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Broadway's Best Creative Tony Awards

Revisiting the Best Play Tony Winners (2016-2026)

By Ben Schachne

Each Broadway season culminates with one new play joining an exclusive group of works recognized with the Tony Award for Best Play, the highest honor bestowed upon an original dramatic production. More than recognizing the year’s finest new play, it serves as a snapshot of the stories that resonated most with audiences and voters, reflecting the artistic priorities, social conversations, and theatrical innovations of their time. Some Best Play winners have gone on to become modern classics with enduring productions around the world, while others remain closely tied to the specific moment in which they premiered. Looking back at the Best Play winners from the 2016 through 2026 Tony Awards reveals a decade of Broadway defined by bold new voices, timely themes, and an ever-evolving vision of what great theatre can be.

2026: Liberation


Liberation is the most recent winner of the Tony Award for Best Play and one of the defining new dramas of the 2025–2026 Broadway season. Written by Bess Wohl, the memory play intertwines humor with emotional insight as it follows a present-day woman revisiting the unfinished feminist ideals of a 1970s women’s liberation group, exploring how each generation inherits, challenges, and reshapes the dreams of those who came before. In a season with seven other new plays and many esteemed revivals, Liberation distinguished itself through its timely themes, inventive structure, and poignant storytelling, emerging as the 2026 Pulitzer Prize for Drama winner that speaks as powerfully to contemporary audiences as it does to the past.

2025: Purpose

Purpose opened during the 2024–2025 season alongside thirteen other original plays and was the 2025 winner for the Pulitzer Prize for Drama. Written by Branden Jacobs-Jenkins, the play follows a prominent Black political family whose carefully cultivated legacy begins to unravel during a tense family gathering, using humor and emotional honesty to examine power, generational expectations, and the burdens of inheritance. In a season filled with accomplished and beloved new plays, Purpose delivered a gripping theatrical experience, acting as a thematic cousin to Jacobs-Jenkins Tony Award-winning play revival Appropriate from the previous season.

2024: Stereophonic

Stereophonic opened during the 2023–2024 season alongside ten other original plays, quickly becoming a critical and commercial sensation through its immersive realism and extraordinary ensemble performances. Written by David Adjmi, with original music by Will Butler, the play transports audiences into a 1970s recording studio, where a rising rock band struggles to complete a career-defining album as artistic ambition, creative tension, and personal relationships threaten to tear the group apart. Exploring the cost of collaboration, the pursuit of perfection, and the fragile nature of success, Stereophonic captivated audiences with its intimate, fly-on-the-wall storytelling and authentic 1970s-inspired rock score, becoming the most Tony-nominated play of all time. 

2023: Leopoldstadt

Leopoldstadt opened during the 2022–2023 season alongside a whopping sixteen other original plays, quickly emerging as one of the season’s most acclaimed dramas through its semi-autobiographical historical context and emotional depth. Written by Tom Stoppard, the play spans more than fifty years as it follows a prosperous Jewish family in Vienna through assimilation, rising antisemitism, and the Holocaust, exploring identity, memory, and heritage across multiple generations. Deeply personal for Stoppard, Leopoldstadt offered a moving examination of one family’s history against the backdrop of one of humanity’s darkest chapters.

2022: The Lehman Trilogy

The Lehman Trilogy opened during the 2021–2022 season alongside eleven other original plays, captivating audiences with its epic 2 and remarkably inventive theatrical storytelling. Written by Stefano Massini and adapted into English by Ben Power, the play traces the rise and fall of the Lehman family across more than 160 years, charting their journey from immigrant shopkeepers to the founders of a financial empire whose collapse helped trigger the 2008 global financial crisis. Told by just three actors portraying dozens of characters, The Lehman Trilogy transforms the rise and fall of a financial dynasty into an intimate saga about ambition, legacy, and the pursuit of the American Dream.

2020/2021: The Inheritance

The Inheritance opened during the 2019–2020 season alongside ten other original plays, earning widespread acclaim for its ambitious and emotional examination of contemporary queer life. Written by Matthew López, the two-part epic follows a group of young gay men in New York as they grapple with love, loss, identity, and the legacy of the AIDS crisis, drawing inspiration from E. M. Forster’s Howards End. Balancing intimate personal stories with larger questions of history, community, and belonging, The Inheritance offers a powerful reflection on what one generation owes the next and the importance of preserving collective memory.

2019: The Ferryman

The Ferryman opened during the 2018–2019 season alongside twelve other original plays, bringing a critical chapter of Northern Ireland’s history to the Broadway stage. Written by Jez Butterworth, the play unfolds over a single harvest day in rural Northern Ireland in 1981, where a close-knit family’s gathering is disrupted by the lingering violence and political tensions of the Troubles. Weaving together family drama and political tension, The Ferryman examines the lasting consequences of conflict, revealing how history continues to shape families long after the fighting appears to have ended.

