Categories
Broadway's Best

Broadway’s Best Performances of 2023

What is a Broadway show without the actors at its core? Here, we single out the singular talents that burned bright on Broadway stages this year. Prepare to be enthralled as we navigate some of the exceptional performances that have defined the essence of Broadway in the year 2023.

Photo by Joan Marcus

Sean Hayes in Good Night, Oscar

In a surprise to no one, the top mention in this year’s list goes to Sean Hayes for his Tony-winning turn as Oscar Levant in Doug Wright’s play. Whether it was his tickling of audiences’ ribs or the ivories in his rendition of ‘Rhapsody in Blue,’ a performance this special does not go unnoticed. In his return to the Broadway stage after performing An Act of God in 2015, Hayes asserted himself as a theatrical powerhouse, and he will surely be welcomed back to the stage in seasons to come.

Photo by Matthew Murphy & Evan Zimmerman

Annaleigh Ashford in Sweeney Todd

After icons including Angela Lansbury, Patti LuPone, Imelda Staunton, and Christine Baranski have all filled the role of Mrs. Lovett, you wouldn’t think there were any crumbs left in the material with which to do something new, make a unique choice. It is our utmost pleasure to report that Ms. Ashford finds them all, and then some. With her wit and vocals in hand, Ashford manages to almost recreate this tried and true character, begging her castmates to catch up as she runs off with their show.

Photo by Marc J. Franklin

Kara Young in Purlie Victorious

Fresh off her second Tony Award nomination for Martyna Majok’s Cost of Living (which was in turn fresh off her first Tony Award nomination for her Broadway debut in Lynn Nottage’s Clyde’s), Young displays a different facet of her enormous talent and versatility as Lutiebelle Gussie Mae Jenkins in Purlie Victorious. In this role, Young delivers a masterclass in comedy in all its forms: physical, verbal, satirical, and the like. Her prowess, a must-not-miss performance, is on display nightly at the Music Box Theatre through February 4, 2024.

Jodie Comer in Prima Facie

This year, Comer brought her Olivier-winning performance in Suzie Miller’s one-woman legal drama stateside, where she added yet another trophy to the mantle. Known to New York audiences primarily for her television career, Comer’s stage acting wowed as she spun this heavy tale with authenticity, nuance, and sheer power.

Photo by Andy Henderson

Leslie Rodriguez Kritzer in Spamalot

As the Lady-of-the-Lake, Kritzer is the Standout-of-the-show! In a series of sparkly Jen Caprio gowns, she evokes Broadway divas like Liza Minelli, and adds the touch of Broadway glamor that holds the looney world of Spamalot together, making it not just a salute to Monty Python, but an exceptional stage musical on its own. Director Josh Rhodes wisely gives Rodriguez Kritzer ample opportunity to improvise, making the show fresh every night (see: the floored social media reactions from the audience that found out the SAG-AFTRA strike had ended because Leslie announced it live onstage and in character.) It’s a delight to watch her lead the company in her 8th Broadway show, and a treat to hear her belt to the rafters. 

Michael Urie in Spamalot

Urie has a sterling reputation as a comedic heavy hitter, from prior credits like Torch Song Trilogy, Buyer and Seller, and TV’s Ugly Betty. In a production full of actors with PhDs in clowning, Urie still manages to steal the show with his surgically precise timing, detailed facial expressions, and total commitment to chaos in his performance as the nervy Sir Robin and a host of other medieval wackos. Who else could land a huge laugh just by darting his eyes back and forth? Watching him bring down the house with his Act 2 number ‘You Won’t Succeed on Broadway’ is a bit like watching Julia Child cook or Serena Williams play tennis – the sheer joy of watching a master at work. 

Photo by Matthew Murphy

Alex Brightman in The Shark is Broken

Jaws fans got a behind-the-scenes look at the storied set of the iconic blockbuster in this year’s The Shark is Broken. With Alex Brightman (AKA Beetlejuice, to those in the know) playing the real-life Richard Dreyfuss, the play was infused with a burst of energy, zaniness, and neurosis that transports the audience effectively through the boredom of waiting on the boat. Brightman excels in exhibiting Dreyfuss’s ambitious and chaotic spirit, even if the real-life actor did not so much appreciate the interpretation… 

Photo by Marc J. Franklin

Billy Eugene Jones & Jay O. Sanders in Purlie Victorious

Both given a near-impossible task of making grounded and genuine human characters out of archetypes, Billy Eugene Jones (last seen on Broadway in Fat Ham) and Jay O. Sanders (last in Girl From the North Country) make comedy magic as Gitlow Judson and Ol’ Cap’n Cotchipee, respectively. As the “Uncle Tom” and racist plantation owner types, this duo of New York theater perennials use the vessels created by Ossie Davis to subvert stereotypes and deliver the play’s thesis, under the watchful direction of Kenny Leon.

