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Broadway's Best

Broadway’s Best Love Songs

In celebration of Valentine’s Day, here are some of our very favorite love songs from the musical theater canon. Enjoy!

‘Some Enchanted Evening’ from South Pacific

This Rodgers & Hammerstein classic embodies the essence of love at first sight. Its lush melody and romantic lyrics perfectly capture the magic of falling in love. ‘Some Enchanted Evening’ earns its spot for its enduring popularity and its ability to evoke the wonder of romance.

‘Tonight’ from West Side Story

In this poignant duet, Tony and Maria express their love despite the tensions surrounding them. Leonard Bernstein’s sweeping score and Stephen Sondheim’s heartfelt lyrics make this a Broadway classic. The song was originally written as a solo for Tony, but Sondheim and Bernstein later decided to turn it into a duet to heighten the emotional impact of the scene. ‘Tonight’ is noted for its emotional intensity and its status as a quintessential Broadway love ballad.

‘You Matter to Me’ from Waitress

In Sara Bareilles’s musical adaptation of Waitress, Jenna finds solace from her abusive marriage with love interest Dr. Pomatter. With the tender lyrics of ‘You Matter to Me,’ the two affirm their love for each other and relish in finding a partner to requite their affection. It’s a beautiful moment of vulnerability and calm amid a tumultuous journey for our protagonist.

‘I Could Have Danced All Night’ from My Fair Lady

Eliza Doolittle’s joyous declaration of love and newfound freedom is captured beautifully in this Lerner and Loewe masterpiece. It is theatrical lore that Julie Andrews, who originated the role of Eliza on Broadway, recorded the song in one take, despite having a cold at the time. The recording went on to become a bestseller and a treasured classic.

‘As Long As You’re Mine’ from Wicked

This haunting duet between Elphaba and Fiyero in the smash hit Wicked represents the intensity and passion of forbidden love. Stephen Schwartz’s evocative lyrics and soaring melody make it unforgettable for its contemporary appeal and its portrayal of love amidst adversity. Idina Menzel and Norbert Leo Butz, as Broadway’s original Elphaba and Fiyero, respectively, enter the canon of musical theatre love songs with this number.

‘Changing My Major’ from Fun Home

In Jeanine Tesori and Lisa Kron’s adaptation of the Alison Bechdel memoir graphic novel, Alison’s sexual awakening is depicted with this euphoric tune. She bashfully declares her fascination with Joan, as Tesori’s anthemic melody and Kron’s authentic lyrics beautifully convey the rush of emotions, and the freedom of her self-discovery. It’s both a song about love of another, and also about self-love and finding courage in your own identity. Alison’s vulnerability and newfound understanding of both herself and her feelings for Joan make it a powerful and relatable number.

‘Seasons of Love’ from Rent

This iconic anthem celebrates love in all its forms, urging us to measure our lives in the love that surrounds us. Jonathan Larson’s poignant lyrics and memorable melody have made it an enduring favorite for all theatre kids. Larson is said to have written ‘Seasons of Love’ in just one night, capturing the essence of the show’s themes in a burst of creativity. The act two opener is listed for its universal message and its significance in the modern Broadway repertoire.

‘So in Love’ from Kiss Me, Kate

Cole Porter’s sultry jazz waltz is a declaration of passion and desire. Its sophisticated lyrics and lush melody make it a standout in the Great American Songbook. ‘So in Love’ was famously covered by jazz legend Ella Fitzgerald, whose rendition became a jazz standard in its own right. This song is remembered for its timeless elegance and its portrayal of love’s intoxicating allure.

‘I Don’t Know How to Love Him’ from Jesus Christ Superstar

Mary Magdalene’s soul-searching ballad in the Andrew Lloyd Webber and Tim Rice rock opera is a poignant exploration of love and devotion. Its questioning melody and introspective lyrics resonate deeply across generations since the musical’s 1971 debut. Yvonne Elliman, who originated the role of Mary Magdalene on Broadway, was initially reluctant to sing the song due to its religious themes, but was convinced when Webber performed it for her in his flat. She ultimately delivered a captivating performance that became a highlight of the show, with its emotional depth and its unique perspective on love.

