Categories
Creative

Revisiting the Best Play Revival Tony Winners (2016-2026)

By Ben Schachne

With the 2026 Tony Awards concluded, another production has earned the Tony Award for Best Revival of a Play, joining a long tradition of bringing celebrated works back to or finally debuting on the Broadway stage. The category recognizes productions that offer fresh interpretations of established plays, whether through innovative direction, contemporary perspectives, or extraordinary performances. Over the past decade, these revivals have revisited some of Broadway’s most defining works while demonstrating how their stories can continue to resonate with modern audiences. Here is a look back at the Best Revival of a Play winners from the 2016–2026 Tony Awards.

2026: Death of a Salesman

Death of a Salesman is the most recent winner of the Tony Award for Best Revival of a Play and is one of the most reinventive and Tony Award-winning productions of the season. Written by Arthur Miller, the classic play follows Willy Loman, an aging 63-year-old traveling salesman as he faces mental decline, professional failure, and fractured family relationships in his efforts to achieve the American Dream. The sixth revival since its 1949 premiere, this production strips away every façade and convention for a dark and gritty abstraction of the material, setting the play within an expansive warehouse garage space to focus on the emotionally powerful performances from Nathan Lane and Laurie Metcalff.

2025: Eureka Day

Eureka Day opened in the 2024–2025 season alongside six other play revivals, standing out for its brilliant and timely exploration of community, public health, and the difficulty of agreement. Written by Jonathan Spector, the play follows the board of a progressive California private school as a mumps outbreak forces its members to confront opposing views on vaccines and individual freedom. Originating Off-Broadway in 2019, the Broadway production brought Spector’s acclaimed comedy to a wider audience with an ensemble-driven performance that balanced humor and tension while highlighting the complexities of navigating deeply divided communities.

2024: Appropriate

Appropriate opened in the 2023–2024 season alongside four other play revivals, bringing the darkly comedic family drama to Broadway that confronts buried histories and generational prejudice. Written by Branden Jacobs-Jenkins, the play follows three siblings who return to their late father’s Arkansas home to settle his estate, only to uncover disturbing objects that force them to confront their family’s past. Originally produced Off-Broadway in 2014, the Broadway production was deemed eligible for the revival category, with Sarah Paulson earning the Tony Award for Best Actress for her performance as Toni Lafayette.

2023: Topdog/Underdog


Topdog/Underdog opened in the 2022–2023 season alongside five other play revivals, bringing the Pulitzer Prize-winning drama back to Broadway for its 20th anniversary. Written by Suzan-Lori Parks, the tragicomedy follows two estranged brothers, Lincoln and Booth, whose troubled relationship and obsession with the street con game three-card monte force them to confront their complicated family history and identities. The second Broadway production since its 2002 premiere, the revival was praised for its intimate staging and the intense chemistry between Yahya Abdul-Mateen II and Corey Hawkins, whose performances captured the brothers’ volatile relationship, competing ambitions, and deep-rooted resentment.

2022: Take Me Out


Take Me Out opened in the 2021–2022 season alongside eight other play revivals, distinguished by the return of Scott Ellis’s stripped-down staging and landing in an era where the core themes of identity, race, and homophobia in sports remained profoundly relevant. Written by Richard Greenberg, the play follows Darren Lemming, a biracial star center fielder who comes out as gay, forcing his teammates to confront their own assumptions about race, masculinity, and sexuality as their championship season begins to unravel. The first Broadway revival since its 2003 premiere, the production was celebrated for its ensemble performances and intimate locker-room setting, with Jesse Tyler Ferguson winning the Tony Award for Featured Actor for his portrayal of Mason Marzac.

2020/2021: A Soldier’s Play

A Soldier’s Play opened in the 2019–2020 season alongside four other play revivals, bringing the Pulitzer Prize-winning play to Broadway for the first time since its star-studded Off-Broadway premiere in 1981. Written by Charles Fuller, the play follows Captain Richard Davenport as he investigates the murder of Sergeant Vernon Waters on a segregated Louisiana Army base in 1944, gradually uncovering tensions surrounding race, identity, and military service. The production featured a stark barracks-inspired set, a commanding ensemble, and standout performances from David Alan Grier and Blair Underwood, with Grier winning the Tony Award for Featured Actor.