Daniel Radcliffe, Jonathan Groff, and Lindsay Mendez in Merrily We Roll Along

How could we sever the unbreakable bond between this trio of Broadway stars?! For their convincingly deep friendship and for their help in reifying the glory of one of Stephen Sondheim’s lost treasures, the Frank-Charlie-Mary of 2023 round out our list of the best performances to hit Broadway this past calendar year.

Categories
Broadway's Best

Broadway’s Best Touring Shows

While “Broadway” refers to a specific set of Tony-eligible theatres located in midtown Manhattan, the term is metonymic of an entire industry. To theatergoers around the country and world, “Broadway” translates to high-quality musicals and plays performed by world-class artists; overall top-notch theatre. 

Since not everyone can make it to New York City, the magic of Broadway is brought to audiences across North America through touring productions. With the holidays approaching, these special productions can also serve as great family activities, or even just a great gift for your theatre-loving-loved-ones. Here’s a glimpse into some of Broadway’s best touring shows that are currently captivating audiences from coast to coast (and beyond).

Beetlejuice

Based on Tim Burton’s iconic film, Beetlejuice brings the afterlife to the stage with humor, irreverence, and spectacular special effects. After two Broadway runs, pre- and post-shutdown, the show has gone out across the country, where it continues to make headlines, both for what’s happening onstage and off…

The Lion King

Disney’s The Lion King continues its reign as a theatrical masterpiece, both on Broadway at the Minskoff Theatre and in touring houses all over. Since opening on Broadway in 1997 and launching its first tour in 2002, the modern classic has had several national and international tour companies bringing Simba’s story far and wide. The latest tour launched in 2017 and is still going strong, with dates scheduled through summer 2024.

The Wiz

Ease on down the road with The Wiz, a soulful and energetic retelling of “The Wizard of Oz.” Set to hit Broadway in spring 2024 with Schele Williams at the helm and Wayne Brady in the title role following the tour, this production promises to bring a fresh and vibrant perspective to the beloved tale.

Mamma Mia

ABBA’s hits take center stage in Mamma Mia, now back on the road celebrating the show’s 25th anniversary. Since opening on Broadway in 2001, the jukebox musical has had many touring and international engagements, as well as two film installments (to date), becoming a global cultural phenomenon. You now have your shot to get in on the fun; the new tour kicked off in Elmira, NY in October 2023 and is scheduled to travel the country through at least summer 2024.

Funny Girl

After a bountiful Broadway run with Lea Michele in the leading role, the revival has hit the road. The classic musical Funny Girl tells the story of Fanny Brice, a legendary Ziegfeld Follies star. With a blend of humor, romance, and unforgettable music, this production showcases the indomitable spirit of a woman who dared to follow her dreams. Michael Mayer’s direction alongside choreography by Ellenore Scott is now on view in theatres around the country.

Wicked

Wicked has cast its spell on audiences for over 20 years as it explores the untold story of the Witches of Oz. This visually stunning production, featuring iconic songs like ‘Defying Gravity,’ ‘Popular,’ ‘For Good,’ and more, continues to captivate with its imaginative storytelling and powerful performances. The tour continues to make stops all over North America, with several international productions having played all over the world over the years. Even more theatre enthusiasts will also get to experience the magic of Wicked when Jon M. Chu’s two-part film adaptation starring Cynthia Erivo and Ariana Grande hits movie theatres in 2024 and 2025.

Company

Britney Coleman leads the cast of this national tour as Bobbie. Following its 2021-2022 Tony-winning Broadway run, this Sondheim revival is traveling the country, with stops scheduled into late summer of 2024. In Marianne Elliot’s updated take on the classic concept musical, Bobbie is a 35-year-old woman reckoning with her love life as well as those of her mostly married friends, and haunted by the pressures of living in 21st century New York City.

