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Creative

Broadway’s Married Couples

We all know that theater is a labor of love. But some of Broadway’s brightest stars have taken that to heart more than others, looking within our own theater community for romantic partnerships. In preparation for Valentine’s Day, here’s Broadway’s Best Shows’ list of our favorite Broadway duos.

Audra McDonald & Will Swenson

Photo by Marc J. Franklin

Audra McDonald is the Tony-winningest performer in history. And if she represents Broadway royalty, then her husband of over 10 years, Will Swenson, undoubtedly stands as a king in his own right. While McDonald graced the stage most recently in Ohio State Murders, Swenson commanded the stage just across Times Square, leading the cast of A Beautiful Noise as Neil Diamond. The couple starred opposite each other in a 2015 Williamstown Theatre Festival production of A Moon for the Misbegotten by Eugene O’Neill.

Phillipa Soo & Steven Pasquale

Photo by Jeremy Daniel

Another pair of performers, Philippa Soo and Steven Pasquale recently mirrored their real-life relationship, playing lovers at the Kennedy Center in their 2022 production of Guys & Dolls. Individually, Soo has appeared in Hamilton, Amélie, and Camelot, while Pasquale’s credits include The Bridges of Madison County and American Son. The couple were married in 2017, following her star-making run in Hamilton and ahead of his engagement in Lincoln Center Theater’s Junk

Andy Karl & Orfeh

Photo by Amy Arbus

Likely the first Broadway couple that comes to mind for many, Andy Karl & Orfeh have been married since 2001, mere months after meeting when Karl joined the cast of Saturday Night Fever. The stalwarts have appeared together on the Broadway stage twice more since then, in 2007’s Legally Blond: The Musical and 2018’s Pretty Woman: The Musical

Christopher Fitzgerald & Jessica Stone

Photo: City Center

It might be a surprise to learn that the Tony-nominated director of Kimberly Akimbo and the upcoming Water for Elephants is married to the legendary character actor, of Wicked, Waitress, and now Spamalot fame. In true showbiz fashion, Fitzgerald and Stone met in 1999, performing opposite each other in the 1999 Encores! Concert of Babes in Arms at City Center, and married in 2001. As Stone transitioned from a performer to a director, they continued to work together – most notably, Stone directed the legendary 2009 production of A Funny Thing Happened on the Way to the Forum at Williamstown Theatre Festival, starring Fitzgerald as Pseudolus alongside an all-male cast.

Photo: Williamstown Theatre Festival

Lisa Peterson & Rachel Hauck

Photo by Jennifer Broski

A power couple off- and on Broadway, Rachel Hauck is the Tony-winning set designer of Hadestown, and Lisa Peterson is the two-time OBIE-winning director of new plays premiered around the country. They met while working at the Mark Taper Forum in 1996. Audiences might best know their project An Iliad, which Peterson wrote with performer Denis O’Hare, and which toured the country after its 2012 premiere. They most recently collaborated on the 2023 play Good Night, Oscar, which also marked Peterson’s Broadway debut. 

Charlotte d’Amboise & Terrence Mann

Photo by Joan Marcus

Triple threat Charlotte d’Amboise has been married to fellow performer Terrence Mann since 1996, after meeting over a decade prior when they were both in Cats on Broadway. D’Amboise has had a long career on the Broadway stage, including two Tony-nominated performances, but is maybe best known for her perennial stints as Roxie Hart in Chicago, to which she has returned more than 25 times for brief runs in the starring role. Mann, a three-time Tony nominee, has appeared in 14 Broadway productions since 1981. The couple most recently appeared together in the 2013 revival of Pippin, and have also co-founded Triple Arts, a training program for aspiring musical theater performers, which they operate and teach together.

Maryann Plunkett & Jay O. Sanders

Photo by Joseph Marzullo

Two veterans of the New York stage, Maryann Plunkett and Jay O. Sanders have been married since 1991. Each with decades-long careers on and off Broadway, the pair has appeared onstage together in Richard Nelson’s Apple Family and The Gabriels play cycles, as husband & wife in the former three plays and then as brother- & sister-in-law in the latter. Recently, their work on Broadway overlapped as Sanders finished up the final weeks of his run in Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch at Music Box Theatre, while Plunkett worked directly across 45th Street in tech rehearsals for The Notebook at the Gerald Schoenfeld Theatre.

Leslie Odom, Jr. & Nicolette Robinson

Photo by Marcus Middleton

Tony Award winner Leslie Odom, Jr. married Nicolette Robinson back in 2012, years before he would go on to become a household name as the original Aaron Burr in Hamilton, and she would make her own Broadway debut in Waitress. The couple are frequent creative collaborators, releasing music together, co-writing a children’s book, and most recently, teaming up as producers for the 2023 Broadway revival of Purlie Victorious, in which Odom also starred in the title role. 