2019: The Boys in the Band


The Boys in the Band opened in the 2018–2019 season alongside six other play revivals, marking the play’s 50th anniversary with an all-openly gay cast. Written by Mart Crowley, the play follows a group of gay men who gather for a birthday party in a Manhattan apartment, where old tensions and insecurities gradually surface over the course of one night. The first Broadway production since its 1968 Off-Broadway premiere, the revival recontextualized the play as a historical period piece, honoring the struggles of mid-century queer men while making the story accessible to modern audiences.

2018: Angels in America


Angels in America opened in the 2017–2018 season alongside nine other play revivals, introducing the revolutionary work to a new generation, brought together by Marianne Elliott’s ambitious staging, bold neon designs, and visceral physical theater to handle the epic seven-and-a-half-hour two-part structure. Written by Tony Kushner, the epic follows several New Yorkers during the AIDS crisis of the 1980s as their lives intersect through love, politics, religion, and questions of identity. The first Broadway revival since its 1993 premiere, the production starred Andrew Garfield and Nathan Lane, who both won Tony Awards for their performances as Prior Walter and Roy Cohn.

2017: Jitney


Jitney opened in the 2016–2017 season alongside eight other play revivals, finally completing the Broadway presentation of August Wilson’s ten-play American Century Cycle. Set in a Pittsburgh jitney station in 1977, the play centers on a group of Black cab drivers whose conversations about work, family, race, and generational conflict reveal the changing world around them. The play’s Broadway debut after its 2000 Off-Broadway run and almost 40 years after being written, the historic production was defined by its detailed period setting, tightly connected ensemble, and original music by Bill Sims Jr which helped create a vivid portrait of the community.

2016: A View from the Bridge


A View from the Bridge opened in the 2015–2016 season alongside ten other play revivals, delivering a stripped-down, highly abstract interpretation of the classic to highlight the raw, destructive nature of obsession. Written by Arthur Miller, the play follows Eddie Carbone, a Sicilian-American longshoreman whose growing obsession with his niece Catherine and her relationship with an immigrant creates a devastating conflict within his family and community. The fourth Broadway revival since its 1955 premiere, this production was led by Mark Strong as Eddie Carbone, with a minimalist boxing ring or cage-like set that physicalized how Eddie was trapped by his own repressed desires.

Categories
Broadway's Best Cover Story Creative

Play Revivals Coming in the 2026–2027 Season (On and Off-Broadway)

By Ben Schachne

With the end of the 2025–2026 Broadway season, Broadway’s Best Shows looked ahead to see what new productions of plays and musicals were slated to come to Broadway in the very eventful 2026–2027 theatrical season. 

Many new play revivals have recently been announced for the next season, with even more to be announced in the coming weeks and months. Let’s revisit the play revivals Broadway’s Best Shows has already discussed were coming, and take a look at what else to expect from the play revivals arriving both on and off-Broadway this Fall through Spring 2027 and beyond.


Three Days of Rain: François Arnaud (Heated Rivalry) and David Corenswet (Superman) will make their Broadway debuts alongside Yvonne Strahovski in Richard Greenberg’s play directed by Anna D. Shapiro. The play features three actors who play two roles each, the children in Act I and their parents 35 years earlier in Act II. Performances begin in February 2027 at a Shubert Organization-owned theatre to be announced.

All My Sons: Heavily rumored and most recently seen in the West End starring Bryan Cranston, Arthur Miller’s classic may return to Broadway. The play centers on Joe Keller, a successful businessman who secretly shipped defective airplane cylinder heads during World War II. The play exposes his guilt as his fault caused 21 pilot deaths, leading to a devastating family reckoning over greed and moral responsibility.

Downstate: Reportedly in the pipeline, Bruce Norris’s provocative tragicomedy which originally premiered at the Steppenwolf Theater in Chicago before transferring Off-Broadway in 2022 may be coming to Broadway. The play follows four men convicted of sex crimes against minors living together in a group home in downstate Illinois, and an explosive confrontation with a former victim. 