Girl From the North Country

Playwright Conor McPherson’s narrative spin on the song catalog of Bob Dylan launched a cross-country tour in October 2023, kicking things off in Minneapolis. The folk musical played two separate engagements at the Belasco Theatre, closing in June 2022. The tour currently has stops scheduled into mid-2024 with more to be announced!

Hamilton

Lin-Manuel Miranda’s revolutionary musical Hamilton remains a cultural phenomenon. This hip-hop-infused tale of Alexander Hamilton’s life has become a must-see for theater enthusiasts, and good thing then that there are so many opportunities to see it, with as many as three separate touring companies having launched, sometimes playing different ends of the country at the same time.  

Hadestown

Hadestown offers a unique and mesmerizing take on the ancient Greek myths of Orpheus & Eurydice and Hades & Persephone. This Tony Award-winning Best Musical combines folk, jazz, and blues music to sing this “old song” again and again and again. With short stints through the United States on offer until May 2024, don’t miss catching Anaïs Mitchell’s hauntingly beautiful score and lyrics while you can!

Broadway enthusiasts can catch so many more sensational productions currently on tour, including Aladdin, MJ The Musical, To Kill a Mockingbird, Moulin Rouge!, Mrs. Doubtfire, SIX, and more!

Broadway’s best touring shows offer a taste of the magic and excitement that define the New York City theater scene. Whether it’s a timeless classic, a contemporary hit, or a reimagined tale, these productions bring the thrill of Broadway to audiences across North America and around the world. So, grab your tickets, sit back, and let the enchantment unfold in a city near you!

Categories
Creative

Where’s That Cast Now? Spamalot Edition

With Spamalot having returned to Broadway 18 years after its debut, readers may be curious about what the original 2005 cast is up to now. Below, Broadway’s Best Shows is celebrating the original cast of the spoof-filled musical and the careers they’ve enjoyed since.

Hank Azaria

A voice acting legend for his 30+ years of work on The Simpsons, Azaria made his Broadway debut as Sir Lancelot in Spamalot. He later appeared in the 2007 Aaron Sorkin play The Farnsworth Invention on Broadway and has appeared in many TV shows and movies, most recently starring in Brockmire and The Idol, while continuing on The Simpsons.

SNL alum Taran Killam plays Lancelot in 2023, with Beetlejuice’s Alex Brightman set to take over the part in January 2024.

Photo by Joan Marcus

Christian Borle

Borle had maybe the craziest track in a show where everyone played 2-5 characters. In the program, he was listed as “Historian, Not Dead Fred, French Guard, Minstrel, Prince Herbert.” He went on to Legally Blonde, and Falsettos, two performances seen far and wide after they were recorded for television, and has two Tonys, for Peter and the Starcatcher and Something Rotten. He was nominated again for 2023’s Some Like It Hot. Oh yes, and he was on Smash. 

Spongebob’s erstwhile simple sponge Ethan Slater steps into the track in 2023. 

Photo by Joan Marcus

David Hyde Pierce

Pierce was possibly the most famous actor coming into Spamalot, after eleven years on Frasier. While he had acted on Broadway before, he learned to sing and dance for the production. After his turn at the Round Table, he won a Tony for his performance in Curtains, appeared in Vanya and Sonya and Masha and Spike, and worked opposite Bette Midler in Hello, Dolly! He can currently be seen at The Shed in the final Sondheim musical Here We Are, and on the MAX series Julia. 

Michael Urie plays his role in the 2023 production. 

Photo by Joan Marcus

Sara Ramirez

Ramirez has recently reentered the zeitgeist with their attention-grabbing role as Che Diaz on And Just Like That, but theater fans know them as the Tony-winning Lady of the Lake in Spamalot. In the intervening period, they worked on eleven seasons of Grey’s Anatomy as Callie Torres, breaking barriers for queer representation in television. 

Beetlejuice’s Leslie Rodriguez Kritzer steps into the part for 2023. 

Photo by Joan Marcus

Christopher Sieber

After his Tony-nominated stint as Sir Galahad in the original Spamalot, Sieber did a series of impressive physical comedy roles, including originating the role of Lord Farquaad in Shrek, garnering another Tony nom, replacing as Miss Trunchbull in Matilda, and rolling around the floor of the Jacobs doing martial arts with Jennifer Simard in 2022’s Company revival. The role of Trent Oliver in The Prom was written specifically for him.

Broadway stalwart Nik Walker takes over the role in 2023.