2018: Harry Potter and the Cursed Child

Harry Potter and the Cursed Child opened during the 2017–2018 season alongside seven other original plays, expanding one of the world’s most beloved fictional universes onto the stage through an entirely new theatrical experience. Written by Jack Thorne from an original story by J. K. Rowling, John Tiffany, and Thorne, the play takes place nineteen years after the conclusion of the original Harry Potter series, following Harry’s son Albus and Draco Malfoy’s son Scorpius as they navigate friendship, family expectations, and the consequences of their parents’ pasts. Combining elaborate stagecraft, illusion, and a richly imagined continuation of the wizarding world, Harry Potter and the Cursed Child redefined what the Broadway play can do, becoming the highest-grossing and third longest-running straight play in Broadway history.

2017: Oslo

Oslo opened during the 2016–2017 season alongside ten other original plays, transforming one of the late twentieth century’s most consequential diplomatic negotiations into a riveting work of political theatre. Written by J. T. Rogers, the play dramatizes the secret backchannel talks that led to the 1993 Oslo Peace Accords, following the Norwegian intermediaries in pursuit of peace between Israel and the Palestine Liberation Organization. Adapted into a Critics’ Choice Award-winning HBO television film in 2021, Oslo reveals the human complexities behind international diplomacy and the extraordinary risks required to bridge seemingly impossible divides. 

2016: The Humans

The Humans opened during the 2015–2016 season alongside twelve other original plays, turning an ordinary Thanksgiving dinner into one of Broadway’s most unsettling and evocative family dramas. Written by Stephen Karam, the play follows three generations of the Irish-American Blake family as they gather in a cramped Manhattan apartment, where long-buried anxieties, financial struggles, and personal disappointments gradually surface over the course of a single evening. A finalist for the 2016 Pulitzer Prize for Drama, The Humans uses grounded dialogue and psychological suspense to capture the quiet fears and fragile relationships that define contemporary American family life.

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Broadway's Best Creative Tony Awards

Revisiting the Best Musical Tony Winners (2016-2026)

By Ben Schachne

With the conclusion of the 2026 Tony Awards, another production has earned the coveted title of Best Musical, the honor every original Broadway musical strives to achieve and one that winners proudly carry throughout their run and long after the curtain falls. More than simply recognizing artistic excellence, the Tony Award for Best Musical often reflects the evolving tastes of Broadway, speaks to the cultural moment in which it is awarded in, and shapes the future of musical theatre for years to come. Yet the award’s history is marked by both transformative, universally celebrated victories and more obscure, controversial choices that continue to spark debate. Here is a look back at the last ten Best Musical winners from the 2016–2026 Tony Awards.

2026: Schmigadoon!

Schmigadoon! is the most recent winner of the Tony Award for Best Musical and the 2025–2026 season’s most accessible crowd-pleaser. Adapted from the Apple TV+ musical series, with music, lyrics, and a book by Cinco Paul, the show serves as the ultimate love-letter to Broadway’s Golden Age, parodying beloved classics like Brigadoon, Oklahoma!, The Music Man, and The Sound of Music in a laugh-out-loud satirical fashion. In a relatively underwhelming season that produced only six original musicals and four Tony nominees for Best Musical, Schmigadoon! emerged as the safest and most universally appealing choice, offering an entertaining, family-friendly spectacle that all audiences can enjoy.

2025: Maybe Happy Ending

Maybe Happy Ending opened in the 2024–2025 season alongside thirteen other original musicals, yet quickly emerged as one of Broadway’s newest fan-favorites. Featuring lyrics and a book by Will Aronson and Hue Park, with music by Will Aronson, the show beautifully follows the lives and developing relationship of two retired helper-robots, Oliver and Claire, in a futuristic Seoul as they discover what it means to be human. Exploring themes of love, mortality, and memory, Maybe Happing Ending brings a small cast with a big heart to the Broadway stage like nothing before and is still currently running, recently becoming the longest-running production to play at the Belasco Theatre.

2024: The Outsiders

The Outsiders opened in the 2023–2024 season alongside fourteen other original musicals, immediately gaining popularity due to its immersive staging, thrilling choreography, and name recognition. Adapted from S. E. Hinton’s 1967 classic, with a book by Adam Rapp and Justin Levine, and music and lyrics by Jonathan Clay, Zach Chance, and Levine, the show reinvigorates the story of The Outsiders in a powerful way, staying true to the heart of the story while taking liberties to strengthen the material. Currently still running, The Outsiders has become one of the biggest new musicals on Broadway with a legacy that is still continuing to be built.

2023: Kimberly Akimbo

Kimberly Akimbo opened in the 2022–2023 season alongside eight other original musicals, delivering a heartfelt and comedic coming-of-age story about mortality, family dysfunction, and adolescent self-discovery. With lyrics and a book by David Lindsay-Abaire and music by Jeanine Tesori, the musical follows Kimberly, a teenager living with a rare genetic condition that causes her body to age at four times the normal rate, creating the unusual opportunity for an older actress to portray both the struggles of adolescence and the weight of a shortened life. With a total run of 644 performances over seventeen months, Kimberly Akimbo made a relatively short but powerful impact on Broadway with its original storytelling, winning over now long-running commercial hits like & Juliet.