Small Mouth Sounds: Heard through the grapevine, newly Tony and Pulitzer Prize-winning playwright Bess Wohl’s play which ran Off-Broadway in 2016 could be coming to Broadway. Following six city dwellers at a five-day silent retreat guided by an unseen guru, using almost no dialogue to explore human pain, humor, and the need for connection.

School Girls; Or, The African Mean Girls Play: First produced off-Broadway in 2017, School Girls will premiere on Broadway this September at the Samuel J. Friedman Theatre. A comedy about a beauty contest amongst Ghanaian schoolgirls, it will star Tony winner Patina Miller and Tony nominees Denee Benton and Jasmine Amy Rogers. 

Other Desert Cities: Julia Louis-Dreyfus will make her Broadway debut in an all-star revival of this play about exposed family secrets, directed by John Benjamin Hickey and opening at the Hudson Theatre in October. It costars Tony nominees Allison Janney, Lily Rabe, and Ed Harris, alongside Stranger Things’ Joe Keery.

A Few Good Men: Lincoln Center will produce the first revival of Aaron Sorkin’s play, opening in October at the Vivian Beaumont Theatre and directed by Michael Arden. The military courtroom drama was first staged in 1989 and was later adapted into an award-winning film starring Tom Cruise, Jack Nicholson, and Demi Moore. The LCT revival will star Bradley Whitford and Tom Blyth.

Much Ado About Nothing: Jamie Lloyd will also direct a revival of Shakespeare’s classic at the Winter Garden Theatre – opening this fall, before his adaptation of Evita rolls into the same venue. It’s also a transfer from London, starring Tom Hiddleston and Hayley Atwell.

The Imaginary Invalid: A new adaptation of Moliere’s classic comedy about a hypochondriac, The Imaginary Invalid was adapted by and will star Bill Irwin. It’s scheduled to play the Todd Haimes Theatre this fall, with performances beginning September 25th.

Awake and Sing!: A revival of the classic 1935 play about a Brooklyn family during the Great Depression will start previews in December at the Samuel J. Friedman Theatre. It will star Tony winner Danny Burstein and Tony nominee Jessica Hecht, recently seen on Broadway in Marjorie Prime and Dog Day Afternoon, respectively.

Gloria: Pulitzer-winning playwright Branden Jacobs-Jenkins’ comedy about magazine assistants will make its Broadway premiere next spring at the Helen Hayes Theatre. It will likely be considered original, although it was previously staged at the Vineyard Theatre Off-Broadway. His play Appropriate was considered a revival, but his 2025 Pulitzer-winning Purpose won the Tony for Best Play.

Seven Guitars: Premiering Off-Broadway, Lincoln Center will produce a revival of August Wilson’s play at the Mitzi E. Newhouse Theater directed by Ruben Santiago-Hudson. The American Century Cycle play will star Jason Dirden, Russell Hornsby and Kristolyn Lloyd, among others, and is set to open in November with a limited run through January.

Categories
Broadway's Best Creative Tony Awards

Revisiting the Best Play Tony Winners (2016-2026)

By Ben Schachne

Each Broadway season culminates with one new play joining an exclusive group of works recognized with the Tony Award for Best Play, the highest honor bestowed upon an original dramatic production. More than recognizing the year’s finest new play, it serves as a snapshot of the stories that resonated most with audiences and voters, reflecting the artistic priorities, social conversations, and theatrical innovations of their time. Some Best Play winners have gone on to become modern classics with enduring productions around the world, while others remain closely tied to the specific moment in which they premiered. Looking back at the Best Play winners from the 2016 through 2026 Tony Awards reveals a decade of Broadway defined by bold new voices, timely themes, and an ever-evolving vision of what great theatre can be.

2026: Liberation


Liberation is the most recent winner of the Tony Award for Best Play and one of the defining new dramas of the 2025–2026 Broadway season. Written by Bess Wohl, the memory play intertwines humor with emotional insight as it follows a present-day woman revisiting the unfinished feminist ideals of a 1970s women’s liberation group, exploring how each generation inherits, challenges, and reshapes the dreams of those who came before. In a season with seven other new plays and many esteemed revivals, Liberation distinguished itself through its timely themes, inventive structure, and poignant storytelling, emerging as the 2026 Pulitzer Prize for Drama winner that speaks as powerfully to contemporary audiences as it does to the past.

