your meat pie fix.
“Jekyll & Hyde”
Based on Robert Louis Stevenson’s classic novel, this musical explores the dual nature of man. Dr. Jekyll’s transformation into the sinister Mr. Hyde is a perfect metaphor for the darkness that lies within us all. And who can forget the horror of David Hasselhoff’s starring 2000-2001 turn?
“Into the Woods”
Stephen Sondheim strikes again with this enchanting yet eerie twist on classic fairy tales. “Into the Woods” explores the consequences of characters’ wishes, reminding us that not all fairy tales have happy endings. 1987 audiences were surprised by how dark a story featuring Cinderella and Rapunzel could get. Though you may have missed your opportunity to catch the 2022 Broadway revival and its subsequent tour, the latest Broadway cast recording might suffice.
“Carrie: The Musical”
An adaptation of Stephen King’s iconic horror novel, “Carrie: The Musical” explores the trauma and torment of a telekinetic teen in a small, unforgiving town. With intense emotions and shocking scenes (the prop list does call for buckets of blood), it’s not for the faint of heart. Surely there’s a high school or community theater running the show this month.
“Beetlejuice”
A comically macabre tale of the afterlife, “Beetlejuice” is a fun and quirky Halloween pick. Follow the antics of the obnoxious yet lovable demon, Beetlejuice, as he helps a recently deceased couple navigate the netherworld. The production is out on tour through June 2024, so make sure to take advantage when the undead man himself comes to haunt your hometown!
“The Rocky Horror Show”
While not originally a Broadway production, this cult classic, the basis for the legendary 1975 movie, has become a staple in Halloween entertainment, and did have a couple of Broadway stints, in 1975 and 2000. Join the Time Warp and celebrate all things spooky and sensational with the eccentric characters of Dr. Frank-N-Furter’s castle. Check your local listings; there’s always a production or two on offer at this time of year, as well as opportunities to see “shadow casts” perform along with the movie.
Whether you’re into classic horror stories, dark comedies, or supernatural tales, there’s something for everyone in these captivating and eerie shows. So, this Halloween season, grab your tickets and prepare for a night of thrilling entertainment, whether on Broadway, on tour, or on the stage of your local community theatre.
The collaborative genius of Stephen Sondheim and David Ives is evident in every note, every line, and every scene of Here We Are, which opened Off-Broadway on October 22nd at The Shed. Sondheim’s signature melodic complexity intertwines seamlessly with Ives’ sharp and witty dialogue, creating a narrative that is both heartwarming and intellectually stimulating. Under the expert guidance of director Joe Mantello, the production comes alive with energy and precision, showcasing the immense talent of this all-star cast. Rachel Bay Jones and Bobby Cannavale are in their element, giving performances filled with humor and heart. David Zinn’s scenic design is a true marvel and incorporates some of the most innovative transitions seen in an Off-Broadway theater. Though the show’s score is notably unfinished, Here We Are still delivers an enjoyable evening of entertainment, living up to the legacy of Sondheim.
In the world of Broadway, where melodies and lyrics transport audiences to new realms of emotion, the spotlight has long shone on remarkable talents responsible for crafting the songs that define our favorite musicals. While the overwhelming majority of composers and lyricists are men, a roster of brilliant women has long been making waves, breaking barriers, and leaving an indelible mark on the Main Stem. Here, we celebrate Broadway’s Best Women Composers & Lyricists, highlighting the small but mighty group of women who composed for the stage in the 20th century.
Mary Rodgers
Rodgers is perhaps best known for the 1959 musical Once Upon a Mattress. Later writing credits included 1978’s Working. Her sardonic memoirs were published posthumously in 2022 with the help of her friend, New York Times critic Jesse Green, and they detail, with her signature sense of humor, how she found it nearly impossible to be both a composer and a parent, eventually transitioning into writing children’s books, such as the original Freaky Friday. Mattress will receive a production in January 2023 at City Center Encores!, starring Sutton Foster and Michael Urie, and directed by Lear DeBesonnet (Into the Woods).
Sarah Jessica Parker performs “Shy” from Mattress
Carol Hall
Carol Hall was one of the first composers to introduce country western styles to Broadway audiences, with her score for 1978’s The Best Little Whorehouse in Texas. The musical was turned into a film starring Dolly Parton, and it turned Hall’s song “Hard Candy Christmas” into a holiday season standard. Her body of work is not entirely “adult” material – Hall contributed music to the landmark 1972 children’s album Free to Be You and Me, along with Mary Rodgers, and wrote songs for the early seasons of Sesame Street.
The original Broadway cast performs “Hard Candy Christmas”
Micki Grant
Micki Grant first rose to prominence as an actor, appearing in the Langston Hughes Broadway shows Tambourines to Glory and Jericho-Jim Crow in the 1960s. In 1972, she was the first woman, and the first African-American, to write both the music and lyrics for a musical, for Don’t Bother Me, I Can’t Cope. She became a 3-time Tony nominee that season, as well as receiving an OBIE award. Grant, like Rodgers, later contributed songs to 1978’s Working, and also contributed writing to Your Arms Too Short to Box With God and Eubie.