2022: A Strange Loop

A Strange Loop opened in the 2021–2022 season alongside eight other original musicals and is the Pulitzer Prize-winning musical exploration of Black and queer identity that was unfortunately hindered by a post-pandemic season of rebuilding. Featuring music, lyrics, and a book by Michael R. Jackson, the show explores themes of identity, self-perception, and faith through Usher, a young, queer, Black Broadway usher attempting to write a musical about a young, queer, Black Broadway usher writing a musical. While A Strange Loop received widespread artistic and critical acclaim, it struggled to compete with blockbuster newcomers such as SIX and MJ, closing after just 314 regular performances over nine months.

2020/2021: Moulin Rouge!

Moulin Rouge! The Musical opened in the 2019–2020 season alongside just three other original musicals, temporarily closing less than a year after its premiere with every other Broadway production due to the COVID-19 pandemic. Based on Baz Luhrmann’s acclaimed 2001 film of the same name, with a book by John Logan and music and lyrics by various artists, the musical has become one of modern Broadway’s defining smash hits, captivating audiences with its iconic jukebox soundtrack, lavish spectacle, and electrifying performances. While the material may have been strengthened by a stunted season, Moulin Rouge! became the only musical from its season to recoup its $28 million investment, and after seven years on Broadway, it has announced a closing date for August 30, 2026. 

2019: Hadestown

Hadestown opened in the 2018–2019 season alongside ten other original musicals and has since become a defining work of the Broadway canon, celebrated for its haunting folk and jazz-inspired score and its raw, modern retelling of ancient Greek myths. Featuring music, lyrics, and a book by singer-songwriter Anaïs Mitchell, the musical reimagines these timeless stories through poetic storytelling, a striking atmosphere, and powerhouse performances that allow an array of unique ranges and styles to be on display. With its recent record-breaking live stage-capture film debut, Hadestown has continued to reach new audiences, cementing its place as one of the most influential and enduring musicals of its generation.

2018: The Band’s Visit

The Band’s Visit opened in the 2017–2018 season alongside six other original musicals, distinguishing itself from its flashier, IP-driven competitors with an intimate, understated, and deeply human story. Adapted from the 2007 film, with a book by Itamar Moses and music and lyrics by David Yazbek, the show follows an Egyptian police orchestra stranded in a remote Israeli desert town, using its atmospheric score and quiet storytelling to explore themes of loneliness, cultural understanding, and human connection. Though it never became a mainstream commercial phenomenon, The Band’s Visit proved that subtle, character-driven storytelling could resonate just as powerfully, sweeping the Tony Awards’ “Big Six” categories and running for 589 regular performances over eighteen months.

2017: Dear Evan Hansen

Dear Evan Hansen opened in the 2016–2017 season alongside twelve other original musicals,  distinguishing itself in a remarkably strong season with its emotionally resonant exploration of mental health, loneliness, and the complexities of human connection in the digital age. Featuring a book by Steven Levenson and music and lyrics by Benj Pasek and Justin Paul, the musical helped redefine contemporary Broadway by following a deeply flawed protagonist and pairing its timely themes with a soaring pop-rock score that produced modern standards such as “Waving Through a Window.” Dear Evan Hansen has since become one of the most influential musicals of the past decade, inspiring countless recent regional productions, spawning a feature film adaptation, and running for 1,672 regular performances over nearly six years.

2016: Hamilton

Hamilton: An American Musical opened in the 2015–2016 season alongside eleven other original musicals after becoming an immediate sensation during its Off-Broadway run, transferring to Broadway with an unprecedented $27.6 million in advance ticket sales. With music, lyrics, and a book by Lin-Manuel Miranda, the musical revolutionized Broadway through its groundbreaking fusion of hip-hop, rap, R&B, and traditional musical theatre; its color-conscious casting of historical figures; and its extraordinary cultural impact far beyond the stage. Widely regarded as one of the most defining works of 21st-century musical theatre, Hamilton continues to shape the art form more than a decade after its Broadway premiere, reaching millions through its live productions, its acclaimed live stage-capture, and its best-selling cast recording.

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Creative

Where’s That Cast Now? The Wiz Edition

The Wiz is back on Broadway in 2024! The new production stars Wayne Brady as The Wiz alongside Nichelle Lewis, making her Broadway debut in the star-making role of Dorothy. The production started a national tour in 2023 and has now landed at its new home, the on Broadway!

The musical has been a cultural staple since its original Broadway debut in 1975. Winning seven Tony Awards, including Best Musical, the adaptation brings a unique blend of R&B, soul, and funk to the classic tale of Oz. With a 1984 revival and several tours since its premiere, The Wiz has seen a number of famous faces donning the silver slippers and journeying down the yellow brick road. Here’s a look at some of the stars who have brought magic to this musical over the years.

Stephanie Mills

Stephanie Mills burst onto the Broadway scene as Dorothy, charming audiences with her powerful voice and heartfelt performance. Mills’ rendition of “Home” became an instant classic, embodying the soul of the musical. Her connection with Dorothy was so iconic that she reprised her role in several revivals, forever linking her name with The Wiz.