Allan & Beth Williams

Broadway.com | Photo 30 of 43 | Great Balls of Fire! Million Dollar Quartet  Burns Up Broadway on Opening Night

Behind-the-scenes duo Allan Williams & Beth Williams have each been a part of over 65 Broadway productions in their careers to date. Allan is a veteran General Manager and Producer, recently serving as GM on Purlie Victorious, Good Night Oscar, and Diana the Musical and as Executive Producer on American Utopia, The Band’s Visit, and American Psycho. Beth is a Producer, who also served as CEO of Broadway Across America between 2008 and 2013. She has 12 Tony Awards to date, and her next show is the new musical Water for Elephants.

Categories
Creative

“My Most Challenging Work” with Director Pam MacKinnon

Pam MacKinnon is a prolific New York theater artist, with years of directorial experience on Broadway and off, as well as across the country. With a certain proclivity for the works of Edward Albee, she has directed A Delicate Balance and Who’s Afraid of Virginia Woolf? on Broadway (winning a Tony Award for the latter), as well as world premiere productions of Peter and Jerry and Occupant (the latter of which is further discussed below). Other Broadway credits include Clybourne Park, The Heidi Chronicles, China Doll, Amélie, and The Parisian Woman.

MacKinnon gave a unique answer when Broadway’s Best Shows asked which, of all her many productions to date, she considers to have been the most challenging. Rather than discussing the dark themes of a particular piece, she is shining a light on the sometimes hectic nature of being a top working director in New York City, when an unfortunate turn of events had her multitasking beyond her wildest dreams… Here is Pam MacKinnon on her most challenging project(s) yet:

Putting up a great show is always full of joy and hard work. Always.

As a lucky, in-demand freelance artist, I sometimes found myself with as many as seven productions in a season. It’s a hustle that both feeds and interferes with the art. Schedules are beyond our control.

There was one week in the spring of 2008 with my production of Itamar Moses’ THE FOUR OF US up and running at Manhattan Theatre Club, as I was already starting tech of Edward Albee’s OCCUPANT at Signature Theatre. Two amazing projects; beautiful plays with glorious acting companies. After many years working out of town I was about to have two shows off-Broadway.

Blue skies. What could go wrong?

Well.

We got word with a couple of weeks to go in the MTC run that Sony Music had finally gotten around to answering our rights query about some transition music that had been central to our many transitions. Lightning out of a blue sky. Their answer was no. We were facing an immediate cease and desist. I was suddenly teching lights and sound for two shows! One from 8 am-11 am. The other from 12 noon to midnight. Designers were already onto their next gigs. Associates who had not been involved with THE FOUR OF US were my new collaborators, brought in to make it all seem seamless. We had one understudy covering both roles in the two-hander, he came in those three mornings to help with the crucial timing.

And I peddled my bike to and fro City Center and the old Signature space—could it have been any further west?!!—avoiding Times Square at all costs, feeling very fortunate to be living the dream, angry with Sony, and very very sleepy by my next Monday day off.

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Broadway's Best

Broadway’s Best Inexpensive Pre-Theater Meals

As a follow-up to our pre-theater dinner recommendations, here are our recommendations for where to eat dinner before a Broadway show on the cheap. Our criteria: they must have entrees for under $20, a meal there can’t take longer than 30 minutes, and no national chains. (And we promise, we’d never send Broadway’s Best Shows readership to any establishment without an A from the Health Department.) 

Los Tacos No. 1

229 W 43rd; https://www.lostacos1.com/# 

Everyone orders at the counter at this authentic and efficient taco spot, which also offers quesadillas and tostadas, which are open-faced tacos on a crunchy tortilla. They make the masa for the tortillas from scratch every day, and gluten-free, dairy-free, and vegan options abound for all preferences. Make sure to ask your server for “con todo,” so you get all the toppings– guacamole is no extra charge. 

Lucky’s Famous Burgers

370 W 52nd St; https://luckysfamousburgers.com/ 

Lucky’s has been a Hell’s Kitchen institution since 2005, arguably even essential infrastructure – they’re open until 4:30 in the morning on Friday and Saturday nights. They offer the menu of a big fast food chain even though 52nd street is their sole location, and you can order combos like the #1, a burger with fries and a drink. 

Tasty Hand-Pulled Noodles II

648 9th Ave; http://www.tastyhandpullednoodles2.com/ 

This outpost of the legendary Chinatown noodle shop features the same menu, with its signature options for noodle thickness and shape– it’s in the name, they really do pull the noodles fresh by hand for each order. Unlike the downtown location, the Hell’s Kitchen shop accepts credit cards! 

Lovely’s Old Fashioned 

642 9th Ave; https://www.lovelysoldfashioned.com/ 

Designed to look like a 1950’s burger counter, Lovely’s opened in early 2023. The Charlotte’s Special cheeseburger with special sauce is just $8.50. They’re open until 1 am on weekends, and while they don’t sell milkshakes, they do offer a killer chocolate pistachio Bundt cake. 

Capizzi

547 9th ave; https://capizzinyc.com/ 

There are a million slice counters in Midtown, but Capizzi offers something a bit more elevated– every pie is made from scratch, and is personal-pizza sized. It’s very quick and unpretentious, so you can avoid the line over on 40th street at Joe’s and try something new, like a white artichoke pie, or an egg, pancetta, and provolone pie.