Michael Arden – Broadway's Best Shows

Broadway’s Best Shows of 2023

Shining a spotlight on the best all-around productions Broadway had to offer this year. And who better to make the top 10 picks than the site titled Broadway’s Best Shows? Keep an eye out for our listing of the year’s best performances!

A Doll’s House

Henrik Ibsen’s timeless classic took center stage once again, its 14th Broadway production but the first since 1997. The play’s 1889 exploration of the complexities of marriage, misogyny, and societal expectations remains as relevant as ever. With Jessica Chastain starring in a new barebones adaptation by Amy Herzog, this Jamie Lloyd-helmed production brought a fresh eye to this masterpiece. The revival ran at the Hudson Theatre in the spring.

Fat Ham

Shakespeare met hip-hop in ‘Fat Ham,’ a Pulitzer prize-winning bold reimagining of ‘Hamlet’ from writer James Ijames that electrified the stage of the American Airlines Theatre with its innovative fusion of classic and contemporary, after premiering at the Public Theater.

Here Lies Love

Immersive and pulsating with energy, ‘Here Lies Love’ was the unique theatrical experience that explored the life of Imelda Marcos. The show dazzled audiences with its interior transformation of the Broadway Theatre, inventive staging and infectious music from David Byrne and Fatboy Slim.

Merrily We Roll Along

Stephen Sondheim’s ‘Merrily We Roll Along’ finally gets its due, as superstars Jonathan Groff, Lindsay Mendez, and Daniel Radcliffe endure the deterioration of friendship and creative partnership nightly at the Hudson Theatre. The revival, the first since the production’s infamous initial flop, captures the conflict between friendship and ambition among artists, set to a particularly melodic Sondheim score.

Parade

Based on a true story, ‘Parade’ weaves a haunting tale of injustice and redemption in the American South. Starring Ben Platt and Micaela Diamond, the Broadway transfer of New York City Center’s 2022 gala production, brought the gripping narrative to life at the Bernard B. Jacobs Theatre with powerful staging from Michael Arden and Jason Robert Brown’s stirring score.

Prima Facie

The drama of the courtroom took center stage as this new play, on Broadway last spring from across the pond, tackles issues of justice and gender. Jodie Comer won a Tony Award for her compelling and thought-provoking exploration of the complexities of finding justice or healing for sexual assault survivors from within the legal system.

Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

A celebration of African-American culture and resilience, ‘Purlie Victorious’ is a jubilant comedy that remains relevant and uplifting 62 years after its original Broadway bow. Ossie Davis’s essential words are brought to resounding life by Leslie Odom, Jr., Kara Young, and the rest of the pitch-perfect cast under the direction of Kenny Leon. The revival runs at the Music Box Theatre through February 4, 2024.

Photo by Matthew Murphy & Evan Zimmerman

Sweeney Todd: The Demon Barber of Fleet Street

Stephen Sondheim’s macabre masterpiece continues to thrill audiences with its chilling tale of revenge and obsession. Josh Groban and Annaleigh Ashford give two of the great musical theatre performances of our times at the Lunt-Fontanne Theatre, with Aaron Tveit and Sutton Foster taking over the leads in early 2024.

Summer, 1976

Manhattan Theatre Club’s ‘Summer, 1976’ captured the essence of a generation in a nostalgic journey. Theatrical perennials Laura Linney and Jessica Hecht starred in this new play presentation at the Samuel J. Friedman Theatre.

The Thanksgiving Play

In the comedic exploration of political correctness, Larissa Fasthorse’s ‘The Thanksgiving Play’ satirizes the challenges of creating an inclusive holiday celebration. Finally premiering on Broadway after a 2018 off-Broadway premiere, the play tickled audiences at the Helen Hayes Theatre with standout turns from Chris Sullivan and D’Arcy Carden.

Broadway’s Best Directors Who Started As Actors

By Katie Devin Orenstein

Which Broadway directors gave onstage performances before leaping to the other side of the table? Find out below!

George Abbott

The larger-than-life Abbott, who lived until he was 107, directed over 50 Broadway shows, including the original productions of Pal Joey, On the Town, The Pajama Game, Once Upon a Mattress, and A Funny Thing Happened on the Way to the Forum. He made his Broadway debut as an actor in The Misleading Lady all the way back in 1913.

Michael Arden

This year’s Tony winner for Best Direction of a Musical for Parade, Arden made his Broadway debut as an actor in the 2003 revival of Big River, and also performed in Twyla Tharp’s The Times They Are A-Changin’.

Vinnette Justine Carroll

Vinnette Carroll became the first Black woman to be nominated for a directing Tony in 1973, for Micki Grant’s Don’t Bother Me, I Can’t Cope. She was nominated for both directing and writing the book of Your Arms Too Short to Box With God in 1976. Her numerous acting credits include the 1961 revival of The Octoroon.

Gower Champion

Champion was the original director and choreographer of hits like Bye Bye Birdie, Hello, Dolly!, and 42nd Street. He got his start as a dancer in 1940s revues like The Streets of Paris.