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Broadway's Best

Broadway’s Best “Broadway Week” Shows

The Mayor’s Office for Tourism and Conventions’ annual Broadway Week promotion is almost upon us, which means that you can now get 2-for-1 tickets to select Broadway shows for performances between September 4-17! (Yes, Broadway Week is actually two weeks long. Lucky us!) 

Unlike TDF’s Half Price Ticket Booth, which only offers same-day discounts, the Broadway Week tickets can be purchased up to a month in advance. Use code BWAYWK23 to access this exciting offer today. Participating shows are also offering premium orchestra seats, usually $250-$400, for just $125 with code BWAYUP23. Check the official website for full details. 

Here are some of the shows we recommend catching while this offer lasts:

HADESTOWN

The 2019 Best Musical Tony Award winner recently welcomed new cast member Solea Pfeiffer in the lead role of Euridyce! Betty Who and Philip Boykin join the company Sept. 5 as lovers Persephone and Hades, respectively. See them alongside Lillias White as Hermes and Reeve Carney as Orpheus.

SOME LIKE IT HOT

This toe-tapping big band musical is from Marc Shaiman & Scott Wittman (the composer-lyricist duo behind Hairspray!, Catch Me If You Can, and Smash) and book writers Matthew López and Amber Ruffin. With direction and Tony Award-winning choreography by Casey Nicholaw (The Book of Mormon, Aladdin, The Prom), this one is not to be missed!

KIMBERLY AKIMBO

Last season’s Best Musical stars two-time Tony Award winner Victoria Clark as Kimberly herself, with music by Jeanine Tesori (Fun Home, Caroline, or Change, Shrek: The Musical) and a book & lyrics by David Lindsay-Abaire in an adaptation to his 2001 play of the same name.

PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH

Leslie Odom, Jr. (of Hamilton Tony-winning fame) stars as the titular role in this first ever revival of Ossie Davis’ landmark 1961 satire, directed by Kenny Leon. Two-time Tony Award nominee Kara Young co-stars as Lutiebelle Gussie Mae Jenkins. Performances begin Sept. 7!

HERE LIES LOVE

The immersive disco bio-musical with music by David Byrne and Fatboy Slim tells the life story of former Filipino first lady Imelda Marcos. Here Lies Love is a fascinating parable about fascism, the media, and the effects of 20th century American cultural dominance and empire on so-called “Third World” countries like the Philippines. We recommend using your Broadway Week discount to splurge on a Dance Floor ticket, where you’ll be inches away from the actors and part of the storytelling. Good luck getting the title song out of your head. 

SIX

This UK export retells the story of the six ex-wives of King Henry VIII, with a pop concert twist. The Tony-winning score by Lucy Moss and Toby Marlow features pop-powered showtunes such as ‘Heart of Stone,’ ‘Don’t Lose Ur Head,’ and the iconic ‘Megasix’ encore to wrap it all up.

THE COTTAGE

Jason Alexander (Seinfeld) makes his directorial debut with this brand new England countryside-set comedy by Sandy Rustin. The cast features Eric McCormack (Will & Grace) in his Broadway return since appearing in 2012’s Gore Vidal’s The Best Man, Laura Bell Bundy in her Broadway play debut after leading the 2007 musical Legally Blonde, Lilli Cooper (POTUS, Spring Awakening), Nehal Joshi (Flying Over Sunset, All My Sons), Alex Moffat (Saturday Night Live), and Dana Steingold (Beetlejuice the Musical).

BACK TO THE FUTURE: THE MUSICAL

Time travel back to 1985 (and beyond) for this musical adaptation of the classic film, straight from its hit world premiere in London’s West End! Casey Likes (Almost Famous) is Marty McFly and Roger Bart (The Producers) is Doc Brown, reprising his acclaimed performance on the other side of the pond.