Tim Curry

Tim Curry made his fourth Broadway appearance, as King Arthur, in Spamalot. His post-Spamalot work is sadly limited, due to a stroke in 2012, although he did make a winning turn narrating the 2016 Rocky Horror Picture Show remake. He has also worked extensively as a voice actor, including in the critically acclaimed animated series Over the Garden Wall.

James Monroe Iglehart (Aladdin, Hamilton) plays the part in 2023.

Photo by Joan Marcus

Michael McGrath

McGrath, Spamalot’s loyal Patsy and a beloved New York character actor, appeared in an incredible nine Broadway shows afterward. Most recently he understudied Matthew Broderick in Plaza Suite, and starred as Ladislav Sipos in Roundabout’s 2016 revival of She Loves Me, among many other credits. Sadly, McGrath passed away in fall 2023.

Christopher Fitzgerald (Waitress) plays Patsy in 2023. 

And a special bonus…

Hannah Waddingham

Waddingham starred as the Lady of the Lake when the production moved to London, and also came to New York near the end of its run. In 2020, Waddingham vaulted to stardom as football club owner Rebecca Welton on Ted Lasso, winning an Emmy for her performance. She was also the “Shame Nun” on Game of Thrones and a helicopter parent on Sex Education. 

Waddingham is releasing a Christmas special on Apple TV, and an accompanying album, both out on November 22nd.

Categories
Broadway's Best

Broadway’s Best Spooky Shows

Broadway has a long history of captivating audiences with a wide range of shows, from heartwarming musicals to thought-provoking dramas. But when Halloween season rolls around, there’s nothing quite like sinking your teeth into a spine-tingling and eerie performance. In celebration of the annual spookfest, we’re throwing back to some of Broadway’s scariest offerings.

Photo by Matthew Murphy

“The Phantom of the Opera”

Though the famed Phantom is no longer haunting Broadway’s Majestic Theatre, the Andrew Lloyd Webber masterpiece enthralled audiences for decades. With its haunting score and the enigmatic Phantom lurking beneath the Paris Opera House, this classic tale of love and obsession surely gets the title of Broadway’s Best Spooky Show.

“Sweeney Todd: The Demon Barber of Fleet Street”

A macabre musical masterpiece by Stephen Sondheim, “Sweeney Todd” tells the tale of a vengeful barber who dispatches his victims to be baked into meat pies. With dark humor, chilling themes, and memorable songs, it’s a must-see for Halloween. You can still catch stars Josh Groban and Annaleigh Ashford attending the tale on Broadway for another couple of months… We recommend you get your meat pie fix.

“Jekyll & Hyde”

Based on Robert Louis Stevenson’s classic novel, this musical explores the dual nature of man. Dr. Jekyll’s transformation into the sinister Mr. Hyde is a perfect metaphor for the darkness that lies within us all. And who can forget the horror of David Hasselhoff’s starring 2000-2001 turn?

“Into the Woods”

Stephen Sondheim strikes again with this enchanting yet eerie twist on classic fairy tales. “Into the Woods” explores the consequences of characters’ wishes, reminding us that not all fairy tales have happy endings. 1987 audiences were surprised by how dark a story featuring Cinderella and Rapunzel could get. Though you may have missed your opportunity to catch the 2022 Broadway revival and its subsequent tour, the latest Broadway cast recording might suffice.

“Carrie: The Musical”

An adaptation of Stephen King’s iconic horror novel, “Carrie: The Musical” explores the trauma and torment of a telekinetic teen in a small, unforgiving town. With intense emotions and shocking scenes (the prop list does call for buckets of blood), it’s not for the faint of heart. Surely there’s a high school or community theater running the show this month. 

“Beetlejuice”

A comically macabre tale of the afterlife, “Beetlejuice” is a fun and quirky Halloween pick. Follow the antics of the obnoxious yet lovable demon, Beetlejuice, as he helps a recently deceased couple navigate the netherworld. The production is out on tour through June 2024, so make sure to take advantage when the undead man himself comes to haunt your hometown!

“The Rocky Horror Show”

While not originally a Broadway production, this cult classic, the basis for the legendary 1975 movie, has become a staple in Halloween entertainment, and did have a couple of Broadway stints, in 1975 and 2000. Join the Time Warp and celebrate all things spooky and sensational with the eccentric characters of Dr. Frank-N-Furter’s castle. Check your local listings; there’s always a production or two on offer at this time of year, as well as opportunities to see “shadow casts” perform along with the movie. 