David Cromer

In between directing The House of Blue Leaves and The Band’s Visit on Broadway, Cromer found time to play racist Homeowner’s Association member Karl Lindner in Kenny Leon’s revival of A Raisin in the Sun, as well as appear opposite Jeff Daniels in the pilot of HBO’s The Newsroom. He is also currently starring in an off-Broadway production of Uncle Vanya.

Graciela Daniele

Graciela Daniele started her career as a dancer for legends like Bob Fosse and Michael Bennett – she was in the original company of Follies, and was the original Hunyak, a.k.a. Uh-Uh in “Cell Block Tango,” in Chicago. She’s since choreographed 9 Broadway shows, and directed and choreographed another 6, including Once on this Island. She is the only Latina nominee in history for Best Choreography and Best Direction of a Musical at the Tonys, and she won a Lifetime Achievement Tony in 2020.

Graciela Daniele’s Tony-nominated choreography:

Bob Fosse

Before he was the legendary director-choreographer of Pippin, Chicago, The Pajama Game, Sweet Charity, and the director of movies like Cabaret and All That Jazz, he made his Broadway debut as a dancer in the forgotten 1950 revue Dance Me a Song. He understudied the role of Joey in the 1953 Pal Joey revival that turned it into a hit, and played the role at City Center in between choreography jobs in 1963.

Maria Friedman

Friedman will direct this fall’s upcoming revival of Merrily We Roll Along. She is a celebrated Sondheim interpreter, and earned Olivier awards for her performances as Fosca in Sondheim’s Passion, as well as Mother in Ahrens and Flaherty’s Ragtime.

Tony Goldwyn

Tony Goldwyn is co-directing the upcoming Pal Joey rework at City Center, but he’s best known to television audiences as Scandal’s President Fitz, and he’s also going to appear this summer in Christopher Nolan’s Oppenheimer.

Kenny Leon

While Kenny Leon was the artistic director of Atlanta’s Alliance theater in the 1990s, he also found time to act in a number of TV shows– including The Rosa Parks Story, starring Angela Bassett. He won his Tony for directing A Raisin in the Sun in 2014, and is next represented on Broadway with Purlie Victorious, opening this fall.

Patrick Marber

Marber actually began his career in British sketch comedy. He then began writing for the English stage, and wrote and directed Closer, which transferred to Broadway in 1999 and was turned into a film directed by Mike Nichols in 2004. He is now known best for his work directing Tom Stoppard plays, including 2017’s Travesties and this season’s Leopoldstadt, for which he won his first Tony award.

Jerry Mitchell

Jerry Mitchell started dancing on Broadway as a replacement in A Chorus Line. He worked his way up to being Jerome Robbins’ assistant on Jerome Robbins’ Broadway, and choreographed You’re a Good Man, Charlie Brown in 1999. His first time directing on Broadway was the beloved Legally Blonde.

Casey Nicholaw

Nicholaw, who won a Tony this year for choreographing Some Like It Hot, was an ensemble member in 8 Broadway shows, including dancing Susan Stroman’s choreography in Crazy For You, and understudying Horton the Elephant in the original Seussical. Those performance chops came in handy this March, when Nicholaw went on as an emergency understudy in Some Like It Hot.

Nicholaw in the ensemble of *Seussical* (far right).

Jerome Robbins

Robbins, the legend at the helm of West Side Story, Fiddler on the Roof, and Gypsy, was born Jerome Rabinowitz, and began his career as a dancer in the 1920s in Yiddish modern dance companies. He was also a soloist with American Ballet Theatre in the early 1940s, and danced in George Balanchine’s Broadway revues. He choreographed Fancy Free for ABT, which he and Leonard Bernstein then transformed into his first Broadway choreography credit, On The Town.

Ruben Santiago-Hudson

Santiago-Hudson was Tony nominated for his direction of August Wilson’s Jitney, and has acted in three other Wilson plays on Broadway. He also wrote, directed, and starred in his one man show Lackawanna Blues.

Jessica Stone

Stone made her Broadway directing debut this year with Kimberly Akimbo, but her many credits as a performer include Frenchy in the 1994 Grease revival and replacing Sarah Jessica Parker as Rosemary in the 1996 revival of How to Succeed in Business Without Really Trying. Her next project is directing the Broadway-bound Water for Elephants, which just premiered at the Alliance Theatre in Atlanta.

Susan Stroman

Five-time Tony winner Susan Stroman, represented on Broadway this year with New York, New York, made her debut as a dancer in the country Western musical Whoopee! in 1979.

Schele Williams

Schele Williams, who will direct the upcoming revivals of The Wiz and Aida, was an ensemble member in the original production of Aida in 2001.

Williams understudied the title role in Aida – here she is singing “Easy as Life” from that show:

Jerry Zaks

Jerry Zaks is a four-time Tony winning director, including for his Broadway directing debut, The House of Blue Leaves. He’s also known for lavish revivals like Hello, Dolly! and The Music Man. His Broadway resumé goes back quite far – he originated the role of Kenickie in Grease.