2025: Purpose

Purpose opened during the 2024–2025 season alongside thirteen other original plays and was the 2025 winner for the Pulitzer Prize for Drama. Written by Branden Jacobs-Jenkins, the play follows a prominent Black political family whose carefully cultivated legacy begins to unravel during a tense family gathering, using humor and emotional honesty to examine power, generational expectations, and the burdens of inheritance. In a season filled with accomplished and beloved new plays, Purpose delivered a gripping theatrical experience, acting as a thematic cousin to Jacobs-Jenkins Tony Award-winning play revival Appropriate from the previous season.

2024: Stereophonic

Stereophonic opened during the 2023–2024 season alongside ten other original plays, quickly becoming a critical and commercial sensation through its immersive realism and extraordinary ensemble performances. Written by David Adjmi, with original music by Will Butler, the play transports audiences into a 1970s recording studio, where a rising rock band struggles to complete a career-defining album as artistic ambition, creative tension, and personal relationships threaten to tear the group apart. Exploring the cost of collaboration, the pursuit of perfection, and the fragile nature of success, Stereophonic captivated audiences with its intimate, fly-on-the-wall storytelling and authentic 1970s-inspired rock score, becoming the most Tony-nominated play of all time. 

2023: Leopoldstadt

Leopoldstadt opened during the 2022–2023 season alongside a whopping sixteen other original plays, quickly emerging as one of the season’s most acclaimed dramas through its semi-autobiographical historical context and emotional depth. Written by Tom Stoppard, the play spans more than fifty years as it follows a prosperous Jewish family in Vienna through assimilation, rising antisemitism, and the Holocaust, exploring identity, memory, and heritage across multiple generations. Deeply personal for Stoppard, Leopoldstadt offered a moving examination of one family’s history against the backdrop of one of humanity’s darkest chapters.

2022: The Lehman Trilogy

The Lehman Trilogy opened during the 2021–2022 season alongside eleven other original plays, captivating audiences with its epic 2 and remarkably inventive theatrical storytelling. Written by Stefano Massini and adapted into English by Ben Power, the play traces the rise and fall of the Lehman family across more than 160 years, charting their journey from immigrant shopkeepers to the founders of a financial empire whose collapse helped trigger the 2008 global financial crisis. Told by just three actors portraying dozens of characters, The Lehman Trilogy transforms the rise and fall of a financial dynasty into an intimate saga about ambition, legacy, and the pursuit of the American Dream.

2020/2021: The Inheritance

The Inheritance opened during the 2019–2020 season alongside ten other original plays, earning widespread acclaim for its ambitious and emotional examination of contemporary queer life. Written by Matthew López, the two-part epic follows a group of young gay men in New York as they grapple with love, loss, identity, and the legacy of the AIDS crisis, drawing inspiration from E. M. Forster’s Howards End. Balancing intimate personal stories with larger questions of history, community, and belonging, The Inheritance offers a powerful reflection on what one generation owes the next and the importance of preserving collective memory.

2019: The Ferryman

The Ferryman opened during the 2018–2019 season alongside twelve other original plays, bringing a critical chapter of Northern Ireland’s history to the Broadway stage. Written by Jez Butterworth, the play unfolds over a single harvest day in rural Northern Ireland in 1981, where a close-knit family’s gathering is disrupted by the lingering violence and political tensions of the Troubles. Weaving together family drama and political tension, The Ferryman examines the lasting consequences of conflict, revealing how history continues to shape families long after the fighting appears to have ended.

2018: Harry Potter and the Cursed Child

Harry Potter and the Cursed Child opened during the 2017–2018 season alongside seven other original plays, expanding one of the world’s most beloved fictional universes onto the stage through an entirely new theatrical experience. Written by Jack Thorne from an original story by J. K. Rowling, John Tiffany, and Thorne, the play takes place nineteen years after the conclusion of the original Harry Potter series, following Harry’s son Albus and Draco Malfoy’s son Scorpius as they navigate friendship, family expectations, and the consequences of their parents’ pasts. Combining elaborate stagecraft, illusion, and a richly imagined continuation of the wizarding world, Harry Potter and the Cursed Child redefined what the Broadway play can do, becoming the highest-grossing and third longest-running straight play in Broadway history.