André De Shields

André De Shields took on the mysterious and charismatic role of the Wiz in the original Broadway production. His dynamic presence and masterful performance as the all-powerful wizard left a lasting impression, paving the way for a distinguished career in theatre, including his Tony-winning turn in Hadestown, which he followed up most recently with the role of Ben Loman in Death of a Salesman

Hinton Battle

As the Scarecrow, Hinton Battle brought an infectious energy and incredible dance skills that helped make The Wiz a true spectacle. He continued to influence Broadway with roles in other musicals like Sophisticated Ladies, The Tap Dance Kid, and Miss Saigon, winning a Tony Award for each of them. 

Of course, the 1978 film adaptation starred some of the most iconic Black talent of the time, including Diana Ross, Michael Jackson, Richard Pryor, and Lena Horne. They need no blurbs about their many accomplishments of course.

With each revival and production, The Wiz continues to enchant new generations of theatergoers, proving that this reimagined classic remains timeless. As we look forward to future revivals, these memorable performances remind us why The Wiz is indeed a fabulous way to experience the magic of Oz.

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Creative

Irish Theatre on Broadway

By Jordan Levinson

Irish theatre has a long and storied history on Broadway, dating back to the early 20th century. From the works of great Irish playwrights like George Bernard Shaw and Sean O’Casey to contemporary productions like “The Ferryman” and “Hangmen” Irish theatre has made a significant impact on the Broadway stage.

George Bernard Shaw at Shaw’s Corner, his home for 44 years (photo: Granger Historical Picture Archive / Alamy Stock Photo)

One of the earliest examples of Irish theatre on Broadway was George Bernard Shaw’s “John Bull’s Other Island,” which premiered in 1904. The play tells the story of an Englishman who travels to Ireland to build a hydroelectric power plant, but finds himself at odds with the locals and their way of life. The play was a success and helped establish Shaw as one of the leading playwrights of his time.

From left, Adam Petherbridge, Clare O’Malley, John Keating and Ed Malone in “The Plough and the Stars.”

Another notable Irish playwright who made an impact on Broadway was Sean O’Casey. His plays, including “Juno and the Paycock” and “The Plough and the Stars,” dealt with the struggles of working-class Irish families during the early 20th century. These plays were praised for their realistic depictions of life in Ireland and helped introduce American audiences to the political and social issues of the time.

The Weir 1999 Broadway Production Photo

A new generation of Irish playwrights emerged, including Brian Friel and Conor McPherson. Friel’s “Dancing at Lughnasa” (1991) tells the story of five unmarried sisters living in rural Ireland in 1936, while McPherson’s “The Weir” (1999) is a ghost story set in a remote Irish pub. Both plays were critical and commercial successes on Broadway, and helped establish Ireland as a major force in contemporary theatre.

In recent years, Irish theatre has continued to make an impact on Broadway. In 2012, “Once,” a musical based on the 2006 film of the same name, premiered on Broadway and went on to win eight Tony Awards, including Best Musical. The show, which tells the story of a Dublin street musician and a Czech immigrant who fall in love, was praised for its heartfelt music and authentic portrayal of life in Dublin.

Another recent Irish production that made waves on Broadway was “The Ferryman,” a play by Jez Butterworth that premiered in 2018. Set in rural Northern Ireland during the Troubles, the play tells the story of a family caught up in the conflict. “The Ferryman” was praised for its powerful performances and gripping storytelling, and won four Tony Awards, including Best Play.

(Mel Melcon/Los Angeles Times)

You cannot write a piece about Irish theatre without playwright Martin McDonagh, a renowned Irish playwright and screenwriter who has made significant contributions to Broadway. He is best known for his dark comedies and exploration of human nature through his works. McDonagh made his Broadway debut in 1998 with “The Beauty Queen of Leenane,” which was critically acclaimed and won four Tony Awards, including Best Play. He followed this up with “The Lonesome West,” “The Pillowman” and “Hangmen,” all of which were also well-received by audiences and critics. McDonagh’s works have brought a unique voice to Broadway, with their dark humor and complex characters. His contributions to the world of theater have helped to shape and define the modern stage, and his influence continues to be felt in productions around the world.

Gabriel Byrne’s “Walking With Ghosts”

Irish theatre on Broadway has also provided a platform for Irish actors to showcase their talent. Actors like Liam Neeson, Gabriel Byrne, and Saoirse Ronan have all appeared in Irish productions on Broadway, helping to raise the profile of Irish theatre in the United States.

Irish plays have captivated audiences with their poignant storytelling and authentic depictions of Irish life. As long as there are talented Irish playwrights and actors, Irish theatre will continue to thrive on the Broadway stage.

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Creative

Broadway’s Married Couples

We all know that theater is a labor of love. But some of Broadway’s brightest stars have taken that to heart more than others, looking within our own theater community for romantic partnerships. In preparation for Valentine’s Day, here’s Broadway’s Best Shows’ list of our favorite Broadway duos.