“If I Could’ve Been”, the act 1 finale of Working, contributed by Grant:
The entirety of the Don’t Bother Me, I Can’t Cope LP is on YouTube:
Lucy Simon
Lucy Simon began her songwriting career with her sister, Carly Simon. After contributing songs to the Off-Broadway revue A…My Name Is Alice, she composed the music for 1991’s The Secret Garden, for which she was nominated for a Tony. Garden was the first musical to have an all-female writing and directing team.
“Lily’s Eyes” from The Secret Garden
Elizabeth Swados
Elizabeth “Liz” Swados won an OBIE award and was nominated for 5 Tonys for her 1978 musical Runaways. Originating at the Public Theater, the unconventional revue told the stories of homeless youth in New York City who had run away from home. Swados also directed and choreographed the production. After the success of Runaways, Swados contributed the music to the Broadway musical Doonesbury, and later became an off-Broadway stalwart. She influenced generations of theater artists as a professor at NYU.
“I Can Have It All” from Doonesbury
The Encores! Off-Center revival of Runaways.
A soon-to-be member of this list is Shaina Taub, a celebrated composer-lyricist set to make her Broadway debut as both writer (and star?) of Suffs. The new musical is due to open at the Music Box Theatre in April 2024 after Purlie Victorious’s limited engagement ends in February.
A BROADWAY MASTERPIECE REIMAGINED! Brace yourselves, theater lovers, because the revival of ‘Merrily We Roll Along’ now running at Broadway’s Hudson Theatre is an absolute triumph! With Jonathan Groff, Daniel Radcliffe, and Lindsay Mendez leading the charge, this production breathes new life into a timeless classic that has long been awaiting a production worthy of its material. Viewers of original 1981 Merrily cast member Lonny Price’s celebrated documentary “Best Worst Thing That Ever Could Have Happened,” recounting how the original Broadway production flopped, might not have expected how director Maria Friedman’s new take on the musical would ‘get’ what Merrily is, and allow it to soar. But those lucky enough to grab a ticket should get ready for an unforgettable journey through friendship, ambition, and the passage of time (in reverse chronological order, of course).
Jonathan Groff’s portrayal of Frank Shepard brings unparalleled depth to this complex character, making us feel every twist and turn as his own actions perpetrate an unfortunate end to his relationships, platonic and romantic alike. Daniel Radcliffe, as Charley Kringas, is equally impressive. His transformation from a wide-eyed dreamer to a man grappling with success and the decay of his oldest friendship is a testament to his versatility as an actor, as well as his charismatic presence and impeccable comedic timing. Lindsay Mendez as Charley and Frank’s lifelong friend, sardonic writer Mary Flynn, gets to show off her extraordinary vocal range, and strikes a perfect balance between wit and vulnerability.
Krystal Joy Brown shines as the glamorous and ambitious actress Gussie Carnegie, showcasing her extraordinary range and commanding stage presence. Even amidst the high wattage of Radcliffe/Groff/Mendez, Brown manages to stop the show at the top of Act Two with “Gussie’s Opening Number.”
Stephen Sondheim’s haunting melodies and poignant lyrics, and Jonathan Tunick’s brilliant orchestrations, sweep the audience into a sea of emotions. The plot finally feels deserving of his work, now earning the emotional depth the score affords it. This production is a celebration of friendship, dreams, and the enduring power of Sondheim’s music.
There’s no one way to become a Broadway star–some blow up at the beginning of their careers, while others work for decades before their big break comes. We want to highlight some of the former understudies, and mid-run replacements, originating roles this season, as well as one director making her debut this season. The Broadway to Hollywood pipeline is real (we’ll get into that in a different article). But we’d like to hang onto the below talents in the theater space for as long as we can!
Julie Benko as Fanny Brice in Funny Girl. Photo by Evan Zimmerman/MurphyMade
Julie Benko
Julie Benko became an internet darling in 2022 and 2023 as the alternate Fanny Brice in Funny Girl. Lea Michele was out every Thursday evening, and fans would flock to see Benko’s equally excellent Fanny. Before that, she understudied all five of Tevye’s daughters in Fiddler on the Roof, and was a backup Cosette in Les Mis. This fall, Benko gets to originate a role on Broadway for the very first time, in another very Jewish project, as Ruth in the new Barry Manilow musical Harmony.
Isabella McCalla & Caitlin Kinnunen in The Prom. Photo by Deen Van Meer
Isabelle McCalla
McCalla, a former Jasmine in Aladdin, played the soft spoken love interest Alyssa Greene in 2018’s The Prom. She can currently be seen as Maizy in Shucked, while original star Caroline Innerbichler takes maternity leave. Her breakout moment might be coming next year – McCalla received glowing reviews for Water for Elephants’ Atlanta tryout, and it’s likely that she’ll move from 40th to 45th Street when Elephants starts performances at the Imperial on February 24th.