2017: Oslo

Oslo opened during the 2016–2017 season alongside ten other original plays, transforming one of the late twentieth century’s most consequential diplomatic negotiations into a riveting work of political theatre. Written by J. T. Rogers, the play dramatizes the secret backchannel talks that led to the 1993 Oslo Peace Accords, following the Norwegian intermediaries in pursuit of peace between Israel and the Palestine Liberation Organization. Adapted into a Critics’ Choice Award-winning HBO television film in 2021, Oslo reveals the human complexities behind international diplomacy and the extraordinary risks required to bridge seemingly impossible divides. 

2016: The Humans

The Humans opened during the 2015–2016 season alongside twelve other original plays, turning an ordinary Thanksgiving dinner into one of Broadway’s most unsettling and evocative family dramas. Written by Stephen Karam, the play follows three generations of the Irish-American Blake family as they gather in a cramped Manhattan apartment, where long-buried anxieties, financial struggles, and personal disappointments gradually surface over the course of a single evening. A finalist for the 2016 Pulitzer Prize for Drama, The Humans uses grounded dialogue and psychological suspense to capture the quiet fears and fragile relationships that define contemporary American family life.

Categories
Broadway's Best Creative Tony Awards

Revisiting the Best Musical Tony Winners (2016-2026)

By Ben Schachne

With the conclusion of the 2026 Tony Awards, another production has earned the coveted title of Best Musical, the honor every original Broadway musical strives to achieve and one that winners proudly carry throughout their run and long after the curtain falls. More than simply recognizing artistic excellence, the Tony Award for Best Musical often reflects the evolving tastes of Broadway, speaks to the cultural moment in which it is awarded in, and shapes the future of musical theatre for years to come. Yet the award’s history is marked by both transformative, universally celebrated victories and more obscure, controversial choices that continue to spark debate. Here is a look back at the last ten Best Musical winners from the 2016–2026 Tony Awards.

2026: Schmigadoon!

Schmigadoon! is the most recent winner of the Tony Award for Best Musical and the 2025–2026 season’s most accessible crowd-pleaser. Adapted from the Apple TV+ musical series, with music, lyrics, and a book by Cinco Paul, the show serves as the ultimate love-letter to Broadway’s Golden Age, parodying beloved classics like Brigadoon, Oklahoma!, The Music Man, and The Sound of Music in a laugh-out-loud satirical fashion. In a relatively underwhelming season that produced only six original musicals and four Tony nominees for Best Musical, Schmigadoon! emerged as the safest and most universally appealing choice, offering an entertaining, family-friendly spectacle that all audiences can enjoy.

2025: Maybe Happy Ending

Maybe Happy Ending opened in the 2024–2025 season alongside thirteen other original musicals, yet quickly emerged as one of Broadway’s newest fan-favorites. Featuring lyrics and a book by Will Aronson and Hue Park, with music by Will Aronson, the show beautifully follows the lives and developing relationship of two retired helper-robots, Oliver and Claire, in a futuristic Seoul as they discover what it means to be human. Exploring themes of love, mortality, and memory, Maybe Happing Ending brings a small cast with a big heart to the Broadway stage like nothing before and is still currently running, recently becoming the longest-running production to play at the Belasco Theatre.

2024: The Outsiders

The Outsiders opened in the 2023–2024 season alongside fourteen other original musicals, immediately gaining popularity due to its immersive staging, thrilling choreography, and name recognition. Adapted from S. E. Hinton’s 1967 classic, with a book by Adam Rapp and Justin Levine, and music and lyrics by Jonathan Clay, Zach Chance, and Levine, the show reinvigorates the story of The Outsiders in a powerful way, staying true to the heart of the story while taking liberties to strengthen the material. Currently still running, The Outsiders has become one of the biggest new musicals on Broadway with a legacy that is still continuing to be built.