Audra McDonald & Will Swenson

Photo by Marc J. Franklin

Audra McDonald is the Tony-winningest performer in history. And if she represents Broadway royalty, then her husband of over 10 years, Will Swenson, undoubtedly stands as a king in his own right. While McDonald graced the stage most recently in Ohio State Murders, Swenson commanded the stage just across Times Square, leading the cast of A Beautiful Noise as Neil Diamond. The couple starred opposite each other in a 2015 Williamstown Theatre Festival production of A Moon for the Misbegotten by Eugene O’Neill.

Phillipa Soo & Steven Pasquale

Photo by Jeremy Daniel

Another pair of performers, Philippa Soo and Steven Pasquale recently mirrored their real-life relationship, playing lovers at the Kennedy Center in their 2022 production of Guys & Dolls. Individually, Soo has appeared in Hamilton, Amélie, and Camelot, while Pasquale’s credits include The Bridges of Madison County and American Son. The couple were married in 2017, following her star-making run in Hamilton and ahead of his engagement in Lincoln Center Theater’s Junk

Andy Karl & Orfeh

Photo by Amy Arbus

Likely the first Broadway couple that comes to mind for many, Andy Karl & Orfeh have been married since 2001, mere months after meeting when Karl joined the cast of Saturday Night Fever. The stalwarts have appeared together on the Broadway stage twice more since then, in 2007’s Legally Blond: The Musical and 2018’s Pretty Woman: The Musical

Christopher Fitzgerald & Jessica Stone

Photo: City Center

It might be a surprise to learn that the Tony-nominated director of Kimberly Akimbo and the upcoming Water for Elephants is married to the legendary character actor, of Wicked, Waitress, and now Spamalot fame. In true showbiz fashion, Fitzgerald and Stone met in 1999, performing opposite each other in the 1999 Encores! Concert of Babes in Arms at City Center, and married in 2001. As Stone transitioned from a performer to a director, they continued to work together – most notably, Stone directed the legendary 2009 production of A Funny Thing Happened on the Way to the Forum at Williamstown Theatre Festival, starring Fitzgerald as Pseudolus alongside an all-male cast.

Photo: Williamstown Theatre Festival

Lisa Peterson & Rachel Hauck

Photo by Jennifer Broski

A power couple off- and on Broadway, Rachel Hauck is the Tony-winning set designer of Hadestown, and Lisa Peterson is the two-time OBIE-winning director of new plays premiered around the country. They met while working at the Mark Taper Forum in 1996. Audiences might best know their project An Iliad, which Peterson wrote with performer Denis O’Hare, and which toured the country after its 2012 premiere. They most recently collaborated on the 2023 play Good Night, Oscar, which also marked Peterson’s Broadway debut. 

Charlotte d’Amboise & Terrence Mann

Photo by Joan Marcus

Triple threat Charlotte d’Amboise has been married to fellow performer Terrence Mann since 1996, after meeting over a decade prior when they were both in Cats on Broadway. D’Amboise has had a long career on the Broadway stage, including two Tony-nominated performances, but is maybe best known for her perennial stints as Roxie Hart in Chicago, to which she has returned more than 25 times for brief runs in the starring role. Mann, a three-time Tony nominee, has appeared in 14 Broadway productions since 1981. The couple most recently appeared together in the 2013 revival of Pippin, and have also co-founded Triple Arts, a training program for aspiring musical theater performers, which they operate and teach together.

Maryann Plunkett & Jay O. Sanders

Photo by Joseph Marzullo

Two veterans of the New York stage, Maryann Plunkett and Jay O. Sanders have been married since 1991. Each with decades-long careers on and off Broadway, the pair has appeared onstage together in Richard Nelson’s Apple Family and The Gabriels play cycles, as husband & wife in the former three plays and then as brother- & sister-in-law in the latter. Recently, their work on Broadway overlapped as Sanders finished up the final weeks of his run in Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch at Music Box Theatre, while Plunkett worked directly across 45th Street in tech rehearsals for The Notebook at the Gerald Schoenfeld Theatre.

Leslie Odom, Jr. & Nicolette Robinson

Photo by Marcus Middleton

Tony Award winner Leslie Odom, Jr. married Nicolette Robinson back in 2012, years before he would go on to become a household name as the original Aaron Burr in Hamilton, and she would make her own Broadway debut in Waitress. The couple are frequent creative collaborators, releasing music together, co-writing a children’s book, and most recently, teaming up as producers for the 2023 Broadway revival of Purlie Victorious, in which Odom also starred in the title role. 

Allan & Beth Williams

Broadway.com | Photo 30 of 43 | Great Balls of Fire! Million Dollar Quartet  Burns Up Broadway on Opening Night

Behind-the-scenes duo Allan Williams & Beth Williams have each been a part of over 65 Broadway productions in their careers to date. Allan is a veteran General Manager and Producer, recently serving as GM on Purlie Victorious, Good Night Oscar, and Diana the Musical and as Executive Producer on American Utopia, The Band’s Visit, and American Psycho. Beth is a Producer, who also served as CEO of Broadway Across America between 2008 and 2013. She has 12 Tony Awards to date, and her next show is the new musical Water for Elephants.

