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Creative

Where’s That Cast Now? Spamalot Edition

With Spamalot having returned to Broadway 18 years after its debut, readers may be curious about what the original 2005 cast is up to now. Below, Broadway’s Best Shows is celebrating the original cast of the spoof-filled musical and the careers they’ve enjoyed since.

Hank Azaria

A voice acting legend for his 30+ years of work on The Simpsons, Azaria made his Broadway debut as Sir Lancelot in Spamalot. He later appeared in the 2007 Aaron Sorkin play The Farnsworth Invention on Broadway and has appeared in many TV shows and movies, most recently starring in Brockmire and The Idol, while continuing on The Simpsons.

SNL alum Taran Killam plays Lancelot in 2023, with Beetlejuice’s Alex Brightman set to take over the part in January 2024.

Photo by Joan Marcus

Christian Borle

Borle had maybe the craziest track in a show where everyone played 2-5 characters. In the program, he was listed as “Historian, Not Dead Fred, French Guard, Minstrel, Prince Herbert.” He went on to Legally Blonde, and Falsettos, two performances seen far and wide after they were recorded for television, and has two Tonys, for Peter and the Starcatcher and Something Rotten. He was nominated again for 2023’s Some Like It Hot. Oh yes, and he was on Smash. 

Spongebob’s erstwhile simple sponge Ethan Slater steps into the track in 2023. 

Photo by Joan Marcus

David Hyde Pierce

Pierce was possibly the most famous actor coming into Spamalot, after eleven years on Frasier. While he had acted on Broadway before, he learned to sing and dance for the production. After his turn at the Round Table, he won a Tony for his performance in Curtains, appeared in Vanya and Sonya and Masha and Spike, and worked opposite Bette Midler in Hello, Dolly! He can currently be seen at The Shed in the final Sondheim musical Here We Are, and on the MAX series Julia. 

Michael Urie plays his role in the 2023 production. 

Photo by Joan Marcus

Sara Ramirez

Ramirez has recently reentered the zeitgeist with their attention-grabbing role as Che Diaz on And Just Like That, but theater fans know them as the Tony-winning Lady of the Lake in Spamalot. In the intervening period, they worked on eleven seasons of Grey’s Anatomy as Callie Torres, breaking barriers for queer representation in television. 

Beetlejuice’s Leslie Rodriguez Kritzer steps into the part for 2023. 

Photo by Joan Marcus

Christopher Sieber

After his Tony-nominated stint as Sir Galahad in the original Spamalot, Sieber did a series of impressive physical comedy roles, including originating the role of Lord Farquaad in Shrek, garnering another Tony nom, replacing as Miss Trunchbull in Matilda, and rolling around the floor of the Jacobs doing martial arts with Jennifer Simard in 2022’s Company revival. The role of Trent Oliver in The Prom was written specifically for him.

Broadway stalwart Nik Walker takes over the role in 2023.

Tim Curry

Tim Curry made his fourth Broadway appearance, as King Arthur, in Spamalot. His post-Spamalot work is sadly limited, due to a stroke in 2012, although he did make a winning turn narrating the 2016 Rocky Horror Picture Show remake. He has also worked extensively as a voice actor, including in the critically acclaimed animated series Over the Garden Wall.

James Monroe Iglehart (Aladdin, Hamilton) plays the part in 2023.

Photo by Joan Marcus

Michael McGrath

McGrath, Spamalot’s loyal Patsy and a beloved New York character actor, appeared in an incredible nine Broadway shows afterward. Most recently he understudied Matthew Broderick in Plaza Suite, and starred as Ladislav Sipos in Roundabout’s 2016 revival of She Loves Me, among many other credits. Sadly, McGrath passed away in fall 2023.

Christopher Fitzgerald (Waitress) plays Patsy in 2023. 

And a special bonus…

Hannah Waddingham

Waddingham starred as the Lady of the Lake when the production moved to London, and also came to New York near the end of its run. In 2020, Waddingham vaulted to stardom as football club owner Rebecca Welton on Ted Lasso, winning an Emmy for her performance. She was also the “Shame Nun” on Game of Thrones and a helicopter parent on Sex Education. 

Waddingham is releasing a Christmas special on Apple TV, and an accompanying album, both out on November 22nd.

Categories
Creative

A Tribute to Sheldon Harnick

Sheldon Harnick, lyricist of such Broadway classics as Fiddler on the Roof, She Loves Me, Fiorello!, and more, passed away on June 23, 2023, at the age of 99. Broadway’s Best Shows asked some of the artists who have staged his iconic material on and off Broadway to reflect on his body of work and his artistry.