2023: Kimberly Akimbo

Kimberly Akimbo opened in the 2022–2023 season alongside eight other original musicals, delivering a heartfelt and comedic coming-of-age story about mortality, family dysfunction, and adolescent self-discovery. With lyrics and a book by David Lindsay-Abaire and music by Jeanine Tesori, the musical follows Kimberly, a teenager living with a rare genetic condition that causes her body to age at four times the normal rate, creating the unusual opportunity for an older actress to portray both the struggles of adolescence and the weight of a shortened life. With a total run of 644 performances over seventeen months, Kimberly Akimbo made a relatively short but powerful impact on Broadway with its original storytelling, winning over now long-running commercial hits like & Juliet.

2022: A Strange Loop

A Strange Loop opened in the 2021–2022 season alongside eight other original musicals and is the Pulitzer Prize-winning musical exploration of Black and queer identity that was unfortunately hindered by a post-pandemic season of rebuilding. Featuring music, lyrics, and a book by Michael R. Jackson, the show explores themes of identity, self-perception, and faith through Usher, a young, queer, Black Broadway usher attempting to write a musical about a young, queer, Black Broadway usher writing a musical. While A Strange Loop received widespread artistic and critical acclaim, it struggled to compete with blockbuster newcomers such as SIX and MJ, closing after just 314 regular performances over nine months.

2020/2021: Moulin Rouge!

Moulin Rouge! The Musical opened in the 2019–2020 season alongside just three other original musicals, temporarily closing less than a year after its premiere with every other Broadway production due to the COVID-19 pandemic. Based on Baz Luhrmann’s acclaimed 2001 film of the same name, with a book by John Logan and music and lyrics by various artists, the musical has become one of modern Broadway’s defining smash hits, captivating audiences with its iconic jukebox soundtrack, lavish spectacle, and electrifying performances. While the material may have been strengthened by a stunted season, Moulin Rouge! became the only musical from its season to recoup its $28 million investment, and after seven years on Broadway, it has announced a closing date for August 30, 2026. 

2019: Hadestown

Hadestown opened in the 2018–2019 season alongside ten other original musicals and has since become a defining work of the Broadway canon, celebrated for its haunting folk and jazz-inspired score and its raw, modern retelling of ancient Greek myths. Featuring music, lyrics, and a book by singer-songwriter Anaïs Mitchell, the musical reimagines these timeless stories through poetic storytelling, a striking atmosphere, and powerhouse performances that allow an array of unique ranges and styles to be on display. With its recent record-breaking live stage-capture film debut, Hadestown has continued to reach new audiences, cementing its place as one of the most influential and enduring musicals of its generation.

2018: The Band’s Visit

The Band’s Visit opened in the 2017–2018 season alongside six other original musicals, distinguishing itself from its flashier, IP-driven competitors with an intimate, understated, and deeply human story. Adapted from the 2007 film, with a book by Itamar Moses and music and lyrics by David Yazbek, the show follows an Egyptian police orchestra stranded in a remote Israeli desert town, using its atmospheric score and quiet storytelling to explore themes of loneliness, cultural understanding, and human connection. Though it never became a mainstream commercial phenomenon, The Band’s Visit proved that subtle, character-driven storytelling could resonate just as powerfully, sweeping the Tony Awards’ “Big Six” categories and running for 589 regular performances over eighteen months.

2017: Dear Evan Hansen

Dear Evan Hansen opened in the 2016–2017 season alongside twelve other original musicals,  distinguishing itself in a remarkably strong season with its emotionally resonant exploration of mental health, loneliness, and the complexities of human connection in the digital age. Featuring a book by Steven Levenson and music and lyrics by Benj Pasek and Justin Paul, the musical helped redefine contemporary Broadway by following a deeply flawed protagonist and pairing its timely themes with a soaring pop-rock score that produced modern standards such as “Waving Through a Window.” Dear Evan Hansen has since become one of the most influential musicals of the past decade, inspiring countless recent regional productions, spawning a feature film adaptation, and running for 1,672 regular performances over nearly six years.