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Creative

“My Most Challenging Work” with Director Leigh Silverman

For 20 years, Leigh Silverman has built an impressive directing career in New York and across the country. Since her Off-Broadway debut with 2004’s Well at the Public Theater (which she would restage for Broadway two years later), Silverman has helmed five Broadway and over 30 Off-Broadway productions. 

Her Broadway credits include Chinglish, The Lifespan of a Fact, and Grand Horizons, among others, and her sixth Broadway show is this season’s new musical Suffs, which Silverman brings to the Music Box Theatre following its Public Theater premiere in 2022.

Her awards nods include a Tony nomination for her work on the 2014 revival of Violet and two Drama Desk nominations, one for directing the play From Up Here in 2008 and the other for the musical Soft Power. The latter happens to be the show that came to mind for Silverman when Broadway’s Best Shows asked about her most challenging work to date. See what she had to say about the difficult project, and her eye towards its future… 👀

Conrad Ricamora & Kendyl Ito in Soft Power at the Public Theater. Photo by Joan Marcus

This interview has been edited for clarity and concision.

Broadway’s Best Shows: What has been your most challenging work to date?

Leigh Silverman: This is such an interesting question because every project is rife with its own unique, amazing challenges. I love challenge when it is artistic in nature and forces my collaborators and me to imaginatively and rigorously grapple.

The most challenging work, using this framework, would be Soft Power, a musical I directed at the Ahmanson Theater in 2018 followed by a run at the Curran in San Francisco and was then produced at the Public Theater in 2019.

BBS: What was so difficult about this project? 

LS: This musical had been a dream of David Henry Hwang’s, with music by Jeanine Tesori, and was a true exploration/investigation of what is “possible” in musical theater.  David wanted to write a play that would shatter when the character of DHH is stabbed (a hate crime that did happen to the real David), and then the play would replay/transform into a musical complete with a full orchestra. He loved the structure of Anne Washburn’s iconic play, Mr. Burns, and in his own spin wanted to create an inverse to Rodgers and Hammerstein’s The King and I. So in his musical Soft Power, America’s struggles are musicalized through a futuristic Chinese musical lens. 

We faced challenges in tone and style as we tried to bend and twist and subvert and articulate why we love musicals, and why, even when they are so very problematic and racist, they still have the power to move us so deeply. All this while commenting on China’s possible future point of view about America as told through musical theater and thereby exerting their “soft power.”

BBS: How did you address and/or resolve the challenges?

LS: We worked tirelessly.  We love musical theater and wanted to make an exciting piece of musical theater that honored the form while interrogating it. We wanted to explicitly address the brutal and constant racism Asian Americans face. We worked and worked and worked and at one point Jeanine said to David, “David! Put your pancreas on the table!” That’s how hard we were all working.

BBS: Are you proud of the result?

LS: Extremely. But also it is unfinished. 

BBS: Is there anything you would do differently with the benefit of hindsight?

LS: The world has changed significantly since 2019 and I believe, when we get back to it, there will be fresh ideas and energy for reinvestigating David’s incredible vision.

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Creative

“My Most Challenging Work” with Set Designer Beowulf Boritt

Beowulf Boritt is one of the busiest set designers on Broadway. Since making his debut with 2005’s The 25th Annual Putnam County Spelling Bee, Boritt has designed the set of over 30 Broadway productions, earning two Tony Awards (from six nominations), and two Drama Desk Awards (from eight nominations) in the best scenic design category. His latest Broadway set was for Harmony, and next up is the upcoming revival of Thornton Wilder’s Our Town.

His 2023 Tony Award and Drama Desk Award wins were both for his design of the new musical New York, New York. These must have been particularly rewarding accolades, considering that show is the one Boritt named when we asked him about his toughest project to date. Here is Beowulf Boritt on his most challenging work to date:

An early sketch for ‘Wine & Peaches’ in New York, New York, courtesy of Beowulf Boritt.

This interview has been edited for clarity and conciseness.

Broadway’s Best Shows: What has been your most challenging work to date?

Beowulf Boritt: New York, New York (by John Kander, Fred Ebb, David Thompson, Sharon Washington, and Lin-Manuel Miranda at the St. James Theatre, Directed and Choreographed by Susan Stroman, 2023) was by far the largest, most complicated set I’ve designed. 

BBS: What was so difficult about this project? 

BB: The show required many, many locations in quick succession and it all had to squeeze into a Broadway theatre without a very big backstage. The rapid pace of the scene changes was hard because there were several 15-20 minute sequences in the show that were basically constant scene changes keeping the crew working at a fevered pace. For the first 10 days of tech, I think the crew and stage management just thought it was impossible, but they kept at it valiantly, and eventually, we got it all working efficiently, safely, and beautifully.

BBS: How did you address and/or resolve the challenges?

BB: We planned very carefully, making sure everything was exactly the size we had laid out in our technical drawings so it could all fit together like a giant three-dimensional Tetris game. We had to balance all these technical needs with the look of the design so it would all feel beautiful and effortless.

BBS: Are you proud of the result?

BB: I won a Tony Award for it, so that’s a nice cherry on top!

BBS: Is there anything you would do differently with the benefit of hindsight?