Whether you’re into classic horror stories, dark comedies, or supernatural tales, there’s something for everyone in these captivating and eerie shows. So, this Halloween season, grab your tickets and prepare for a night of thrilling entertainment, whether on Broadway, on tour, or on the stage of your local community theatre.

Categories
Long Form

American Plays About American Power: Why playwrights love to write about the president

You might not think you can draw a line from Andrew Jackson to the sensual allure of the musical Moulin Rouge!, or that Herbert Hoover has anything to do with the anarchic fun of Broadway’s Beetlejuice. Alex Timbers, however, has proven the connection. Long before he directed those productions, he injected a similar, raucous spirit into three different musicals about American presidents. 

In Bloody, Bloody Andrew Jackson, the 2010 Broadway show he created with Michael Friedman, he turned the Commander-in-Chief  into a swaggering emo rock star. In 2015’s Here’s Hoover!, he let Hoover take the stage and argue, via rock songs, that he deserved a better reputation. And back in 2003, he directed Kyle Jarrow’s insouciant show President Harding is a Rock Star, which put a wild new slant on Teapot Dome and other scandals.

Alex Timbers and Michael Friedman

These projects not only helped Timbers develop the aesthetic style he’s carried over to his current Broadway hits, but also let him explore his particular fascination with the American presidency. The office has enticed countless theatre artists, since it offers so many angles for investigating America’s identity, history, and possible future.

Timbers is especially interested in subverting our common notion of the role. “There is something fun about taking presidents, whom one thinks of as very staid and buttoned-up, and ripping open that shirt collar,” he says. “Without being wildly rigorous with the depiction of these people, you can still capture their spirits and the way they catalyzed moments in history.”

Take the antihero of Bloody, Bloody Andrew Jackson: “We depict him as a frustrated teenager in the suburbs who feels overlooked by his parents, and even if that’s not literally true, it does get at something real about who Jackson was,” Timbers says. “He felt disenfranchised, and he felt that the frontiersman wasn’t being represented by the government.”

Benjamin Walker and the cast of Bloody Bloody Andrew Jackson

Timbers is also intrigued by the brevity of the president’s power, which only lasts a maximum of two terms. “I’ve always been interested in legacy,” Timbers says. “With kings, you die without knowing your legacy, but with presidents, you can live half your life after you’re out of office. You can see your legacy taking shape in front of you.” 

It makes sense that he would compare a president and a king. According to cultural critic Isaac Butler, “If you’re doing a drama about the president, it allows you to engage in the same things that are so pleasurable about Greek tragedies or about Shakespeare’s history plays. You can tell the story of big social transformations and the nature of politics itself through the actions of one complicated individual.”

Robert Schenkkan

That epic sense of narrative certainly informed Robert Schenkkan, who wrote a two-play history cycle about Lyndon B. Johnson: In All the Way, which won the 2014 Tony Award for Best Play, we see Johnson on the ascendant, pushing to pass the Civil Rights Act and learning how to wield his office on behalf of his ideals. In The Great Society, which premiered on Broadway last fall, we see his plan for the titular social reform get swallowed by the quagmire of the Vietnam War. 

“I was very much thinking about Shakespeare when I wrote, and the sense of the wheel of fortune rising and falling,” Schenkkan says. “There’s a rise and fall of kings, and LBJ was the king. All plays are, to varying degrees, about the acquisition, distribution, and use of power, and nothing is more clear in that regard than the narrative of how one becomes president and then how one governs as president.”

Americans deeply understand that story. No matter how long one has lived in the country, the president’s power — and that power’s ability to impact our lives — is impossible to overlook. 

In fact, long before he wrote about him, Robert Schenkkan had a first-hand encounter with LBJ’s influence. The future writer was only three or four years old at the time, visiting the then-senator’s Texas ranch after his father (a major player in public broadcasting) got an invitation. And while Schenkkan doesn’t remember much about the trip, he has asked his older brother for details.   

“My brother told me, ‘I don’t remember LBJ specifically, but what I remember is how incredibly respectful our father became around this strange man,'” Schenkkan says. “And what’s interesting about that to me is the child’s perception of his father’s response to the presence of power. That’s what stuck with him. I think that’s a really illuminating anecdote.”

That’s the kind of story, in fact, that could become the basis of a play. 


Mark Blankenship is the founder and editor of The Flashpaper and the host of The Showtune Countdown on iHeartRadio Broadway.