Sheldon Harnick

Danny Burstein

Danny Burstein as Tevye in the 2015 Broadway revival of Fiddler on the Roof.

The great lyricist, Sheldon Harnick has passed and the world is a sadder place for it. His genius and influence will most assuredly live on forever. 

Sheldon wrote lyrics that were honest, intelligent, witty, profound, heartbreaking, ridiculously funny and always specific for characters. He and Jerry Bock wrote some of the world’s most glorious songs. Here is one of them:

“Will He Like Me” – From the musical, She Loves Me

Will he like me when we meet?
Will the shy and quiet girl he’s going to see
Be the girl that he’s imagined me to be?
Will he like me?

Will he like the girl he sees?
If he doesn’t, will he know enough to know
That there’s more to me than I may always show?
Will he like me?

Will he know that there’s a world of love
Waiting to warm him?
How I’m hoping that his eyes and ears
Won’t misinform him.

Will he like me? Who can say?
How I wish that we could meet another day.
It’s absurd for me to carry on this way.
I’ll try not to.

Will he like me?
He’s just got to.

When I am in my room alone I write
Thoughts come easily, words come fluently then.
That’s how it is when I’m alone, but tonight
There’s no hiding behind my paper and pen.

Will he know that there’s a world of love
Waiting to warm him?
How I’m hoping that his eyes and ears
Won’t misinform him.

Will he like me? I don’t know.
All I know is that I’m tempted not to go.
It’s insanity for me to worry so.
I’ll try not to.

Will he like me?
He’s just got to.
Will he like me?
Will he like me?

When I think of this lyric, I weep. How perfectly it sits in the music. How perfectly it encapsulates the character’s feelings. How perfectly it tells the story. My heart breaks to think that both of the men who created this brilliant song are no longer with us.

Sheldon was a dear friend to both myself and my late wife Rebecca. Whether it was professionally or personally, we treasured his counsel and his company. Sheldon was a shining example of a life well-lived.

Julie Benko

Julie Benko as Hodel in Fiddler on the Roof.

When I was 14 years old, I was cast as Hodel in the local JCC community theater production of Fiddler. The show was a family affair: my sister played Bielke, my dad was cast as Reb Mordcha, and my mom was a villager selling bagels. That production changed everything for me. I fell head over heels in love with the theater and began to pursue a life in show business. So, it was an enormous honor to get cast in the 2015 Broadway revival of “Fiddler,” where I understudied eight roles (one for each night of Chanukah!) and had the chance to meet Sheldon. I hope I was able to express to him just how much his words have shaped me. I have carried them with me through every major moment of my life and expect them to resonate through many more. “Sunrise, sunset,” indeed. Rest In Peace, Sheldon.

Jerry Zaks

Jerry Zaks plays the title role in the 1994 Encores production of Fiorello.

If ever anyone personified Emerson’s definition of success, it was Sheldon. 

A true great: talented, kind, and funny. 

What Is Success
by Ralph Waldo Emerson

To laugh often and much;
To win the respect of intelligent people and
the affection of children;
To earn the approbation of honest critics and endure
the betrayal of false friends;
To appreciate beauty;
To find the best in others;
To give of one’s self;
To leave the world a bit better, whether by a healthy child,
a garden patch, or a redeemed social condition;
To have played and laughed with enthusiasm and
sung with exultation;
To know even one life has breathed easier because you
have lived –
This is to have succeeded.

Scott Ellis

Footage from the 1993 Broadway revival of She Loves Me, directed by Scott Ellis.

My first Broadway show I ever directed was She Loves Me… how lucky was I? It was a glorious experience, and Sheldon Harnick was one of the main reasons why. He approached that production as if it had never been done before. Sheldon was so encouraging, supportive, and beyond respectful to a very young director doing this for the first time. He was joyous, loving, and so, so incredibly smart. I could not have asked for a better teacher and collaborator. We remained friends in the years following, and eventually, I had the privilege of revisiting She Loves Me twenty years later. Nothing had changed; Sheldon still approached the process as if it was the first production and brought all of his love and support back into the room. I am so fortunate to be able to look back and see where my life and career shifted. She Loves Me was that moment, and Sheldon was the center of it all. How lucky for everyone that his legacy will live on with future generations through his beautiful work.