BB: The show was enormous. Perhaps too enormous to survive in the current Broadway climate. It was what the artistic and producing team wanted, I think, but I suppose in retrospect had we done a much simpler production it might have had a longer life.

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Creative

Which Broadway shows have won the most Tony Awards?

Broadway’s clearest indicator of notoriety is the Tony Awards. The annual ceremony has been celebrating excellence in New York theater since 1947 and has made actors, creators, and shows themselves become household names.

In our list, we’ll be listing which Broadway shows have won the most Tony Awards for a single production, though we’re giving shout-outs to Cabaret, Death of a Salesman, and La Cage Aux Folles as each has collected an impressive number of awards over their multiple productions throughout the years. So if awards mean the best Broadway shows to you, then see below.

Photo by Paul Kolnik

The Producers by Mel Brooks and Thomas Meehan

It may come as a surprise but the record for most Tony wins by a single production was set over 20 years ago.

Back in 2001, Mel Brooks and Thomas Meehan brought their hilarious 1967 film, The Producers, to the stage. The meta-musical about a pair of money-hungry Broadway producers who want to purposefully put on the worst show possible to fraudulently make money wowed audiences and critics. Nathan Lane starred alongside Matthew Broderick (both of whom would go on to star in the 2005 film adaptation) with Nathan Lane winning the coveted Best Actor in a Musical Tony Award.

Nathan Lane’s award is just one win of a whopping 12 as The Producers won in every single category it was nominated in, losing out only when multiple actors were nominated for the same award.

Photo by Joan Marcus

Hamilton by Lin-Manuel Miranda

You’d be forgiven if you believed Hamilton was top of the list when it comes to wins as it holds the record for most Tony Award nominations for a single production. Back in 2016, Hamilton was nominated for a staggering 16 awards in 13 categories. It was believed that it would equal or surpass The Producers as the Broadway show with the most Tony wins, but alas, it came home with 11. Wins include Best Musical, Best Direction of a Musical, Best Costume Design in a Musical, and Best Choreography.

Though Lin-Manuel Miranda lost the Best Actor in a Musical award to cast-mate Leslie Odom Jr., he still won two awards – one for Best Original Score and one for Best Book of a Musical.

Photo by David Schneimann

Billy Elliot by Elton John and Lee Hall

After the surprise run-away success of the independent film and considering its subject matter, it was no surprise when a stage adaptation of Billy Elliot hit the West End in 2006. Two years later, Billy Elliot the Musical came to Broadway sealing its status as “a global theatrical phenomenon” (Los Angeles Times).

In 2009, Billy Elliot the Musical was nominated for 15 awards (the same number of nominations as The Producers received) and won 11. The most notable award was that of Best Actor in a Musical as the three young actors – David Alvarez, Trent Kowalik and Kiril Kulish – who shared the role of Billy shared a single nomination and win.

Photo by Joan Marcus

South Pacific by Richard Rodgers, Oscar Hammerstein II, and Joshua Logan

If you were going to use cumulative Tony Award wins as a metric, South Pacific would be at the absolute top of the list.

During its first Broadway production in 1950, the Rodgers and Hammerstein masterpiece firmly cemented its place in Broadway history as one of the greatest musicals of all time. Not only did it win over audiences and critics, it also won every single Tony Award it was nominated for and a Pulitzer. In fact, it’s still the only production in history to win all four of the acting awards in the same year.

Since its premiere, there have been productions of South Pacific all over the world including multiple Broadway revivals each garnering praise and accolades in their own right. Its 2008 Broadway revival won seven further Tony Awards bringing the show’s cumulative total to an unbelievable 17.

Photo by Friedman-Abeles

Fiddler On The Roof by Jerry Bock, Sheldon Harnick, and Joseph Stein

Almost 60 years ago, Fiddler on the Roof took Broadway by storm. When it first opened in 1964, the now-classic musical wowed audiences and became the first Broadway musical to run for more than 3,000 shows. In fact, the original production won nine Tony Awards in 1965 and then received a special Tony Award in 1972 for the longest-running Musical in Broadway History bringing the total to 10.

Since its initial run, Fiddler on the Roof has had five revivals but has only received one further Tony Award.

Other shows that have been awarded 10 Tony Awards for a single production include David Yazbek’s The Band’s Visit and John Logan’s Moulin Rouge! The Musical.

Categories
Creative

What are the best shows currently on Broadway?

Whether it’s long-standing shows or a limited-run production, Broadway offers the best theater New York – and the world – has to offer. With over 40 theaters and a never-ending list of shows coming and going, it’s often hard to choose what to see. So, we’re going to give you our best Broadway shows for 2023.

Hadestown by Anaïs Mitchell

Greek myth is all the rage at the moment and Hadestown has added fuel to that hellfire. The musical based on the myth of Orpheus and Eurydice had a long road to Broadway but now it’s here, we don’t know what we would have done without it.

After workshops that started back in 2006, Hadestown finally landed a run on Broadway in 2019. It was an instant hit and garnered 14 Tony Award nominations of which it won eight.

The modern retelling of the ancient myth shows a young woman who chooses to sell her soul to Hades in a bid to ease her suffering. However, she is soon forced to work in his factory and her lover, a wannabe musician, attempts to save her from her miserable fate all set to an incredible soundtrack.