2016: Hamilton

Hamilton: An American Musical opened in the 2015–2016 season alongside eleven other original musicals after becoming an immediate sensation during its Off-Broadway run, transferring to Broadway with an unprecedented $27.6 million in advance ticket sales. With music, lyrics, and a book by Lin-Manuel Miranda, the musical revolutionized Broadway through its groundbreaking fusion of hip-hop, rap, R&B, and traditional musical theatre; its color-conscious casting of historical figures; and its extraordinary cultural impact far beyond the stage. Widely regarded as one of the most defining works of 21st-century musical theatre, Hamilton continues to shape the art form more than a decade after its Broadway premiere, reaching millions through its live productions, its acclaimed live stage-capture, and its best-selling cast recording.

Categories
Broadway's Best Creative Tony Awards

The Lights That Made The Show: Best Lighting Design 2025-2026

By Ben Schachne

A Look at the Best Lighting Designs Behind the 2026 Tony Nominees

Lighting design shapes the atmosphere of a Broadway production in ways audiences often feel before they consciously notice it. Through shifts in color, shadow, and focus, lighting guides attention, defines mood, and transforms the emotional temperature of a scene from one line to the next.

Across the 2025–2026 Broadway season, lighting designers demonstrated exceptional artistry, using everything from subtle naturalistic illumination to vibrant theatrical effects to heighten the impact of each production. The productions below illustrate how light can transform the stage from moment to moment, intensifying drama, revealing character, and turning live performance into a truly immersive experience. 

The Lost Boys

Winner of the 2026 Tony Award for Best Lighting Design of a Musical, The Lost Boys uses light not simply to illuminate the stage but to shape the production’s entire atmosphere, making it feel like a character in its own right. Jen Schriever and Michael Arden combine an eclectic palette of lighting instruments, from warm spotlights and cool ellipsoidals that evoke haunting moonlight to glowing neon-inspired signs and bulbed strip lighting that frames the set. Rarely allowing the stage to be fully illuminated, their design cloaks the world in deep shadows, creating an ever-shifting landscape where characters and scenery can emerge from the darkness at precisely the right moment.

Cats: The Jellicle Ball

Nominated for the 2026 Tony Award for Best Lighting Design of a Musical, Cats: The Jellicle Ball defines its bold reinterpretation not only through its storytelling but through a lighting design that transforms the entire visual world of the production. Just as Qween Jean’s costumes celebrate the glamour and self-expression of Ballroom culture, Adam Honoré’s lighting channels the energy of Ballroom, evoking the exhilaration of runway shows and performances with vivid color and dynamic movement. Saturated hues, shimmering reflections, and radiant beams dance across the production’s massive disco ball, enveloping the theatre in an atmosphere that is as electrifying and unforgettable as the Jellicle Ball itself.

Death of a Salesman

Winner of the 2026 Tony Award for Best Lighting Design of a Play, Death of a Salesman features one of the season’s most riveting and unconventional lighting designs by Jack Knowles. Set within a vast, warehouse-like garage, the production relies almost entirely on light sources from the overhead fluorescent fixtures, the headlights of a parked car, and the floodlights pouring in through the rear window and the wings. Fleeting moments of warm light occasionally pierce the otherwise cold palette, but the stage remains largely enveloped in shadow, reinforcing the play’s oppressive atmosphere and mirroring the fractured inner mind of Willy Loman.

Bug

Nominated for the 2026 Tony Award for Best Lighting Design of a Play, Bug embraces one of the season’s most naturalistic approaches to theatrical lighting, reinforcing the production’s raw and unfiltered aesthetic. Set inside an Oklahoma motel room, Heather Gilbert’s design relies almost entirely on practical sources, from warm sunlight streaming through the window to the ordinary lamps and fluorescent fixtures that illuminate the space. The breathtaking illusion of shifting daylight gradually gives way to the room’s harsher artificial light, subtly mirroring the characters’ unraveling psychological states as their grip on reality begins to deteriorate.

Chess

Nominated for the 2026 Tony Award for Best Lighting Design of a Musical, Chess employs dynamic, vibrant lighting to define its world and amplify the production’s emotional and political stakes. With a deliberately minimal scenic design, Kevin Adams’ lighting becomes the primary tool for shaping each environment, converting the stage from the stark intensity of international chess tournaments to the electric energy of the streets of Bangkok. Dominated by opposing washes of blue and red, the design frequently places the two colors in contrast before allowing them to merge into shades of purple, a blatant visual metaphor for the Cold War conflict between the United States and the Soviet Union.