Santino Fontana and Julia Lester in I Can Get It For You Wholesale. Photo by Julieta Cervantes
Julia Lester
Julia Lester started her acting career on television, breaking out as wry theater geek Ashlyn on Disney+’s High School Musical: The Musical: The Series. Theater audiences were introduced to her in summer 2022, playing Little Red Riding Hood in the Encores! Revival of Into the Woods, which later transferred to Broadway. After becoming one of the youngest Tony nominees ever for that performance, she can be seen this season in the Classic Stage Company revival of I Can Get It For You Wholesale, as the beleaguered secretary Miss Marmelstein.
Sky Lakota-Lynch in Dear Evan Hansen.
Sky Lakota-Lynch
Lakota-Lynch made his Broadway debut replacing Will Roland as Jared Kleinman in Dear Evan Hansen, the only actor of color to play the part on Broadway. In spring 2023 he starred as Johnny in The Outsiders at La Jolla Playhouse, based on the classic novel about working class 1950s teenagers. The Outsiders starts performances at the Jacobs in March 2024.
Heather Alicia Simms and Billy Eugene Jones in Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch. Photo by Marc J. Franklin
Billy Eugene Jones
Jones has been an understudy on Broadway seven times, including in Kenny Leon’s 2014 revival of A Raisin in the Sun. Earlier in 2023, he was both Rev and the ghostly Pap in Fat Ham (the equivalent of Claudius and Hamlet Sr. in the show’s rewrite of Hamlet) making a memorable entrance in an all-white ensemble billowing smoke. After nearly two decades on Broadway, Jones was singled out by critics for his performance as Gitlow Judson in Purlie Victorious, currently at the Music Box.
Whitney White in the rehearsal room. Photo by RJ Eldridge
Whitney White
Jaja’s African Hair Braiding, by Jocelyn Bioh, premiered on Broadway in October 2023. Many critics attribute the play’s success to Whitney White’s direction, which balances a dozen different characters with wildly different personalities, keeping the tone comic but not cartoonish. White makes her Broadway debut with the show, after directing downtown hits like What to Send Up When It Goes Down at the Public and Our Dear Dead Drug Lord at Second Stage.
The fall theater season in New York City is full of gems. From new Broadway productions like Jaja’s African Hair Braiding and Purlie Victorious to long-running Off-Broadway hits like Little Shop of Horrors and Titanique, there is something onstage for everyone. Here, we are breaking down the top five most exciting new works coming to the Off-Broadway stage in the next couple of months!
Pal Joey
For one week only in November, New York City Center Encores! will present a reimagined take on the 1941 Rodgers & Hart musical as part of their annual gala. The musical is directed by Tony Goldwyn and Savion Glover, and stars Ephraim Sykes, Elizabeth Stanley, Aisha Jackson, Loretta Devine, Brooks Ashmanskas, and more. With an all-new book, jazzy arrangements of classics pulled from across the Rodgers & Hart catalog, and percussive tap choreography by the legendary Savion Glover, this one is not to be missed.
Photo by Chelcie Parry
Stereophonic
The latest play from David Adjmi is set entirely inside a recording studio, taking its inspiration from 1970s rock acts like Fleetwood Mac, where tempers, egos, and love affairs threaten to destroy, or maybe enhance, musical genius. The production features original music by Will Butler of the band Arcade Fire, and actors such as Will Brill and Juliana Canfield will be playing their musical instruments live on stage.
I Can Get It For You Wholesale
Classic Stage Company presents a revival of this rarely-seen musical about 1930s Jewish garment workers. In 1961 it gave Barbra Streisand her Broadway debut and her first Tony nom at age 19 for a featured role as a beleaguered secretary. Directed by Trip Cullman and with a revised book by John Weidman (Assassins, Pacific Overtures), the cast features Santina Fontana, Rebecca Naomi Jones, Julia Lester, Adam Chanler-Berat, Judy Kuhn, Sarah Steele, and Joy Woods.
Photo by Emilio Madrid
Here We Are
You can now see the final work of Stephen Sondheim onstage at The Shed. Information about the show remains sparse, but we know it’s based on two surrealist Luis Buñuel films that satirize the upper class. It features direction by Tony Award-winner Joe Mantello and a murderer’s row of theater stars, including Francois Battiste, Tracie Bennett, Bobby Cannavale, Micaela Diamond, Amber Gray, Jin Ha, Rachel Bay Jones, Denis O’Hare, Steven Pasquale, David Hyde Pierce, and Jeremy Shamos.
Danny and the Deep Blue Sea
Aubrey Plaza is set to star in this new production of John Patrick Shanley’s 1984 romance, directed by Jeff Ward. The Parks& Recreation and White Lotus star makes her stage debut opposite Girls’ Christopher Abbott. Playing for 10 weeks only beginning October 30 at the Lucille Lortel Theatre, rumor has it this won’t be the last we see of this production on the island of Manhattan…