Currently playing at Walter Kerr Theater.

Kimberly Akimbo by David Lindsay-Abaire and Jeanine Tesori

This year’s Best Musical winner at the Tony Awards, Kimberly Akimbo, is a touching and joyful show centring Kimberly Levaco – a 16-year-old high schooler who suffers from an incredibly rare condition that makes her age rapidly – played by 63-year-old Victoria Clark.

The show, based on David Lindsay-Abaire’s 2001 play of the same name, is a clever and darkly absurd comedy about a teenager dying of old age. It’s set to a playful and uplifting score from Caroline, Or Change’s Jeanine Tesori and it’ll leave you with a newfound verve for life.

Currently playing at Booth Theater.

Moulin Rouge! The Musical by John Logan

This red-hot stage adaptation of Baz Luhrmann’s film of the same name enchanted audiences when it opened in June 2019. Even COVID-19 couldn’t slow down its momentum. After nine months of packed audiences and rave reviews, Moulin Rouge! The Musical was forced to close due to multiple cast members contracting the virus. They hoped to reopen a few weeks later but a few weeks turned into over a year when the whole of Broadway went dark. When doors reopened, audiences flocked to the windmill for the extravagant show and they weren’t disappointed.

Winning 10 Tony Awards – including Best Musical, Best Actor in a Musical (for Aaron Tveit) and Best Choreography – this tragic, brash, raunchy love story is filled with glitter and heart.

Currently playing at Al Hirschfeld Theater.

The Book of Mormon by Trey Parker and Matt Stone

You won’t know whether to laugh, cringe, or sing along with this dark satire that’s been winning over audiences since 2011. The Book of Mormon follows two young Mormon missionaries who are sent to Uganda to recruit local people to join the Church of Jesus Christ of Latter-day Saints. Once there, they’re made to face the realities of the world and the inconceivable hardships people have to undertake resulting in their faith being rocked.

From the creators of South Park, this tongue-in-cheek, outrageous, incredibly dark comedy musical makes social commentary no one thought possible (or appropriate) to make. But with nine Tony Awards under its belt and a run that looks infinite, it’s definitely a crowd-pleaser.

Currently playing at Eugene O’Neill Theater.

Sweeney Todd: The Demon Barber of Fleet Street by Stephen Sondheim and Hugh Wheeler

If A-listers are the name of your game, you’ll lose your head if you miss this killer revival.

Sweeney Todd: The Demon Barber of Fleet Street is arguably one of the greatest Broadway musicals of all time. Written by the late-great Stephen Sondheim, it features his signature and irreplaceable sound along with a true crime story you won’t be able to resist.

The current revival has won praise from all, with much of that admiration going to the show’s stars Josh Groban, Annaleigh Ashford, Jordan Fisher, and Gaten Matarazzo.

Currently playing at Lunt-Fontanne Theater.

Categories
Broadway's Best

Broadway’s Best Performances at the 76th Annual Tony Awards

Broadway’s Biggest Night was held on Sunday, June 11th! Host Ariana DeBose presided over the WGA strike-induced unscripted ceremony, which was held uptown at the United Palace for the first time in the Tonys’ 76-year history. 

Major winning productions included Kimberly Akimbo (Best Musical, Best Book, Best Score, Best Lead Actress for Victoria Clark, Best Featured Actress for Bonnie Milligan) and Leopoldstadt (Best Play, Best Direction of a Play, Best Lead Actor for Brandon Uranowitz, and more). Other notable winners included Alex Newell and J. Harrison Ghee, the first two openly non-binary performers to win Tony Awards, and this season’s productions of the Jason Robert Brown-Alfred Uhry musical Parade and Suzan-Lori Parks’ Topdog/Underdog, which nabbed the Best Revival of a Musical and Best Revival of a Play awards, respectively. See a complete list of the night’s winners here.

While the ceremony itself is but a memory now, the performances of all nine nominated musicals (and then some!) live on in the pantheon of Tony telecast performances past, an iconic treasure trove of Broadway history residing mostly on YouTube these days. Here are Broadway’s Best Shows’ picks for the season’s top numbers on the 2023 telecast.

Ariana DeBose leads a lyricless dance medley (no writing, remember?) to kick things off!

Brian D’Arcy James and Sara Bareilles duet ‘It Takes Two’ from Into the Woods, with a little help from Milky White

Ben Platt and Micaela Diamond perform Parade’s act two showstopper ‘This Is Not Over Yet’

Will Swenson whips the crowd up into a singalong of ‘Sweet Caroline’ with the cast of A Beautiful Noise: The Neil Diamond Musical

New York, New York’s Colton Ryan, Anna Uzele, and company croon their show’s opening and title numbers

Some Like It Hot shows off its now-Tony-winning choreography with its title song

Joaquina Kalukango tributes the end of Phantom’s Broadway run and those who the Broadway community has lost this year with an In Memoriam to be remembered

Lea Michele belts out ‘Don’t Rain on My Parade’ with the cast of Funny Girl to close out the ceremony